‘Unsolved Murders: True Crime Stories’: a podcast series launched by Parcast

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Photography provided by Parcast Network.

June 27, 2016— “Unsolved Murders: True Crime Stories” released a thrilling, new podcast episode this week titled “Lights, Camera, Murder”. “Unsolved Murders” is a recently launched podcast series Produced by Parcast and co-Founded by Max Cutler and Ron Cutler (son and father). Parcast created this multi-dimensional podcast network as a flagship series with an acute focus on cold case files. The first three episodes of “Unsolved Murders” pertain to “The Axeman”, a serial killer in New Orleans. And the second series of podcasts within most recent episodes revolve around “Hollywood’s First Murder”. Please bear in mind these episodes are not intended for children—the podcast contains a great deal of graphic and bloody details—therefore viewer discretion is strongly advised. Nonetheless, “Unsolved Murders” is an enticing and haunting mixture of a classic radio show, a theatrical script and a murder-mystery-book-on-tape that morphed into the form of a modern day podcast. Narrated by Carter Roy and Wenndy Mackenzie, “Unsolved Murders” combines the beauty of audio and sound design with the articulate eloquence of literature and storytelling. The professional sound effects, dialogue and delivery within each episode of the show are compelling—and the audio is very clear and precise to the ears. Listeners can almost hear the amount of time, heart and energy that Parcast’s talented crew of employees dedicated into this podcast just by the quality of presentation and sound.

Reminiscent of a riveting and spooky time machine, “Unsolved Murders: True Crime Stories” take us back, safely, to mysterious cold cases like The Axeman from the 20th century in New Orleans when his murderous and diabolical rampage in Louisiana began. Actors and a sound crew portray all the voices of the witnesses, the victims, the locals and the police. The footsteps in the dark and the screams in the night. The audience can feel the fright, and yet the lovely melodies from the jazz era that trickle in throughout the podcast add a sense of playfulness and lightness in the midst of a dark, heavy story. Listeners come to know the presence of The Axeman by the bone chilling audio of his weapon hacking into flesh and bone after carving his way in the back door with a blade. Even though the murderer is a mystery, the audience comes to learn about his obsession for jazz music and the fact he was a deranged man who believed he was inhuman. And by the end of “The Axeman” episodes, the narrators swap theories as to who they believed to be the violent serial killer.

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Max Cutler, Co-founder and President of Parcast, consented to a phone interview in June 2016 with Arts & Entertainment Writer for Examiner, Nicolette Mallow to discuss “Unsolved Murders: True Crime Stories”, the launch of Parcast and The Axeman of New Orleans.

Nicolette Mallow: Will you tell me about your love for radio and storytelling? How did this all begin from childhood to adulthood?

Max Cutler: I’ve always loved radio and I was born into it. But I remember when I was 4 to 5 years old that it really became part of me. My dad (Ron Cutler) worked in radio and operated 12 national radio shows when I was growing up called Cutler Productions. His company was also the #1 in comedy. However, my love for storytelling happened as I got older and then I grew an interest in true crime and mysteries. Looking back, my dad had a profound impact on my career. He was also a storyteller that wrote a novel titled “The Secret Scroll” … As an adult I wanted to start my own company and I wanted to pursue the entertainment business. Obviously I love radio for many reasons but what I hope to gain from “Unsolved Murders” is not only to share crime stories and top quality audio productions, but I want to bring people together and help take away the daily stress of life. People are very stressed out sometimes and to help lessen the stress of others in the form of radio and storytelling for 20 minutes, or an hour, is a very good thing. Its important to relax and unwind.

NM: Will Parcast and its podcasts networks focus solely on “Unsolved Murders” or do you and your team intend to cover and produce other topics of interest?

MC: “Unsolved Murders” is the first show but there will be five to seven new shows within the next year that cover other topics than cold cases, such as education or history. We started with this genre because I love mystery and true crime stories 100%. And there is also a large community that appreciates cold cases. So from a business standpoint it’s also a hot topic that has a market. “Unsolved Murders” is about my passions and entertaining the interests of others… Parcast came to be so that we could take audio and radio to the next level. There are many great, high quality podcasts out there that are up to par. But a large majority of the podcasts these days are lacking in sound quality and production with a lot of holes to be filled. Parcast has the most talented crew working with us and I am so grateful for my team that my father and I assembled. The whole company is very gifted and talented. We spent a lot of time searching and recruiting voice actors, writers, and we have a great digital engineer (Ron Shapiro) that brings the sound of the axe to life. It took about 3 to 4 months to get it right, but we are just very overwhelmed and excited about this start. “Unsolved Murders” already ranked #5 out of 300,000 podcasts. It’s just a really humbling experience and we all look forward to the future.

NM: “Unsolved Murders” begins with the story of “The Axeman” and all the podcast episodes about this cold case are so captivating. I didn’t want to stop listening to the audio. Although I admit I probably will not listen to the podcast right before bedtime. Anyway, the sound quality is amazing and I love the voice actors and the narrators. Y’all did a great job and I look forward to more episodes… How did you come to hear of The Axeman?

MC: Thank you. I am glad you enjoy it and I appreciate the compliments… The Axeman is ranked among the Top 10 serial killers to never be caught. Our podcast focuses on serial killers and cold case crimes that aren’t as well known as criminals like Jack The Ripper or The Zodiac Killer. We didn’t want to focus on the commercial cases the media already had a field day with. A lot of research lead me to the launch of this series about The Axeman. Another reason I chose this story is because it gets me upset when someone gets away with a crime and justice is not served, so this podcast is also a way to never forget the case. It’s just a very interesting and scary story about a clearly deranged criminal.

NM: Yes, he is very deranged. That episode entailing the letter written by The Axeman to himself and when its read aloud in that sinister voice on the podcast. The letter he wrote to the police. It was very creepy and disturbing how he claims that he is a demon, inhuman. And The Axeman even writes the return address as being from ‘hell’ just like the infamous Jack The Ripper… Did people really believe this guy was a demon? And was it ever made clear why he demanded people go to jazz halls and listen to jazz music in order to be spared from his axe?

