Dale Watson sets the record straight

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Photography provided for the Press by DaleWatson.com.

Rumors flew around Austin like a wildfire in high winds the last few weeks about Dale Watson leaving ATX for Memphis. And Watson is adamant to set the record straight after a recent interview gone askew. When I read his quote on social media to clarify the truth: I was relieved to read that Dale Watson will still be in Austin, Texas and Memphis, traveling the country, and the world, touring and playing music with His Lone Stars. So, rest easy, Texas, we haven’t lost one of most beloved musicians.

Dale Watson is a very well-known name in Texas, Tennessee and various parts of the world. Born in Alabama and raised in Pasadena, Texas — Watson moved to Austin in the early 1990’s and has made it his home ever since. Personally I’ve known of his name and heard about his music long before I ever saw him perform seeing as I’ve lived in ATX off-and-on since the 90’s. My Latina mother (and Texan) once told me that she had a crush on him back in the day and enjoys dancing to his country music. Even the legendary Willie Nelson spoke highly of Dale Watson and stated “I’m one of Dale’s biggest fans”.

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Watson has performed all over the world and is currently touring in Europe. However, in the near future he will be spending a little more time in Memphis and a little less time in Texas. Two homes, two cities he loves and still focused on sharing his music with his treasured fans around the world.

“O.K. friends , let me set the record straight, if you don’t mind. I love Austin. Austin is my home. I love Texas and will ALWAYS live in Texas. That said, I bought a house in Memphis as an investment and in the process fell in love with the town. It reminds me of Austin of the 80’s, the good and the bad. I play over 300 shows a year, meaning Austin and on the road world wide. To afford to live in Austin, I literally have to tour. As one guy posted I’m old and should retire, but I love what I do and quite honestly can’t afford retirement either. What musician can? These things are facts I’m volunteering now but I recently granted an interview locally. They had seen an article about my moving Ameripolitan Awards to Memphis and buying a house there. The interview was heavily edited. This happens often but the things left out were important to me. Things like, my love of Austin. My roots are in Texas and the fact that, at some point I will have to sell my house in Austin and move to the outskirts, but I will always have a house in Texas. I will hang on to being an Austinite as long as I can. Monday’s at the Continental Club, a Friday or Saturday at the Broken Spoke, and Chicken $#!+ Bingo at C’Boys on Sunday’s. As for the media, they suck. If any media repeats this post, then print the whole thing, because you suck at editing and paraphrasing. So, after all is said and done, I hope I see ya at my regular gigs in Austin friends. I hope you come to my AirBnb and recording studio in Memphis. And I hope you all vote when it comes to your mayor and city council. Peace.”    – Dale Watson

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Secretly when I read the media coverage Watson is referring to, it seemed to me that pieces were missing to the interview. To play thousands of shows in Texas, you must really love the city of Austin and The Lone Star State, therefore it struck me as odd to read a short story that Dale Watson was just going to up and leave TX without going into more details. True, the city is growing overcrowded and is becoming more expensive as the love for the almighty dollar bulldozes the love for local artists. But, thankfully the rumors weren’t true and we can look forward to many more Dale Watson shows. Also, I’ve visited Memphis a few times and I can definitely see the appeal. Memphis gives Texas a run for its money in regards to BBQ, live music and the beauty of the hill country.

Over the past 20 years, Austin has become attached to Dale Watson and His Lone Stars. I am certain many Texans all over the state will also be relieved to hear Watson is here for the long haul, even if we must share him with the city of Memphis, too. Stay tuned to his website and social media to find local shows in your area to support local artists and keep the art scene alive and well in ATX!

Screen-Shot-2018-03-11-at-7.59.45-PM-2 For more information please visit www.dalewatson.com.

Dale Watson, keeper of the true country music flame, this Austin-based honky-tonker carries on in the tradition of Johnny Cash, Waylon Jennings and Willie Nelson with his “Ameripolitan” brand of American roots music. Dubbed “the silver pompadoured, baritone beltin’, Lone Star beer drinkin’, honky-tonk hellraiser” by The Austin Chronicle, Watson sat in with Jimmy Kimmel’s house band as a guest on Jimmy Kimmel Live (ABC) from SXSW 2015. He also emceed the first ever SXSW “Ameripolitan” showcase featuring the best of Honky-tonk, Outlaw Country, Rockabilly and Texas Swing music. Since the release of El Rancho Azul in 2013, Watson’s profile has risen considerably via appearances on The Late Show with David Letterman (CBS), Austin City Limits and The Sun Sessions(PBS) and as a guest on NPR’s Wait Wait… Don’t Tell Me. A veteran touring artist and consummate entertainer, he is on the road more than 300 days a year. He also put his money where his heart is and took over ownership of two struggling Texas honky-tonks, the Little Longhorn Saloon in Austin (home of Chicken $#!+ Bingo) and The Big T Roadhouse in St. Hedwigs (outside San Antonio).  If not on the road, he and His Lone Stars perform at one of them each Sunday. Dale has flown the flag for classic honky-tonk for over two decades. He’s christened his brand of American roots “Ameripolitan” to differentiate it from current crop of Nashville-based pop country. The Alabama-born, Texas-raised Watson may be the hardest working entertainer today and is rapidly approaching legendary status.  He is a country music maverick, a true outlaw who stands alongside Waylon Jennings, Willie Nelson, and George Strait as one of the finest country singers and songwriters from the Lone Star State.”     http://www.dalewatson.com

Note: This story was originally published on Rank & Revue, SXSW 2018 issue

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Photography provided for the Press by DaleWatson.com.

The Filigree Theatre presented Anna Ziegler’s play “A Delicate Ship” at The Santa Cruz Theater in ATX

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Photo of set from “A Delicate Ship” at The Santa Cruz Theater performed by The Filigree Theatre. Photography: Nicolette Mallow.