MC: Actually, yes, many people did believe he was a demon. And many people even thought The Axeman was somehow Jack The Ripper manifesting in another continent at another time. You can’t make this up! We have to remember this is the early 20th century in New Orleans, a very superstitious place. When the newspaper in New Orleans published his letter in 1919, locals and immigrants were terrified and became very scared of this ‘inhuman’ criminal. Which is why most of the city went out that one Tuesday night to listen to jazz music at “12:15 earthly time” just as The Axeman demanded. However, there is a common theory that perhaps the The Axeman was actually a musician and needed to get paid. Regardless, The Axeman had a sense of control over this town and the fact he was never convicted only added to the stigma that he was supernatural. It was a huge topic all around Louisiana and a #1 hit jazz song about The Axeman was written about him.

For more information about “The Axeman” series, Parcast network and the podcast “Unsolved Murders: True Crime Stories” please visit their website, iTunes or SoundCloud. (The podcast is also available on Google play for those with Androids.) Stay tuned and subscribe to receive the latest information of new episodes and upcoming shows.

 Note: This article was originally published on Examiner.com in June 2016.   

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Letter from the Axeman written to The New Orleans Police Department. March 13, 1919.

Salvador Dalí gallery at ART on 5th reaches its closing week

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“Mad Tea Party” by Salvador Dalí. Photography provided by ART on 5th gallery.

Prints by Salvador Dalí will be on display for only a few more days at ART on 5th in Austin, Texas. Also known as Ao5, evident within this art gallery are colorful butterflies, portraits, eroticism, symbolism and storytelling, as well as the notorious melting clocks that Salvador Dalí is well known for. All original copies, The Salvador Dalí art exhibition entails many printmaking pieces, too. Printmaking is a significant and unique form of art that launched in the 1400’s. And the last day to see this timeless exhibit of prints is Saturday, March 12, 2016.

Born in Spain the year of 1904, Salvador Dalí is an artist of the 20th century whom was talented in many art forms that included the following: painting, illustrations, sculpture, fashion, photography, writing, architecture and film. Known greatly for his work revolving around surrealism, Dalí’s artwork is captivating and haunting, unforgettable; a kaleidoscope of colors. A master of his craft, he tantalized, hypnotized and sometimes horrified the world with his powerful, one-of-a-kind artwork. After an extensive career of great publicity and artistic beauty: Salvador Dalí died of heart failure at the age of 84. Thankfully, the memory of his artistic legacy is immortal and will live on forever.

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ART on 5th released a final promotion to inform locals in Austin, Texas that this is the last week to see the exhibition, “ART on 5th will be hosting a stunning exhibition of over 50 authenticated Salvador Dalí prints until March 12, 2016. The work spans three decades of the artist’s career, from the 1950’s – 1970’s, and includes a sampling of images from 6 different series by this artist. Owned by a private art collector in the northeast, this gallery is part of a larger collection of Dalí prints. Dalí worked in series and we have images from a wide variety of his series, including “Memories of Surrealism”, “Les Diners de Gala”, “Biblia Sacra”, “The Twelve Apostles”, “The Divine Comedy” and many others. One particularly interesting series is the 1973 “Les Caprices de Goya”, which Salvador Dalí created by printing over—adding color and new image details to the original series “Los Caprichos”, by 18th century Spanish artist Francisco Goya. As a result, each of these pieces bear the signature of both artists. There is a helpful description of “Les Caprices de Goya” online. Another interesting fact to note about the work: many of the pieces from the “Divine Comedy” series are deconstructions, which means they are sort of artists proofs that may have been used to test plates or colors before doing the entire edition. For instance, we have one on display called “Dante Purified” which only has the pink and the blue inks from the image are printed. It is an incomplete version of the image as it was released in the final publication of the edition.”

Located on 3005 South Lamar, admission to the gallery at ART on 5th is free of cost. For more information regarding ART on 5th and their hours of operation, please call 512-481-1111 or visit their website at www.arton5th.com

To explore more about this artist, please visit Artsy’s Salvador Dalí page which provides visitors with Dalí’s bio, over 1300 of his works, exclusive articles, and up-to-date Dalí exhibition listings. A current exhibition is featured at The Royal Academy of Arts in London from 7 October 2017 — 3 January 2018. 

 Note: This article was originally published on Examiner.com in March 2016. 

Celebrity personal trainer Larysa DiDio talks fitness, healing and Kung Fu

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Larysa DiDio. Photography by Jack Plunkett.

Celebrity personal trainer and writer Larysa DiDio was a featured fitness instructor at Prevention Magazine’s third annual R3 Summit. Sporting hot pink Nike shoes, athletic gear and a stylish braid: DiDio taught her groundbreaking workout, Fit in 10, that maximizes results in only 10 minutes a day. Afterward, DiDio consented to an interview in the Press room with local Arts & Entertainment Examiner, Nicolette Mallow, on Jan. 16, 2016 at ACL Live at The Moody Theater in Austin, Texas.

Nicolette Mallow: You’re a remarkable athlete and clearly you posses a strong, resilient body to be such a steadfast, successful and powerful instructor. However, when athletes (male or female) get injured. It can be very difficult, almost emasculating, to feel weak doing something that used to come naturally to our bodies. How do you handle injuries, or what advice to you give clients (athletes) when they are in the recovery process after an injury or surgery? How do you keep the mind focused on the end goal without overworking the body in the process, or feeling as if the body lost its physical power?

Larysa DiDio: Week-to-week progress is how I look at my fitness goals when I am injured. Being kind to ourselves as individuals is also an important factor. Talk to yourself positively—turn the negative into a positive—and the healing process goes a lot smoother. Mind over matter really is a huge part of fitness and staying focused. For instance, I’ve broken my ankles twice. The first time I was really annoyed and frustrated. And that did not help me heal any faster nor did it alleviate the pain. Later on, the second time around when I broke my ankle playing outside with my son. Even though I was not pleased to break a bone: I knew what to expect and I had a positive outlook. I knew that in time my ankle would heal and it wasn’t something that would last forever. The second break was a lot easier and the healing process was far less stressful or straining.

NM: For the beginners just starting out fitness classes with no prior athletic training, it can feel overwhelming and intimidating being around those with athletic skills. What is your advice?

LD: The gym should be a haven for everybody, especially beginners. For beginners, the gym is not a place of competition. It’s completely natural for a beginner to be afraid and there’s no shame in that. I advise those just beginning to enroll in fitness classes and work out in groups. That way everyone is in it together, learning the ropes and finding their strengths and weaknesses… When I started fitness classes as a kid, I watched Jane Fonda videos. I watched her videos so repeatedly the video would skip. Jane Fonda was a great teacher.

NM: Do you believe massage therapy is essential to the fitness lifestyle?

LD: Yes. Massage therapy is absolutely essential. And if people cannot afford massage therapy regularly than they should invest in a foam roller and explore foam rolling exercises. It applies the same kind of pressure and manifests the same results as massage therapy.

NM: Out of all the exercises you have mastered or explored. Do you have a favorite workout?

LD: Yes, I love learning Kung Fu. Martial arts has become my favorite workout! I love learning how to train with weaponry. I love Tai Chi. It’s not only logical so that I can and will defend myself if need be. But it’s very empowering and I love crossing the standard gender roles. It’s a great workout for men and women alike.

“Larysa DiDio is a celebrity personal trainer and fitness author. With over 20 years experience in helping celebrities, Olympians, professional athletes as well as moms, dads, and kids meet their health and fitness goals. Also, an accomplished writer of “Sneaky Fitness: How to Slip Exercise Into Your Kids Everyday”– Larysa has provided exciting articles and content for national and trade publications as well as blogs and websites. She’s currently an expert health and fitness contributor to Prevention Magazine, host of “The Perfect” online videos and host/co-creator of “Strogation” and “Fit in 10” Fitness DVD’s with Prevention Magazine. Larysa has appeared on Good Day NY, Better TV and CBS Morning segments to name a few and has been featured in over 50 national women’s magazine. Larysa spends time at schools, hospitals, wellness seminars, and on television motivating and inspiring others to live a healthy, active lifestyle.”

www.larysadidio.com

Note: This article was originally published on Examiner.com in January 2016.

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Dr. Travis Stork gets to the heart of the matter at Prevention’s R3 Summit

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Dr. Travis Stork speaking about heart disease at Prevention Magazine’s 3rd annual R3 Summit at ACL Live at The Moody Theater on Jan. 16, 2016. Photography by Jack Plunkett.

Dr. Travis Stork educated listeners about the human heart and how it operates at Prevention Magazine’s 3rd annual R3 Summit held at ACL Live at The Moody Theater on Jan. 16, 2016. Dr. Stork works in the emergency room and he seeks to advise people about the warning signs of heart malfunction and when to seek immediate medical attention. Joining him on stage was R3’s Master of Ceremonies, Dr. Jennifer Ashton, a Board-certified ob-gyn and fellow co-host of the Emmy®- Award–winning show “The Doctors”, ABC Chief Health Correspondent. Together, the two doctors delivered a compelling, interactive, playful and graphic presentation regarding heart disease and other medical miscellany.

Heart disease is the number one killer for both women and men. And Dr. Travis Stork says that too many people neglect the warning signs or the red flags of heart-related health problems due to factors such as lack of knowledge or lack of awareness. Sadly a lot of people are unaware of the symptoms or they unknowingly confuse a heart attack for something less severe like fatigue, numbness, indigestion or nausea. Resulting in a heart that goes untreated, sometimes until it’s too late. “Time is muscle” and Dr. Stork wants everyone to be aware of the facts.

Dr. Travis Stork is an Emmy®-nominated host of the award-winning talk show, ‘The Doctors’, and a board-certified emergency medicine physician. He graduated Magna Cum Laude from Duke University as a member of Phi Beta Kappa and earned his M.D. with honors from the University of Virginia, being elected into the prestigious honor society of Alpha Omega Alpha for outstanding academic achievement. Based on his experiences in the ER, Dr. Stork is driven to teach people how to prevent illness before it happens. As a motivational speaker on the topic of health and wellness, Dr. Stork teaches people how to achieve optimal health by focusing on the 200-plus seemingly inconsequential health decisions people make throughout each day.”

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Prior to his presentation at Prevention Magazine’s R3 Summit—Nicolette Mallow, an Arts & Entertainment Examiner within Austin—interviewed Dr. Travis Stork in the Press room.

Nicolette Mallow: Working as an ER doctor, obviously you deal with a lot of blood and trauma. You have numerous patients in dire pain and distress, sometimes on the verge of life or death. How do you handle such high volumes of pressure and chaos on a daily basis and remain calm all the while to serve and heal your patients?

Dr. Travis Stork: Being an ER doctor is a lot like anything else. A learned skill. For instance, I am sure when you began writing and interviewing people that it made you nervous. You had doubts, fears and hesitations. Everything can be scary in the beginning. As an ER doctor, I felt all those emotions and fears in the beginning. But as time went by it became more and more of a routine and I overcame my fear. When you have a patient gushing or squirting out massive amounts of blood: you have to learn to overcome the fear, manage the stress and work under pressure.

NM: What is one aspect of being a doctor that Medical school could not prepare you for?

DTS: The healthcare system. It’s a beast. Nothing at school could’ve ever prepared me for that and it’s most definitely a huge problem that I was not prepared for. Fortunately doctors are becoming more vocal about our dysfunctional healthcare system and seek to improve the inadequacies.

NM: A veteran who served our country overseas as a Combat medic in the US Army during times of war once told me that the heart is the most important organ in our body. People often think it’s the brain, but he told me that the brain can die and yet the heart stays awake. Which is what happens when people go into a coma. Do you agree that the heart is our most imperative organ?

DTS: Yes; without a doubt the heart is the most crucial organ. Let’s say someone’s brain is damaged after a heart attack or the brain stops functioning. The result is not because the brain died or was damaged on its own without cause. It doesn’t just happen for no reason. When oxygen flow is cut off from the heart to the brain, tissue dies. The effect of such scar tissue is damage (sometimes permanent damage) to the brain. Our heart pumps out blood and oxygen that flows into every particle, cell and organ within the body.

For those unable to hear Dr. Travis Stork’s live presentation at the R3 Summit, there is plenty of information provided by online. Please refer to his videos “Signs of a Heart Attack” and what happens to the body during a “Heart Attack”.

Note: This article was originally published on Examiner.com in January 2016.

The Crusader Bible: A Gothic Masterpiece illuminates The Blanton Museum of Art

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“Crusader Bible: A Gothic Masterpiece” – The Blanton Museum of Art at The University of Texas at Austin.

Showcased by The Blanton Museum of Art at The University of Texas at Austin, The Crusader Bible: A Gothic Masterpiece is a traveling art gallery highlighting an illuminated Medieval manuscript from the 13th century. Traveling to seven different countries in the world over a timeline of seven centuries, this French Gothic manuscript from the Middle Ages is created by seven anonymous artists. Depicting selected stories from the Old Testament, retold in the era and culture of Medieval period, originally this one-of-a-kind manuscript was designed to be a picture-book without any script. These colorful illustrations were intended to portray biblical stories without any annotations, explaining why each drawing is so very graphic, specific and characteristic. However, as the Crusader Bible journeyed seven times from France to Italy, Poland, Persia, Egypt, England and the United States: alterations were made and inscriptions were added in various languages, including Latin, Persian and Juedo-Persian.