The Filigree Theatre premiered Anna Ziegler’s poetic play A Delicate Ship in Austin, Texas on Feb. 15, 2018. A theatrical performance that marked the second production of The Filigree’s inaugural season, their first play was Betrayal by Harold Pinter. A Delicate Ship and Betrayal were both hosted by The Santa Cruz Theater. Champagne and cookies were served after each performance. The cast of A Delicate Ship consisted of David Moxham (Sam), Laura Ray (Sarah) and Nicholaus Weindel (Nate). Directed by Elizabeth V. Newman (Artistic Director) and Produced by Stephanie Moore (Co-Managing Director) the play premiered until closing night on Feb. 25, 2018. 

What is the synopsis of A Delicate Ship and what does this story entail? “It’s Christmas Eve, and Sarah and Sam are celebrating like New Yorkers: flirting over wine and debating the nature of existential suffering. Then there is knock on the door, and Sarah’s childhood friend Nate stands at the threshold. And suddenly suffering becomes a whole lot less sexy. A kaleidoscopic look at one night in New York City that changes the lives of three people forever.” 

Weeks ago that was the exact synopsis I read on the Press Release sent to me by a publicist I’ve worked with many times, and immediately I was intrigued and knew I wanted to attend. Theatrical performances are like taking a mental and emotional journey in time whilst sitting still in the audience. It’s like pulling back the curtain to someone else’s life and being an invisible guest. As beautiful as film and cinema may be and as much as I adore all the arts: theatre arts and theatrical performances hold a beloved place in my heart, like music, because it feels as if I am experiencing a daydream that I can immerse myself into, like diving into an Olympic pool and imagining I am a mermaid out at sea. Like a daydream, theater arts lets me float away in imagination. I can watch the play and forget about my life and my characters for a few hours at a time. Generally I read a play in its entirety before attending a performance to know the exact story, dialogue and characters. But this time I read nothing but the Press Release and did not delve into the minute details. I wanted to walk into A Delicate Ship with an open mind.

Immediately upon entry into the theatre I saw blue windows, blue lights, a brown leather sofa, a guitar, a birdcage, The New York Times newspaper, other trinkets and home decor like books and a modest at-home bar. The stage was set in someone’s NYC apartment and it looked like a cold December night by the wool and flannel jackets hung by the door. The venue space at The Santa Cruz Theatre is very intimate in size and it makes for an evocative, memorable and vivid experience with the audience and the actors on stage so close in proximity the eye contact can feel magnetic. 

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A Delicate Ship was my second experience to see a performance by The Filigree Theatre. The first play was so delightful that I came back for more. This time I attended on the opening night as a member of the Press and I had the pleasure to interview Elizabeth V. Newman: Co-Founder, Artistic Director & Co-Managing Director of The Filigree Theatre and A Delicate Ship. 

Nicolette Mallow: The set on stage was beautiful! I loved the integration of music, spotlights, blue lights and windows… Does the theatre intend to keep expanding light and sound into plays? I feel like Betrayal was a lot more subtle in regards to sound and lighting effects. I adored the colors and sound effects in A Delicate Ship

Elizabeth V. Newman: Thank you! As a director, I really love working with my designers to build each distinct world for every show, which are totally dependent on what the needs of the particular show are; i.e. which elements are in the forefront and which underscore more subtly. Chris Conard is our set and lighting designer (also on the advisory committee of Filigree) and Eliot Fisher is sound. We all collaborated previously on the Austin Premiere (and the the Filigree pre-season Los Angeles Premiere) of Any Night by Daniel Arnold and Medina Hahn. The challenge of Any Night was to create a world that was evocative of a ‘fever dream’ so I worked with both designers to create a more wild, impressionistic, surreal/nightmarish. (Eliot was nominated for B Iden Payne for Sound, Chris for Lighting for the pre-LA premiere/Austin premiere of that show)… The next performance (Betrayal) for me was all about restraint and repression and about things simmering underneath a very polished, clean, hard surface. For Betrayal I wanted very straightforward, simple, white, almost clinical lighting. I wanted the production to be all about Pinter’s words and the silences between. The only sound was era specific music (English, 1960’s/70’s) between scenes to evoke the era and emotions bubbling up under the surface.  

Eliot and I discussed sound for A Delicate Ship and talked about how it was, in a way, the inverted universe of Any Night. For Any Night, each distinct location in the play had a sound-scape with amazing interstitials of a car crash and glass breaking – we hear the aftermath, in a dreamy/impressionistic way – of a major accident.  In A Delicate Ship, the sound sneaks up on you. Eliot used some sounds from some of the pre-show music and slowed them down beyond recognition and added other elements into the mix to create the design –  to ‘feel’ the nostalgia inherent in A Delicate Ship – familiar but unrecognizable. In terms of the set and lighting for A Delicate Ship – the environment of that Christmas Eve is intentionally naturalistic: cozy, warm and then, lighting-wise, we are pulled out of this Christmas Eve present moment and thrust into a memory space (blue light) as the characters need to reflect upon Christmas Eve. The goal was to provide a visual analog to the ‘woosh’ feeling that the character, Sarah, describes overcoming her at times.Our next show, Trio, by Sheila Cowley, which will be going up at the end of April, is set in an old garage that is inhabited by magical, child-like  beings so the tone and the ‘world of the play’ will be a universe unto itself and the set, lighting and sound design will come from bringing that kind of a world to life.

Mallow: How does The Filigree Theatre go about choosing their selected plays of performance? I’ve seen two performances now, both very different and delightful. They seem to revolve around love, sex, family, the human psyche and time/memory. And they require very few characters, three to four people at most. Thoughts? 

Newman: Thank you! Our Season structure is “Past (part of the theatre cannon) – Present (playwrights living and working today) – Future (new works/world premieres)” with each season revolving around a theme. For our inaugural season the official theme is: Trios/Triangles – but there are ‘secret’ hidden themes that have emerged for Season 1, namely memory, deception, passion/time. Trio will have six actors on stage: two ‘trios’ – one of characters who are actors trying to rehearse children theatre and one of the ‘trio beings’ who are akin to elves or sprits. Right now we are in the process of setting the season/choosing the theme for Season 2. I personally like to direct smaller casts a bit like chamber music: it is ’chamber theatre’. For me, when there are only two or three or four bodies on stage, each look, gesture, silence is meaningful and powerful. We have Stage One, our staged workshop reading series, to have an opportunity to get to know different writers (playwrights/screenwriters – help them develop their work – build a relationship – grow projects). In terms of selecting a play, I reach out to resources: NY based Playwright Eleanor Burgess, our Literary Advisor; Alex Timbers, our Artistic Advisor; New Play Exchange and of course actors, writers, or artists who have a sensibility that is simpatico with my own and with Filigree’s. 

Mallow: What is the auditions process and how many actors/actresses do you have on board right now?

Newman: We had double auditions for Betrayal and A Delicate Ship last May (because we knew we were going to Los Angeles with Any Night for the summer and had to set auditions before we went) it was a kind of big round robin casting two plays at once.  We saw such great talent – and I’ve subsequently worked with some of the actors who auditioned for us last May in our Stage One readings and other short plays I’ve directed in festivals. We recently had auditions for Trio. In May, we will have our Season Two auditions (why cast only two shows at once when you can cast three, right?) We are intentionally not a actors rep. company – there are some great companies who are doing that already. For us, the season structure/theme is the guide and for us, and our priority is it that casting be based role by role as required by the individual plays and that play selection not be based on what fits our standing acting company. That being said, I love revisiting collaboration with actors and designers as we develop a short-hand and common references and I get to see the wonderful range and talent of the folks I’m working with. 

Mallow: From a lot of reading and studying articles about depression, and losing friends to suicide and looking back on their behavior prior to their death… I could tell Nate’s character was suicidal from the get go. I have written stories about unstable characters and I was wondering… Was it difficult or cathartic for both directors and actors to portray such delicate signs of dark depression? Does repeating such intense words night after night ever become heavy on the heart?

Newman: A Delicate Ship definitely deals with some pretty serious topics. In the work that we did to prepare for the show, the cast and I delved into how the ramp up to, and ultimately the playing out of the tragic event affect not only the character of Nate but also Sarah and Sam. I’m very proud of my cast for giving it their all each run and not shying away from the difficult material. They are pros and have the courage and stamina to go there each and every time. In some ways, I would imagine it is tough for Sarah (Laura Ray) and Sam (David Moxham) as it is for Nate (Nicholaus Weindel) as they have to relive the discovery and the repercussions of what transpires night after night;  Nate is convinced that he is going to get his happy ending right up to the horrible moment that, he feels, it is yanked right out from under him. Up to that moment he is living what is, in his mind, a sort of big climax of a romantic comedy or a Nicholas Sparks story/plot. 

Mallow: Why do you think the characters were playing a battle of the wits and playing passive aggressive mind games, taking intellectual jabs at each other to hurt one another, as opposed to directly getting to the root of the matter right from the get go? Christmas Eve nostalgia? Fear? Pride? Inexperience to deal with uncomfortable situations since they are all fairly young? 

Newman: That is such a good question. I feel like Anna’s characters are so nuanced and complex and well-drawn that they function as fully formed humans who are sometimes making choices or using tactics that they are fully aware of and sometimes going at their goals sideways, and at times without any self-awareness. At times each of the characters are reacting from a primal place: self-preservation, fear, anger, lust, longing. Sometimes they act from their ‘best selves’ and sometimes from their ‘worst’. Our job as an ensemble of actors/director is to pick apart these different moments and tease out how aware each character is of their own actions/words and their effect on each other.

Mallow: Memory is a topic that comes up a lot because we all take walks down memory lane every day… but, why does Sarah’s character often block out good memories: sex with Nate, talking marriage with Sam… generally we block out only the bad but her character seems to disassociate a lot even from joy. Why is that?

Newman: One thing that Laura (playing Sarah) and I discussed quite a bit was the process of mourning and grief and how the loss of Sarah’s father (just weeks before sex with Nate) and not even a year before this Christmas Eve has become intertwined with her experience and history with Nate. We discussed how the sexual encounter may well have meant wildly different things to each of them and that the memory and association with it may have each taken on a different hue with time and distance from it.  We joked that really Nate may be ‘The One’ for Sarah if he weren’t such an ‘emotional vampire’ and how that contradiction and conflict might play out for and within Sarah. Similarly, I feel like Sarah’s time with Sam becomes pierced through with the loss of Nate which overshadows any of the happiness Sam and Sarah had.

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Artwork provided by The Filigree Theatre.

For more information about The Filigree Theatre please visit https://www.filigreetheatre.com. The Santa Cruz Theater is located at 1805 East 7th Street, Austin, TX 78702. 

About The Filigree Theatre: 

“Co-Founded by Elizabeth V. Newman (Artistic Director/Co-Managing Director) and Stephanie Moore (Co-Managing Director), The Filigree Theatre is committed to producing high-level, professional theatre in the city of Austin and to collaborating with local artists working across creative disciplines including fine arts, dance, film and music.

The company’s name, ‘Filigree’, meaning “the complex intertwining of delicate threats of gold and silver,” was derived from the Latin words for thread (filum) and seed (granum), which serves as the basis for the company’s dual mission: to serve both as a ‘thread’ by connecting Austin to theatre communities in New York, Chicago, Los Angeles and London, as well as a ‘seed’by incubating, supporting and celebrating emerging theatre makers in Austin.  The Filigree Theatre is likewise dedicated to forging connections with diverse audiences across the region.