Upon entrance into The Crusader Bible: A Gothic Masterpiece, the rooms of the gallery are glittering with 40 illuminated pages of gold leafs (pure gold that has been hammered down into thin sheets). The gold is still so remarkably shiny that it’s almost hard to believe this manuscript is nearly 1000 years old. Even under dimmed lighting within a museum, the gold leafs on the pages are so prominent and bold that the display cases within the gallery shine similarly to a jewelry display case. Fortunately the Crusader Bible has withstood the tests of time and it comes to no surprise that these handmade manuscripts are very challenging to make, often taking many years to complete. There is a very specific and thorough process to creating illuminated manuscripts, beginning with the preparation of the parchment paper. Parchment paper derives from animal skin and once it’s finished after weeks of preparation. Then scribes would begin inscriptions. Once the scribe had finished their task, the illuminator left its mark on the parchment paper before sending the manuscript over to bindery. An illumniator is the artist whom illuminated the manuscript with silver or gold leafing. They were responsible for lighting up the pages with precious metals.

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Silver, gold and colorful illuminations aren’t the only part of the Crusader Bible that catch the eye. The carbon black inscriptions also carry a dominant presence. Admiring all the various scripts in different languages is quite compelling because it notes the seven foreign locations and cultures the Crusader Bible ventured to. The number seven is believed to be a divine number of truth and mysticism within numerology studies and spiritual texts. Therefore it’s an interesting coincidence that the number seven plays such a predominant and powerful role in the history of the Crusader Bible. Furthermore, the black calligraphy is immaculate in every language and it took scribes endless hours to complete the script; using a quill pen to write the script and a knife to cut away ink errors when necessary. The carbon black ink used by the scribes is referred to as lampblack. And even though most of us cannot read Latin, Persian or Juedo-Persian. With the use of modern technology and an application called Layar, guests can scan the Medieval manuscript and the application translates it for you right that instant.

Additionally, this special exhibit also features European arms and armor, an illustrated book from Persia, and a large display case featuring many of the tools, rocks, metals and pigments used to inscribe, illustrate and illuminate the parchment paper. There is also a video to regard the process from preparing the parchment paper to the final result in bindery. The Crusader Bible: A Gothic Masterpiece will be on display until April 3, 2016. For more information regarding The Blanton Museum of Art and its hours of operation, admission, upcoming exhibitions or membership, please call 512-471-7324 or visit www.blantonmuseum.org.

“The Blanton Museum of Art at The University of Texas at Austin presents The Crusader Bible: A Gothic Masterpiece, an exhibition of over forty unbound pages from the one of the most celebrated French illuminated manuscripts of the Middle Ages. The illuminations include some of the most compelling visualizations of the Old Testament, bringing Bible stories to life through vivid images that reflect medieval culture and the world of the Crusades. Designed to resonate with thirteenth-century French viewers, biblical characters are depicted as battling knights, equipped with contemporary arms and armor, and situated within medieval French towns. Loans from the Metropolitan Museum, including a shirt of mail, sword, prick spur, and war hat, will augment visitors’ understanding of the weaponry featured in the Crusader Bible. On loan from the Morgan Library & Museum in New York, the Crusader Bible features Old Testament scenes in medieval settings, with brilliantly colored illustrations attributed to seven anonymous artists. To provide historical context for the Bible, the presentation features medieval arms and armor from New York’s Metropolitan Museum of Art. Also included are sixteenth-century Persian illustrations from the Metropolitan and the Ardashīr-nāma, a seventeenth-century Judeo-Persian manuscript of Old Testament stories from The Jewish Theological Seminary of America in New York. The history of the Crusader Bible is fascinating, covering seven centuries and multiple continents. Likely created in Paris during the 1240s for King Louis IX of France— famous for building the Sainte-Chapelle and for leading two crusades— the Bible then passed to the king’s younger brother, Charles of Anjou, who took it to Italy. More than four centuries later, the Archbishop of Cracow acquired and offered it as a diplomatic gift to the great Shah of Persia, ‘Abbas I. By the eighteenth century, the manuscript belonged to an anonymous Persian Jew. After its journey from France to Italy, Poland, and Persia, the Bible traveled to Egypt, England, and finally to the Morgan Library & Museum in the United States. The Crusader Bible, which originally had no text, bears inscriptions in Latin, Persian, and Judeo-Persian. They function as evidence of its changing ownership throughout the centuries and reflect how each owner used his language to lay claim to the book, appropriating its imagery for assimilation into their respective cultures.”

Note: This article was originally published on Examiner.com in December 2015.  

Elvis Costello’s memoir: Unfaithful Music & Disappearing Ink

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Autograph by Elvis Costello.

Elvis Costello was the featured guest for an interview with Evan Smith at Book People in Austin, Texas on October 20, 2015. Recently, Costello wrote a memoir titled Unfaithful Music & Disappearing Ink. This exclusive interview was part of his book tour. Entering the room with a light-colored hat, dark suit and vest, black-framed glasses, one gold ring on each hand and slick, black leather shoes: Elvis Costello descended the stairwell from the third floor to discuss the book and his life lived in music thus far. The entire second floor of Book People was filled with attendees and so many people were present that quite a few were listening in the back without a view of Elvis Costello; only able to hear voices echoing over the microphones. Fortunately I was able to grab a front row seat and sit on the floor.

Music is clearly the anthem of his life and the focus of his career. He’s been part of the industry over 40 years. The book is a collection of memoirs entailing his entire life, with a emphasis on his career. During the interview Elvis Costello answered numerous questions and mentioned various musical stories regarding Paul McCartney, The Beatles, T Bone Burnett, Tony Byrne, Jimmie Vaughan, and Jimi Hendrix. Reluctantly, he even rehashed the old SNL incident back in December 1977 that got him banned from the show for nearly 12 years. Additionally, he spoke of his favorite gigs played in Austin and the time they performed at the Armadillo Festival in 1978.

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To much delight, Costello was also very open and willing to share the more personal stories of his past about family, his love and lust for women, or the curse of memory. Costello mentioned that memory, and the fear of losing memory, were two strong factors that compelled him to write the book. He discussed the long process of writing his autobiography and how the process was simplified with the patient support of his wife through her assistance to help organize old memories. Many of his relatives, he said, suffered dementia and Costello didn’t want any memories stolen away in the event that time or health altered his mind. Unafraid to go behind-the-scenes and express life offstage, it was interesting to listen to him speak about how he’s changed over several decades from when he began his musical career as a young man in his 20’s until now in his 60’s. I wanted my stories to be told by me, in accuracy. I didn’t want them retold in a way that didn’t hold true to my life,” he stated to Evan Smith.

In regards to Elvis Costello’s past, the topic of family and his memories of childhood were predominant, reoccurring themes throughout the interview. Many old photographs of times past were presented on a large screen, even a heartfelt video of his father performing live on television and dancing on stage whilst singing “If I Had A Hammer”. Elvis Costellospoke fondly about both his parents and there was great love and adoration in his voice when he shared old memories and his love for family. Nonetheless, there was a huge emphasis on his father, Ross McManus, a well-known musician and trumpet player. In fact, Costello made a point to inform the audience that October 20th, that very day, was indeed his father’s birthday. A particularly poignant memory of childhood included Costello telling the audience how he peeked around the back of the TV as a small boy to see if he might find his father behind the machine, only to realize that his dad was on stage in a studio. I found those sorts of memories to be the most endearing because only a child could think someone or something could transform into a miniature size and fit inside a TV. Costello’s honesty and his ability to tell old memories as if he were reliving it that very moment humanized his life story and made the interview all the more refreshing to hear.

Growing up in a house of music, all my life I’d heard the name ‘Elvis Costello’ and I knew he was a musician, singer-songwriter and record producer from England. I knew he’d been inducted into the Rock and Roll Hall of Fame and I knew he’d been to Austin many times to perform. The city of Austin has always loved hosting Elvis Costello shows and over the past 20 years: I’d seen his name printed all over line-ups in the press. But to be quite frank, I really had no idea how in-depth his career was or how influential he was until this interview and until I began reading his memoir. Not only did I walk away that night learning and absorbing new insights about a famous musician born in Europe. That evening I became an Elvis Costello enthusiast. Just listening to the stories during the interview had me intrigued, eager to finish the rest of his book I’d only obtained one day prior to the event. However, the moment when he surprised us with live music and began to play “Everyday I Write the Book” and I heard those lyrics for the first time only a few feet away from Elvis Costello in the flesh and blood: I felt a strong connection to the music. I wanted to hear more. My heart was so deeply moved by the words in his lyrics that it almost made me want to cry, in a good way. Since then I’ve started to read many of his lyrics and it’s clear to me now why he’s become a global success for 40 years. Elvis Costello is an artist whom posses a distinct voice and an edge. An artist that followed his heart and writes from the heart. A one-of-a-kind artist with innate gifts of articulation, imagination and passion. Gifts that cannot be taught nor bought.

Furthermore, Costello read a few chapters from his newly released memoir, Unfaithful Music & Disappearing Ink. Ending the evening on a high note, that’s when he played a bit of live music for the audience. We even got a little history lesson about his guitar in-between songs. A short video of his performance that I recorded from my seat can be found here on YouTube: Elvis Costello playing music at Book People.

Elvis Costello’s memoir was released in October 2015. The nearly 700 page story hasn’t been on the bookshelves that long but it’s already receiving quite a bit of positive feedback and attention from the media. Posted verbatim on his official website, “Born Declan Patrick MacManus, Elvis Costello was raised in London and Liverpool, grandson of a trumpet player on the White Star Line and son of a jazz musician who became a successful radio dance-band vocalist. Costello went into the family business and before he was twenty-four took the popular music world by storm. Costello continues to add to one of the most intriguing and extensive songbooks of our day. His performances have taken him from strumming a cardboard guitar in his parents’ front room to fronting a rock and roll band on our television screens and performing in the world’s greatest concert halls in a wild variety of company. Unfaithful Music & Disappearing Ink describes how Costello’s career has endured for almost four decades through a combination of dumb luck and animal cunning, even managing the occasional absurd episode of pop stardom. This memoir, written entirely by Costello, offers his unique view of his unlikely and sometimes comical rise to international success, with diversions through the previously undocumented emotional foundations of some of his best-known songs and the hits of tomorrow. It features many stories and observations about his renowned cowriters and co-conspirators, though Costello also pauses along the way for considerations of the less appealing side of fame.”

Unfaithful Music & Disappearing Ink can be purchased online or at your local bookstore. For more information regarding Elvis Costello, his book tour, list of albums or other miscellany: please visit the website at www.elviscostello.com.

“Don’t tell me you don’t know what love is. When you’re old enough to know better. When you find strange hands in your sweater. When your dreamboat turns out to be a footnote. I’m a man with a mission in two or three editions. And I’m giving you a longing look. Everyday, everyday, everyday I write the book. Chapter One we didn’t really get along. Chapter Two I think I fell in love with you. You said you’d stand by me in the middle of Chapter Three. But you were up to your old tricks in Chapters Four, Five and Six. The way you walk. The way you talk, and try to kiss me, and laugh. In four or five paragraphs. All your compliments and your cutting remarks. Are captured here in my quotation marks. Don’t tell me you don’t know the difference. Between a lover and a fighter. With my pen and my electric typewriter. Even in a perfect world where everyone was equal. I’d still own the film rights and be working on the sequel… Everyday I write the book.” – Elvis Costello

Note: This story is originally published on Rank & Revue in July 2015.

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Tears of Diamonds & A Heart of Silver: The Legendary Bill Carter and The Blame

nicolette mallow

Bill Carter. Photography by Pat Kondelis.

Walking into The High Road to see Bill Carter play music, I knew I would recognize him on stage but I was ambivalent whether or not he would recognize me in return. For six years at a distance, periodically on Wednesday nights I’ve seen and heard Bill Carter perform with other artists in the annex at Z Tejas on West 6th street in Austin, Texas. Everyone always loves the nights they perform at the Z, even the staff. Sometimes you cannot even get a seat because it’s so full. From a distance I noticed Mr. Carter always wore glasses, a hat of some sort, and I detected that he possessed a lot of tattoos on his hands and forearms with heavy-looking, silver and metallic jewelry adorning his wrists, fingers and neck. He looked like a rock star, and I always thought he must’ve been a cool cat to talk to. Come to think on it, I never actually had a direct conversation with Mr. Carter, or the band, even if polite hellos and friendly smiles were exchanged. Until today.