Newman and Moore have structured each season of The Filigree Theatre to be comprised of three shows connecting the “Past” (honoring the theatre cannon) “Present” (playwrights living and working today) and “Future” (world-premieres and new works) that are tied together with a common theme that runs throughout.  For The Filigree Theatre’s 2017-18 inaugural season, the theme is “Trios” and the three productions are (Past) Betrayal by Harold Pinter (Sept. 28-Oct. 8); (Present) A Delicate Ship by Anna Ziegler (Austin Premiere; Feb. 15-25); and (Future) Trio by Sheila Cowley (World Premiere; Apr. 26-May 6).”

Mark Thomas Studio offers hair, make-up and skin care specials for Valentine’s Day

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Photography provided by Mark Thomas Studio.

Mark Thomas Studio is featuring specials in honor of Valentine’s Day. Whether you’re giving a gift to a loved one, or buying your own Valentine as a token of self-love, the studio is ready to beautify clients with their hair, make-up and skin care services. Located on Jefferson Square in Austin off West 38th Street, Mark Thomas is the only boutique in Texas that offers the European brands Philip Kingsley and FACE Stockholm makeup together in one place. Recently they debuted a Quick Eye Blow Dry Bar next door to their studio. Mark Thomas Studio bestows exceptional service reminiscent of a lavish boutique infused with Southern hospitality, permeating luxury and gentility into one location. Book an appointment by February 28, 2018 and these Valentine’s specials will apply to the following services.

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Blow Out & Make-Up
  • Book with Madison to get a shampoo, blow out and style for $25. Monday- Friday 3 P.M. – 7 P.M.
  • Book with Robbie for two Blow outs, shampoos with styling for the price of one: $45. Monday- Friday 3 P.M. – 7 P.M.

Creative eye shadow application is included with each shampoo with style.

The Look of Love: Eyelashes & Brows

  • Book with Mia to obtain 50% off full sets of eye lash extensions. This offer applies to new clients only. Lash sets range in price from $300-$375. 
  •  Book with Nancy to receive $100 off on microblading. 

Current clients that purchase a lash fill receive a complimentary brow shaping & lash tint. 

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Photography provided by Mark Thomas Studio.

Skin Care

  • Book with Kathy and purchase an ultimate facial to receive a complimentary brow wax. The ultimate facial costs $114 and is worth every dollar. I’ve personally had this facial and it leaves skin radiant, refreshed and youthful. 

Love is in the Hair

  • Book with Lacey and purchase a full highlight or a single process tint to receive a complimentary shampoo & hair cut.
  • Book with Mark Thomas and purchase a full Balayage, haircut & a blow out in order to obtain two complimentary shampoos with blow out styles at Quick Eye Blow Dry Bar. Mark is a Master stylist and colorist and always leaves my long locks looking beautiful and healthy. 

Pucker Up: Lips and Make-up

  • Book with Amanda and purchase a full make up application for $65 and receive one complimentary lip pencil, lipstick or eye shadow.

For more information please visit their website at www.markthomasstudios.com or call Mark Thomas Studio at 512-459-6900. 

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Mark Thomas Studio and Quick Eye Blow Dry Bar
1601 W 38th Street, Suites 9 & 10
Austin TX 78731

“The Long Road Home” military series by National Geographic Channel is showcased worldwide

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Recently in honor of Veteran’s Day I attended a screening in Texas for a National Geographic Channel military series on TV called The Long Road Home. Nat Geo and the Texas Film Commission delivered a sneak peek into this Texas-filmed series based on Martha Raddatz’s bestselling novel The Long Road Home: A Story of War and Family. The first episode premiered on November 7, 2017 and the show is now featured worldwide in over 171 locations and 45 languages each week on Tuesday’s via National Geographic Channel. The Long Road Home is presently the largest active set in the U.S. built on Fort Hood Army Base. Creator and showrunner of this TV show is screenwriter and documentary filmmaker Mikko Alanne.  

“On April 4, 2004, the First Cavalry Division from Fort Hood was ferociously ambushed in Sadr City, Baghdad—a day that later came to be known as Black Sunday. Based on Martha Raddatz’s best-selling book, The Long Road Home chronicles their heroic fight for survival, as well as their families’ agonizing wait on the home front back in Texas. The cast includes two-time Emmy-nominated actor Michael Kelly as Lt. Col. Gary Volesky; Emmy-nominated actor Jason Ritter as Capt. Troy Denomy; Kate Bosworth as Capt. Denomy’s wife, Gina; Sarah Wayne Callies as LeAnn Volesky, wife of Lt. Col. Volesky; Noel Fisher as Pfc. Tomas Young; and Jeremy Sisto as Staff Sgt. Robert Miltenberger.”

The Long Road Home tells a story of the ultimate sacrifice made at war. The series gives a voice and a proper acknowledgment to the Veterans that have served and their families that supported them. I absolutely loved the episode we were showcased and as I sat there watching the screening of The Long Road Home on a Sunday evening. I felt a wild and extensive mixture of emotions, light and dark. Mikko Alanne does a fantastic job of intertwining beauty and humor into a darker story. Right when you want to look away from Baghdad, the series keeps you hooked with light-hearted moments back in Texas. Alanne is also a master of flashbacks and retrospective storytelling. Viewers are watching the episodes with ease, without confusions as to the different times with different characters, past and present. I was also impressed by how the set is so accurate in detail that even the military personnel that helped advise Mikko Alanne on set described it to be almost a mirror reflection of Baghdad. One of the Veterans of the U.S. Army that helped Alanne in the production process, as well as attend the Q&A in Austin, is Eric Bourquin.

“While on the set he and other 1st Cavalry Division Soldiers endured in Iraq, Eric Bourquin managed to get the emotional healing he had sought for years. ‘There’s no way I could just take a stroll through memory lane [in Iraq] if i wanted to,” he said after a panel discussion about the show at the Defense Information School. “But I was so fortunate that I was able to do that and walk through it’. The Army assisted the film crew at Fort Hood, where producers claimed they built the largest working film set in North America on a 12-acre site. More than 80 buildings were erected at the Elijah urban training site at Fort Hood, Texas, where the division is headquartered, to resemble homes and streets in Sadr City. For Bourquin, who worked as a production consultant for the show, the fabricated town gave him tangible closure”. – U.S. Army

At the end of the screening I was able to ask Eric Bourquin a question and it was definitely an intense moment for me. I respected his honesty and bravery to retell this story and to heal from it. [A recording of the Q&A can be found on YouTube.] For me, even though I never served in the military, it was hard to ignore my personal feelings at a Press event like this being a military brat myself that grew up with nearly all Veterans and men of the military: Air Force, Army, Marines, Green Berets and so on. As a member of the military family, this was an intense but heartfelt episode for me because I’ve experienced and seen what the military and wartimes can do to a person, good and bad. I’ve seen the affects of PTSD and trauma. It hurts the Veterans and their families to see loved ones struggling. Even if the Veterans are most affected of all. Thus, any safe place of healing is highly commendable and needed. Ultimately I respect the vision of what The Long Road Home is hoping to accomplish because that is really what Veterans and their families really need: to be heard, seen and to heal so that they may readjust back to normal everyday life and recover from the past. 

I highly recommend this TV series for all Veterans and members of the military family. Even if you’re not a Veteran, active duty or part of the military family. This show can be appreciated by all civilians because it’s deeply important for those uninvolved or unrelated to the military to gain enlightenment and second-hand exposure as to what military personnel have to endure overseas at war whilst away from home. We all need to see and to empathize with the difficulty Veterans face (and their families) when returning back. We need to see their long road home to recovery and healing. I really valued this series as an artist and a member of the military family, because when a member of the military is deployed and goes to war, it affects the families, too. 

Stay tuned for tonights episode of The Long Road Home titled  “In The Valley of Death” at 10/9 PM Central on Nov. 21. For more information please visit their website on National Geographic Channel at http://channel.nationalgeographic.com/the-long-road-home/.

 

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Greta Gerwig breaks speciality box office records with her Directorial debut ‘Lady Bird’

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Greta Gerwig. Imagery provided by Sunshine Sachs/Photography by Jack Plunkett.

Last month I was commissioned by an editor in Hollywood to interview Greta Gerwig on the red carpet prior to the screening of her film Lady Bird at the Austin Film Festival in Texas on October 26, 2017. The interview was published by The Hollywood Reporter. I loved the film and it was a pleasure to interview Greta Gerwig. She was a smart, kind & articulate artist to interview. Therefore I was not surprised when I read this week that Lady Bird broke box office records. 

“Lady Bird opened to limited audiences its first weekend, showing in four locations (making it a specialty box office release).” According to Jezebel “it blew past typical ticket sales for smaller box office openings of its kind, grossing $375,612 in fourtheaters, with a theater average of $93,903. That makes it the best speciality box office opening of 2017. For context, look at the numbers of comparable first weekend openings this year: Sofia Coppola’s The Beguiled earned an average $64,160 per theater in four locations the first weekend and The Big Sick grossed roughly $82,800 per theater it’s opening weekend in five locations. And, as IndieWire points out, since Katheryn Bigelow’s Zero Dark Thirty grossed roughly $83,430 per theater in five locations back in 2012, that makes Lady Bird the best ever limited debut for a movie directed by a woman. Since Lady Bird has already exceeded box office expectations, it will be interesting to see how well it does when it opens in more theaters during the next few months. And considering the rave reviews and ticket sales, I wouldn’t be surprised if the film lands several nominations around Oscar time, including Gerwig for best director.” 

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Known to most as an actress, Greta Gerwig has been part of the film industry in a multitude of roles both on-camera and behind the scenes during the last 10 years: acting, writing, producing and directing. Within her recent film Lady Bird, Gerwig showcased her directorial debut as the exclusive writer and director.  When I asked her at the red carpet when she knew she was ready to direct a solo project Gerwig stated“It was a very long process of writing the script but once I finished writing. I felt like it was the moment I had been working toward for 10 years and I’d always wanted to direct. And I thought, this is the moment, this is when you do it. I don’t know that you ever quite feel ready, but I think I felt like, enough is enough. You’ve got enough training. Go for it.” 

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Gerwig’s movie has traveled to festivals all around the world, receiving accolades and high praises along the way. Lady Bird is a comedy about a young girl in Sacramento named Christine. She refers to herself as Lady Bird. It’s also a semi-autobiographical story about Greta Gerwig. The story revolves around Lady Bird’s senior year at a Catholic high school, figuring out how to leave home to pursue her life dreams in NYC because (she thinks) she hates California, only to realize how beautiful it is upon leaving. Lady Bird is a charming, evocative and beautifully stitched together film with hilariously clever dialogue. Gerwig really captures the melancholy, vibrant spirit of youth and the bond between mother and daughter. 

To read more about Lady Bird and to watch the trailers, please visit the official Facebook page of the film at https://www.facebook.com/ladybirdmovie/

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Jimmy Chin: A Photographer’s Eye View

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Jimmy Chin. Photography provided by REVO. 