Stepping back in time a moment, there was one particular night at the Z when I was sitting at the edge of the bar, people watching. Musicians were on stage, silently setting up shop with their guitars, amps and other miscellany. Pretending to listen to my headphones and iPod so no one would bother me, when in actuality no music was playing at all. I heard a group of older men complimenting the musicians. Pointing out who Bill Carter was amongst the group, I also heard the men say that Johnny Depp once joined Carter on stage to play music at The Continental Club, which I found most interesting and exciting.

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 Finally, after six years of watching from the crowd, I set forth to interview Mr. Carter, and he was kind enough to oblige after the show at The High Road on March 14, 2015. Walking into the room for an early daytime show, behind the stage were giant glass windows that opened up to a swimming pool and a lovely view of downtown Austin. The sky was so blue and there wasn’t a cloud in sight. Palm trees blowing in the wind. I was sitting and listening to Bill Carter’s first song – “Richest Man” – which almost made me cry, in a good way, and I had to fight the urge to show intense emotions of sadness and bittersweet nostalgia at the table before it’s even dusk. Something about the lyrics and the mood of this track reminded me of my favorite song by Bob Dylan titled “Boots of Spanish Leather”.

“If teardrops were diamonds from the African mines. If heartaches were silver.

My whole life would shine. And I’d be the richest man.

I’d be the richest man. In the world.” – Bill Carter

Right at that moment, I looked up the lyrics of Bill Carter’s song. I was reading the words as he was singing them at The High Road, something I had never done before at the Z. Suddenly it dawned on me that I had yet to do my research on his background – or even read his website – which I had intended to do later on in the day. Regardless, as I was reading his website off my iPhone and other various articles about him on the web while he music echoed in my heart and ears. Suddenly I realized just how gifted and innovative Bill Carter is within the world of songwriting and music. Suddenly I felt stupid for never having personally introduced myself to him before to show respect, artist to artist. Until then, I was unaware that I was in the presence of a legend, a keystone to the songwriting and music industry the past few decades. Even if I had known I was in the present of a talented musician.

According to his website, Bill Carter and The Blame has been a pillar of the Austin music scene for nearly three decades, helping shape the city’s rich musical history along with songwriting partner Ruth Ellsworth. Over 200 artists have found gold in the songwriting genius of this Texas Troubadour, including Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Palmer,The Counting Crows, Storyville, Omar and The Howlers, The Brian Setzer Orchestra, Ruth Brown, John Anderson, and Waylon Jennings. Bill Carter and The Blame’s evolving lineup has hosted some of the world’s greatest musicians, including guitarists Charlie Sexton and Denny Freeman (Bob Dylan Band), Chris Layton (SRV Double Trouble), Dony Wynn (Robert Palmer), Mike Thompson (The Eagles), Johnny Depp, Billy Gibbons, Brian Setzer and many others. Carter is also a founding member of the famed Hollywood band “P” with Gibby Haynes of The Butthole Surfers, Johnny Depp, and Sal Jenco. They released the eponymous album ‘P’ in 1995 on Capitol Records, featuring Steve Jones from the Sex Pistols, Flea, and Ruth Ellsworth.”

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Bill Carter and Johnny Depp on The Late Show with David Letterman.

As the show at The High Road came to an end, I was almost too timid to walk up to the stage to introduce myself and kindly ask for an interview once he broke down his equipment on stage. Though I am glad I mustered up the courage to make a proper introduction and ultimately write a story about this great artist. Secretly I was also relieved that he recognized me from Z Tejas, which made the introduction less intimidating.

Nicolette Mallow: From the perspective of a songwriter and musician performing in the official SXSW showcase, do you enjoy the festival and how have you seen it change over time?

Bill Carter: Yes. I think it’s great and I think it’s come full circle from how it all began. SXSW has evolved so much over the years. I’ve been in Austin since 1976 and when the first festival took place in 1987: it was predominantly local musicians and it was very small in comparison to what it’s become today, a million times bigger than the start. As time went by, more and more big names came into town, which was nice because it built the festival into something much more powerful. As time went by, however, it seemed to become more about mainstreams artists and less about the local music scene. Now it seems to be an infusion of both, and I am certainly happy to see more local artists performing this year. My wife (and songwriting partner, Ruth Ellsworth) and I first got involved with SXSW through our mutual love for songwriting. She and I have written hundreds of songs together. Honestly I identify most with being a songwriter and I prefer to be recognized as a songwriter more so than I like to be described as a musician or performer.

NM: Regarding the upcoming SXSW show at The Continental Club, which other musicians will be performing with you?

BC: Accompanying me that night will include artists like Will Sexton, Dony Wynn and Charlie Sexton.

NM: Is the Continental Club your favorite venue in Austin to perform at?

BC: (He smiles.) Yes. It is my favorite venue. Many of the venues I grew to love are now long gone. The original Antone’s on West 5th was another place I loved to play music but then it was relocated and it wasn’t the same. They are going to reopen a new Antone’s downtown and I am anxious to see what it is like and if it will have the same vibes as the original location.

My next question was more a question of curiosity. Even though I worried it might seem counterproductive to ask Carter about another artist in the few minutes I had to interview him. I couldn’t help but wonder about the Johnny Depp rumor. I formed a silly, girlish crush on Johnny Depp decades ago after the film “Cry Baby” came out in the 90’s when I was a kid and was saddened when suddenly every girl in the world had a crush on him, too.

NM: I remember hearing at Z Tejas that Johnny Depp once accompanied you on stage at The Continental Club for a musical performance. Is this true?

BC: Yes. I’ve been playing music with Johnny for decades. I’m the godfather of his children and he’s a great friend of mine. We once formed a band in the spur of the moment in the 1990’s called “P”. We were the headlining band for the Austin Music Awards for SXSW. Johnny was in Texas, nearby Austin, filming “What’s Eating Gilbert Grape” and he came into town for the gig. The band included Gibby Haynes of The Butthole Surfers, Johnny Depp, Sal Jenco and I.

NM: You’ve won many awards and have obtained many prestigious recognitions, your career is remarkably full. I’m very impressed by all I’ve read and heard. Therefore I am curious, what aspect of your artistry and your career are the most rewarding and fulfilling?

There was a brief pause before he answered.