WideWorld sent US writer Nicolette Mallow to Washington D.C., to interview 37- year-old National Geographic photographer and explorer Jimmy Chin at The Madison Hotel. Chin is also a sponsored athlete for The North Face. Throughout his career, he has shot climbers thousands of feet up in the air, glued to ice-capped mountains, with storm clouds billowing in the distance, and, as WideWorld discovers. Jimmy Chin’s ability to capture shadows and light, sunrises and sunsets and nature at its most breathtaking is nothing short of incredible. The interview took place prior to a banquet held in his honor at Nat Geo headquarters to showcase Chin’s career, life stories and photography. 

Nicolette Mallow: What was it about your first trips to the mountains that inspired your career?

Jimmy Chin: Well I always loved being outside. We had a ravine behind our house and I was always tromping around in the woods. When I showed up in Glacier National Park it was just like my ravine on steroids! I just knew then that I wanted to live a life in the mountains. Although the trails were very beautiful I didn’t ever want to stay on the trail. I wanted to explore.

NM: How exactly did you turn all this from a hobby into a lifestyle and a career?

JC: You know, there is a lot of pressure when you’re in college from peers and the professors and your parents to get an internship or to have this goal of becoming a lawyer, a businessman, or a doctor; I think it’s hard for anybody to aspire to them when the title sounds great but you don’t really understand what the day-to-day life of an attorney is. And I had no real connection to any of it. It just seemed like all these abstract ideas and it just seemed really boring to me. For some reason I was struck by the idea that you only live once and that you shouldn’t waste your time being something for other people or being something that other people wanted you to be. It didn’t seem fair. I struggled with that a little bit for sure. Education was hugely important for my parents. They were both librarians at a university and they had come from China and they had made a life for themselves here.

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NM: What got you into photography?

JC: I always loved looking at photography, but I think that everyone does. I am a very visually stimulated person. But while I was visually oriented, I never thought of it as a career. I never took photo classes in school.

NM: So you’re self-taught?

JC: Oh yeah. Still teaching myself. Still learning. But, overall, photography felt really natural and probably one of the easiest things for me to learn or pick up. So in that sense I feel like, perhaps it was meant to happen.

NM: In one article you describe dangling above endangered antelope in Tibet, but what did it feel like when you guys found them?

JC: In some ways it was like we were chasing mythical creatures. It’s so funny because it was like being a kid, again, and trying to follow these animals across the Chang Tang plateau and hoping to find this supposed birthing ground. George Shallow, one of the greatest live mammal biologists and conservationists, couldn’t find these animals or their birthing grounds after two to three expeditions. My crew and I knew this was going to be extremely difficult. We’d been traveling for weeks and weeks and there was nothing. We lost them, once, and then we found them, again. When we finally found them and I saw the first baby chiru: it was a mind-bending experience.

NM: Is there any expedition in particular which you are most proud of in terms of your finished images?

JC: I think shooting Everest and skiing Everest. I was always trying to get this photo that no one has ever seen before and there were a couple photos in there that don’t necessarily have the best light or the best compositions ever but they’re just… Well, there is an image of Kit and Robert DesLauriers skiing down a slope over 28,000 feet. Two people on their skis, on the southeast ridge of Everest. And I just love that photo as there is also a storm cloud coming up in the distance.

NM: Throughout all the places you’ve seen, where is some of the most beautiful light to capture?

JC: Sunset when you’re up really, really high above base camp in the Himalayas holds perfect, mesmerizing light. Any mountain range up high where you can see the horizon line is amazing. After the sun has set and it gets that kind of blue mixed with pink –I love those colours; like pastels in the sky.

NM: In 2004 you had a close shave with death when you were on Everest and the avalanche came down and threw you guys back over 30 feet. Have you had any experiences as intense as that one since?

JC: Not as intense. I think as you get older you start to understand and become much more aware of all the different ways to die. I’m a lot more conservative these days, but there’s always the fluke accident. As a climber you have to take a certain stance in how you look at the world. When you do what I do, you must accept, “When you’re time comes, it comes.” I have to think like that otherwise I wouldn’t get out of bed!

To see a selection of Jimmy Chin’s images, see our gallery below. For more, visit: www.jimmychin.com

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Note: This interview was originally published in Wide World Magazine in 2010. Wide World is an adventure travel magazine based in London, United Kingdom. 

Van Dammes garage punk band release third EP ‘Vild Days’ and embark on European tour

Van Dammes - Thunderbirds Are Go Cover Art by Eemeli Rimpiläinen

Van Dammes’ cover art designed by Eemeli Rimpiläinen.

Van Dammes, the garage punk heroes from Helsinki, Finland released their third EP in 2017 titled Vild Days. Formed in Brussels in 2013, Van Dammes recently completed a European tour to cities like Berlin, Vienna, Dresden and Warsaw. Vild Days is a lively, punk rock album with rhythmic, heavy drum beats and words of storytelling featuring tracks like “Punk Rock Drummer” and “Scandinavian Action Rock”. Van Dammes consists of four artists: Ilkka Hildén (bass), Markus Kujawa (vocals, synth), Jussi Roine (drums) and Juho Talja (vocals, guitar).

” Originally formed in Belgium, Van Dammes (VD) are a Finnish four-piece garage punk band from Helsinki. Their debut, the VD EP, debuted in April 2014, and its successor, Better Than Sex, in February 2015. Both releases have gained airplay on American and British punk radio stations as well as on popular Finnish radio stations such as YleX and Radio Helsinki. They have also been critically acclaimed in American, Australian, British, Canadian, Danish, Dutch, German, Italian, Mexican and Polish reviews. In addition, the band has released a bunch of other sh*t in various formats like a tribute song to the ski jumping legend Noriaki Kasai. In October 2016, Van Dammes distributed the first single “Thunderbirds Are Go” from their third EP, Vild Days. The new single of Van Dammes tells the story of Alan Tracy, the youngest member of the life-saving organisation Thunderbirds. Alan wants to go to the nightclub to see Cliff Richard play and kiss Lady Penelope but tonight it is his turn to remain on standby. Van Dammes present their view of the young man’s odyssey in their new song “Thunderbirds Are Go”. Van Dammes have also been touring Europe extensively since their foundation.”