BC: Well, my wife and I have written so many songs together. Many of those songs we wrote have later on been covered by artists I respect and admire. Stevie Ray Vaughan covered our song “Crossfire” and Robert Palmer covered “Why Get Up”. To be acknowledged, appreciated and respected by great artists like these whom I esteem, value and respect has been the most rewarding and fulfilling aspect of my career. There was also one night on David Letterman I particularly enjoyed. Johnny Depp and I played “Anything Made Of Paper” together, which is a song my wife and I wrote. It’s about the West Memphis Three case. A case that involved three teenage boys who were accused of murder and placed in jail for life before they even hit adulthood. It’s a powerful story, check it out.

NM: Austin has changed so much in the 20 years I’ve lived here, off and on. Since you’ve been here so much longer than I, and have seen a lot more growth. Do you think you and your wife will stay in Austin with all the vast changes in the city?

BC: That’s a good question. The growth in Austin has been difficult for me over the decades. The venues changed. The music scene changed. The people changed. It used to be a funky, intermingled town that was quiet and serene with a booming music scene. It was cheap and easy to get around. It was so beautiful then. Around the late 80’s, maybe 1988 or 1989, that city died out and something else began to evolve. I’m sure you’ve seen the changes since the 1990’s. Even people who’ve only been here five years can see changes. Now there are 30 story buildings and it’s crowded, expensive and it’s just not the city that I came to know decades ago. I don’t know…I only come in town for shows. I am from Seattle and sometimes I think I would like to keep a place here, and have one there. But I really don’t know.

NM: My last question is a bit random, but is there a reason you’re only wearing two rings on the same fingers of each hand?

BC: (He laughed) Only because I didn’t feel like wearing the others. I own a lot of rings, cuffs and metalwork that I like to wear. It depends on the day or the mood I am in what I will wear. But there is one ring that I almost always wear, aside from my wedding ring. (He says as he extends his right hand). Johnny Depp gave me this ring when the first “Pirates of the Caribbean” was being filmed. It was the first ring made for the movie, and he told me that he wanted a new one made for him with a gold bandana and a pair of eyes made of rubies. So I got this one and I wear it everyday.

Be sure to catch Bill Carter at his upcoming SXSW performance at The Continental Club on South Congress from 11:00 PM to 11:40 PM on March 21, 2015. The official SXSW artist statement for Bill Carter entails the following: Legendary songwriter and Austin Music Hall of Fame inductee Bill Carter has been a pillar of the Austin music community for over three decades. His songs have been covered by over 200 artists from Waylon Jennings to Robert Palmer. Winner of an Austin Music Award for “Best Song of the Decade” and BMI’s Million-airs Award for Stevie Ray Vaughan’s only #1 hit “Crossfire” Carter and his world class band, The Blame, serve up a wicked stew of slyly crafted Americana. Look for a new album slated for release in 2015.”

For more information regarding Bill Carter, future shows and bookings – please visit his website at www.billcarterandtheblame.com.

Note: This story is originally published on Rank & Revue in July 2015.

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The Driskill Hotel hosts holiday traditions in Texas for more than a century

nicolette mallow

Floral arrangements in December at The Driskill Hotel in Austin, Texas.

On the first of December at six in the evening, The Driskill Hotel initiated their annual holiday celebrations beginning with the lighting of the tree and a double quartet of singers from Austin Opera. Positioned in the center of the marble floors and steep columns within the main lobby closest to the grand stairwell, a decorated tree is illuminated and glowing the entire month of December. The holiday tree is so substantial in size that the gold star on top nearly touches the stained glass dome of the ceiling.

Throughout the month of December, for nearly 130 years since it was built in 1886, The Driskill Hotel hosts annual time-honored traditions to celebrate the holiday season. Notably, The Driskill is the oldest operating hotel in Austin, Texas and the architecture is Romanesque in design. When you enter the hotel it’s like going back in time, or finding a magical hiding place in town, because there is something other worldly about the energy of the building. Yet you know you’re in Texas by all the lone stars, leather, cowhides and southern hospitality. Even horse carriages still wait outside to take guests and locals for a stroll through downtown. An artistic infusion of different time periods; there is no other structure in Austin quite like it. Blocks away from the Texas State Capitol, The Driskill is a Historic Landmark and its European structure carries a prominent, unique presence amongst modern day architecture in the downtown vicinity. This refined hotel is aesthetically beautiful and elegant, inside and out. However, every December as the holiday season arrives: The Driskill shines brighter than ever with its festive, colorful decorum and sparkling tealights. Even before entering the hotel, dozens of homemade gingerbread men can be seen dangling happily in the windows of 1886 Cafe & Bakery. The gingerbread men are fairly large in size, decorated with smiles of white icing, red candied buttons, green checkered stockings and eyes that seem to be made of chocolate.

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 In addition to the lovely holiday decorum on display the month of December, The Driskill will also feature holiday events on selected days and nights: seasonal music from a live string quartet, Afternoon Tea, an Afternoon with Santa, and Christmas Day in The Driskill Grill. Prices per event do vary. The Driskill Bar upstairs, which was recently named the best cocktail bar by The Austin Chronicle, hosts live music as well. Guests can escape the cold and warm up with snacks and a libation, or an apple cider, within the lounge area whilst enjoying the lyrics and melodies of various singers and songwriters. Don’t forget to try the mejdool dates wrapped in bacon!

Furthermore, on December 13th at 2:00 PM, Cookies for Caring is another holiday-related, charity event at The Driskill. “In collaboration with the Austin American-Statesman’s Season for Caring, The Driskill is hosting a holiday cookie swap. Guests can create their own holiday cookie collection and a portion of the proceeds will be donated to The Austin American-Statesman’s Season for Caring charity drive.” Cookie tins cost $25 per person and will be waiting for guests upon arrival to the event.

Seasonally decorated gourmet cookies can also be purchased at 1886 Cafe & Bakery, a premier restaurant within the hotel named after the year The Driskill came to life. “The Driskill Hotel opened on December 20, 1886 to great fanfare and applause from Austin’s 20,000 residents. Since that time, the ‘grande dame’ of Texas hotels has remained a magnificent gathering place for locals, Texans and others to celebrate the holidays and other special moments of their lives in Colonel Jesse Driskill’s splendid Romanesque masterpiece. We invite you to recapture a nostalgic memory from a holiday season long past and to create new memories for your family and friends during our holiday celebrations.”