Van Dammes Promo 1

Van Dammes

Two years ago Van Dammes sought me out in Texas from across the Atlantic Ocean following the publicity of their second EP, Flash In The Night. An interview I conducted was featured in Rank & Revue for the June 2015 issue. At that time, VD and I discussed topics like Serbian flight attendant, Vesna Vulović, aviation, drive-in’s and The Ramones. Recently, I received news from Van Dammes about the release of their third EP Vild Days. And I was happy to follow up with a second feature two years later in 2017. Two of the band mates from Van DammesMarkus and Juho partook in a written interview with me to discuss music videos, songwriting, baleen whales, Scandinavia, Thunderbirds mini-series and their recent European tour.

Does the band have a process for writing the music and lyrics? I am curious since the songs cover such a wide range of topics and sounds. 

Markus Kujawa : It’s basically me and Juho who are writing the songs, but for this latest EP, our drummer also did one… about drummers. The ideas come from everywhere and you are right that our songs cover quite a wide range of topics. We write the songs individually but arrange them together. So the final sound is defined by the whole band.

I really enjoy the drum beats on your tracks. “Punk Rock Drummer” is a pleasant video. Where was it filmed? It seemed to be an old movie with the band mates zooming in and out. Will Van Dammes (VD) be making more videos in the future?

Markus: We used some old archive material for this video and added ourselves playing on it. We have done that with some of our previous videos, too. I think it’s nice to recycle old footage like this. We will definitely continue making videos.

Juho Talja: This was actually the first time we tried the so called green screen technique with our video. We made “Punk Rock Drummer” video with a very talented local artist called cameraman Panu Salonen and I think you can see that from the final result.

Tell me about “The Whale Road” and the interest in baleen whales? The song has an endearing sound of nostalgia to it and I am not sure why but I really liked it. 

Juho: I’m very, very interested in baleen whales and other cetaceans. I think humans don’t understand how intelligent and sensitive those amazing animals really are. I believe that cetaceans are even way more intelligent that the science generally thinks at the moment and I think we should pay more respect to them. So, I wrote the song because I wanted personally to respect cetaceans. Especially the migration of the baleen whales is a really epic phenomenon which humans don’t totally understand and that’s what the song is all about. I also hate the human attitude according to which the planet Earth is only ours to rule and use. No way, there are millions of other species with whom we should share this planet.

“Scandinavian Action Rock” is a catchy title… what provoked y’all to write about Scandinavia? 

Markus: Actually this song title refers to a specific music genre. In the beginning of the 21th century, at least in the Northern European countries, the term was used to describe bands such as The Hives, The Hellacopters, Backyard Babies, Turbonegro and The Flaming Sideburns… and pretty much all the bands a Swedish label called Burning Hearts was releasing. Actually I’m not the biggest fan of the genre but it felt necessary to remind people about this. I don’t know why though.

What did Van Dammes enjoy most about your recent European tour? 

Markus: It was really cool to go to some places where we didn’t play before, like Croatia and Serbia. I also enjoyed the food and drinks everywhere. Have to say that punk concert organisers are very hospitable wherever you go.

Juho: It’s really hard to say what we enjoyed the most because every place we visited was super nice in their own way. We actually had quite different kinds of venues during our latest tour. There were small punk clubs and even some big rock venues. It’s always a pleasure to meet new people (other bands, organisers, audience) during a tour. One special memory of the tour is the cancellation of our Bratislava (Slovakia) show. We had to get a compensatory show somewhere in a very short notice. The night before, we played in Leipzig (Germany) with Dark Thoughts, a punk band from the US, and they told us that they’re going to play in Cracow (Poland) the next day. The nice guys of Dark Thoughts gave us a phone number of a very kind concert organiser gentleman called Wojtek who finally invited also us to play at his event. The show in Cracow turned out to be magnificent which was nice.

Where will VD be touring next? 

Markus: We will tour in Europe again in autumn. We should also probably record something new soon cos we’d like to release our next EP or LP in spring 2018.

Van Dammes Promo 2

Van Dammes

To listen to Vild Days or read more information regarding Van Dammes please visit their SoundCloudFacebook or Spotify pages.

The magic of Euphoria Music Festival lingers

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The 2017 Euphoria Music Festival came to an end and yet the magical feeling of experiencing music with over 50,000 people in Austin, Texas lingers vividly in memory. I can still hear the crowd chanting at Chromeo, and I can relive the hypnotizing light show alongside Moby’s DJ set in my mind. Perhaps this is one of Euphoria’s most lovable and endearing traits: the music festival exerts a natural high of happiness and contentment that stays with you in silence even after it’s all over. For a few hours, everyone that passed the gates entered an intimate and intense world of music, dance, art installations and light shows. There were three stages on the map: Euphoria, Elements and the Dragonfly. The first two stages are the larger set-ups, but the Dragonfly stage is a beauty, waterfront to the Colorado River. A map of the grounds can be found on the official Euphoria app that was released in April. 

Upon entrance to Carson Creek Ranch, the eyes are filled with bold and bright colors, canopies, giant tents, kites, butterflies, swing sets, hammocks, bubbles and an artisans alley. The festival even has a volleyball court, wedding chapel and a giant Tree of Life. There is a sign below the Tree of Life that reads: Write down wishes, hopes, dreams, etc. and set ’em Free. It was very moving to see the thousands of notes left on the tree. Watching the festival with digital eyes that changed moods and colors as the sky shifted from day to night — at the Elements stage there was a steep, tall fox (or wolf) overlooking the crowd. Several times I got lost staring into its round eyes as the music played. 