The Driskill Hotel holds 189 guest rooms and suites. Guests may also admire The Maximilian Room, the Governor’s Boardroom, the Mezzanine and the Victorian Room. For more information about holiday events, hotel reservations, catering or The Driskill Bar and Grill: please visit their website at www.driskillhotel.com or call 512-439-1234.

Note: This article was originally published on Examiner.com in December 2015. 

1.5 million Mexican free-tailed bats are mascots of the night in ATX

nicolette mallow

Amethyst Bridge Bat pendant by Franzetti Jewelers.

Overlooking Lady Bird Lake within Austin, Texas (ATX); Congress Bridge is a home for      1.5 million Mexican free-tailed bats. For decades bats have established themselves as one of the local and beloved mascots in ATX. And it was discovered in the 1980’s that these Mexican free-tailed bats eat millions of pounds of insects a night, including agricultural pests, ultimately providing many benefits to the city, its residents and the ecosystem.   Plus our bats are terribly endearing to the eyes and it’s kind of nice to know these nocturnal creatures are embarking on hunting flights in masses to run their little errands of the night as a great deal of the city is sound asleep.  

These bats have now become a major tourist attraction from the months of March to November. From afar they are safe and harmless with no interest in humans. But do not touch or handle one, and certainly do not trap or hunt them. The bats are only to be admired and adored from a safe distance by land or water. Visitors may even want to bring a red light past dusk. Mexican free-tailed bats are small enough to fit in your hand, but large enough to easily be seen flying aloft in the sky in mass quantities. These bats fly differently than any bird, and sometimes it looks like they are flying in circles, so pay attention to their wings and shape to know when you’re in the presence of a bat.

Despite their nocturnal nature and dark coloring, bats aren’t always quiet or stealthy. Especially when they are leaving Congress bridge in millions. Sometimes they make a lot of cute and squeaky noises as they wake up and soar away from the bridge. The bats fly similarly to big butterflies and yet their wingspan looks nothing alike and they are less graceful. Fuzzy and soft with fur that is dark brown, large ears for its size and wings similar to Marvel Comics Batman logosthese migratory bats are born with “built-in GPS and night vision”.

Reflections of water cascading from Lady Bird Lake and the bright lights of downtownmany vivid photographs can be found online to see these bats hover, play and glide through the night sky in Austin. Every night during bat season, as time passes from sunset, to dusk, to twilight: people gather around Lady Bird Lake to see the atmosphere become consumed with gusts of bats pouring out of Congress Bridge. Departing in millions after sunset beneath Congress Bridge before the bats return back around dawn. Some people like to hang out on the bridge, but a boat is another fun option.

Fortunately there are many local boat tours and city-wide destinations to discover and experience the best viewings of these beauties. Capital Cruises Internationally Famous Bat Watching Tour is a good choice and I have attended once, even thought I am a local Austinite of 20+ years. The tour only cost $10 and they take out a infrared light that glows colors of reds into the sky. Making it quite easy for the human eye to capture the live visuals of millions of bats pouring out together in droves. For locals and visitors alike, it’s a remarkable sight to see! Sitting on an electronic boat, watching the bats can be rather hypnotizing and exhilarating to watch. As if the bats are putting on a show for us all, without any of the cruelty of a standard zoo or a traveling animal circus. However I do recommend choosing the covered boat as these bats are just waking from a deep sleep.

According to Bat Conservation International, “When engineers reconstructed the Congress Avenue Bridge in 1980 they had no idea that new crevices beneath the bridge would make an ideal bat roost. Although bats had lived there for years, it was headline news when they suddenly began moving in by the thousands. Reacting in fear and ignorance, many people petitioned to have the bat colony eradicated. About that time, Merlin Tuttle brought BCI to Austin and told the city the surprising truth: that bats are gentle and incredibly sophisticated animals; that bat-watchers have nothing to fear if they don’t try to handle bats; and that on the nightly flights out from under the bridge, the Austin bats eat from 10,000 to 20,000 pounds of insects, including agricultural pests. As the city came to appreciate its bats, the population under the Congress Avenue Bridge grew to be the largest urban bat colony in North America. With up to 1.5 million bats spiraling into the summer skies, Austin now has one of the most unusual and fascinating tourist attractions anywhere.”

In 2007, the city of Austin changed the name of the reservoir running beneath Ann W. Richards Congress Bridge from Town Lake to Lady Bird Lake. The name change was a controversy in-and-of itself as the Former First Lady of the United States, nicknamed Lady Bird Johnson, was against the idea of naming this lake after her and wished for it to remain as is. However, when she passed away the city opted to change the reservoirs name in honor of all the hard work, dedication and endless support that Claudia Alta Taylor “Lady Bird” Johnson bestowed upon the state of Texas. Particularly her involvement with the Town Lake Beautification Project in Austin: the state capital of The Lone Star State.

Thankfully these special and unique Mexican bats living on Lady Bird Lake beneath Congress Bridge are forever protected by the city, solely because of individuals like Lady Bird Johnson and Merlin Tuttle. However, Austin’s love for bats exceeds far beyond Congress Bridge. Bat-related art and merchandise can be found all over the city at many local gift shops. Franzetti Jewelers is a perfect example of a local company that has taken a mascot of the city and turned it into beautiful jewelry. Designing necklaces, rings and pendants; Franzetti Jewelers offers silver and gold, bat-inspired jewelry with stones of garnet, blue topaz, citrine, peridot, onyx, amethyst, smoky quartz and white quartz.

For more information regarding the Mexican free-tail bats of Austin and the best times to find them this summer and fall under Congress Bridge, please consult www.batcon.org.

Note: This article was originally published on Examiner.com in July 2015.

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Examiner.com shut down its website

nicolette mallow, examiner.com

Nicolette Mallow’s Writer’s Bio from Examiner.com.

Examiner.com has closed their media platform after several years. I worked for Examiner as a contract writer from July 2015 to July 2016, and my area of assignment was to cover Arts & Entertainment. Since Examiner.com’s website no longer exists and has faded into the dark abyss of the internet, all of my stories are gone. That is the bad news. However, the good news is that since I own the rights to all my stories and interviews: I will be reposting each story here on my website, one-by-one. Hooray! To begin, I wanted to trail back to the beginning. And this first post is an accumulation of screen shots from the original website of my Writer’s Bio that contained a list of my publications. I will begin reposting the stories from last year to present day, the order in which they were written as posted on Examiner.com.

I will miss writing for Examiner.com and was very saddened that it came to an abrupt end, but I look forward to a new literary adventure and many more wonderful stories.

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