Founded by Mitch Morales, the 2017 festival included headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and many other artists; bringing the sum total of the line-up to 70. As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival returned to Carson Creek Ranch on the banks of the Colorado River and offered world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more.”

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Euphoria showcases the professionalism, style and acute qualities equal to a global event like Austin City Limits, Burning Man or Lollapalooza. Festival goers can see the time, love and energy invested into the decoration and preparation for the festival. However, unlike the ACL Music Festival that draws 450,000 people—Euphoria is much smaller in attendance and exposure. This independent festival deep in the heart of Texas provides a more intimate experience. Using the power of music to bring everyone together, Euphoria is a festival made for the community. The Euphoria Music Festival feels personalized and charming. The size of Euphoria provides a natural, easy going way of drawing people together. Even if you are attending alone as a member of the Press, like me. That is one of the nice aspects of a festival is various walks of life coming together for the love of music. 

Ultimately, the magic of Euphoria re-awakened my love for music festivals. It brought back the fun and joy of a festival that I used to feel when I was younger. As a local Austinite, I’ve been blessed to attend live shows and music festivals since before I could drive a car. I was one of the lucky people from Austin to experience the live music scene before it morphed into what it’s become today. (True, the music scene has improved with better venues, more esteemed artists and a boost in the economy, but it also came at a cost for the locals.) Years ago I was so sentimental about live music, I saved all of my ticket stubs that are now in a box. Honestly I don’t know how many times I wore a costume or got dolled up for a live show, like the night when I was the absinthe fairy covered in metallic glitter with green wings for Galactic’s Halloween show at Stubb’s. Countless days and nights, my friends and I would gather in masses to rock out, dance and let loose. Alas, after too many festivals and concerts for my stamina-—after one too many expensive tickets, late nights that lead to hangovers and dating too many musicians—the magic began to fade out. Secretly I started to become a little jaded: been there, done that and bought many, many t-shirts. The thrill of live music had begun to alter from love to stress. My heart no longer felt that spark like it once did when I was younger and I really only attend concerts these days at specific venues and no more festivals. Fortunately, Euphoria brought that nostalgic, familiar adrenaline rush back into my heart and it reminded me why I used to love festivals so much. Euphoria made my heart feel lighter and made me feel younger. Frankly I did not know what to expect at Euphoria. And to much delight, Euphoria Music Festival captured the intimacy of the art scene that used to be in ATX. I hope as the festival grows more and more each year that Euphoria will never lose its unique charm.  

I highly encourage music enthusiasts to mark Euphoria Music Festival on their bucket list. A strong indicator as to whether or not a musical event was a success is greatly determined by if the audience transcended time. Meaning, while the band is playing, the DJ is spinning or the musicians are on stage, those in attendance lose track of time. We forget our worries, stresses and anxieties for a while. We are present in the moment and feeling alive in the rhythm of the music. Euphoria Music Festival can and will take you to a transcendental place. 

To view the 2017 recap videos or purchase official merchandise of Euphoria Music Festival please visit www.euphoriafest.com. #FindYourEuphoria

West Coast artist Raven Felix will perform at 2017 Euphoria Music Festival in Texas

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Raven Felix. Photography provided by 740 Project. 

Born in The Valley of Los Angeles, Raven Felix is an artist best known for her music and this year she will be performing at the 2017 Euphoria Music Festival held at Carson Creek Ranch in Austin, Texas. A Latina from the West Coast, she began her exciting music career at a young age after being signed-on by Snoop Dogg at 18. Raven was discovered after posting music videos on World Star hip hop and that’s when Snoop Dogg took notice of her talent while he was in Amsterdam. Raven Felix is also a member of the entertainment company, Taylor Gang, as is Wiz Khalifa, and the two artists will both be performing (separately) at Euphoria Music Festival in Texas. Even more exciting for us all, even though this isn’t Raven’s first rodeo in the spotlight or on stage—it will be her first time to showcase her music in Texas. Ravens’s performance at Euphoria on Friday, April 7, 2017 marks Raven’s first ever show or festival held in Austin, Texas. 

Prior to my phone interview with Raven, I did not get to meet her in person. But through the photographs and music videos on social media: I noticed her strong voice, her dark brown hair that resembles silk, luminous skin, big brown eyes and how she always seems to have a chic manicure. Raven Felix is facing a successful future and a vivacious career in music, and she’s off to a great start. She is not only talented at rap and hip hop, modeling and music videos—Raven is also a writer and you can find some of her poetry online. Writing is something she has been doing since she was a child and holds very dear to her heart. 

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Photo of Raven Felix’s hands from her music video “6 in the Morning” feat. Snoog Dogg.

Nicolette Mallow: Here in Texas we have an area called The Valley near the border and it’s much different than LA. I heard on a radio interview with Power 106 that part of what motivates and inspires you to excel in your career is to pave the way and make a lane for younger girls, especially the young Latinas back home in The Valley… Giving back to the community is important and I am also a Latina. So I am curious to hear about The Valley and I was wondering if you’d tell me more about life in the valley for young girls?

Raven Felix: Everyone in The Valley is super close and it’s a tight-knit community. It also encompasses a large portion of the Hispanic/Latino population in LA. There is a lot of backyard parties and a lot of shows. It’s a really interesting place to be and I certainly grew up partying, too. A huge part of the culture in The Valley is community, art and entertainment. 

Nicolette: The music video for “Hit The Gas” with Snoop Dogg and Nef the Pharaoh looked like it was a lot of fun for the cast and crew to film… I also saw the video “6 In The Morning” … Will you tell me about how  you came to sign and work directly with Snoop Dogg after he found you on World Star at the age of 18?

Raven: It all happened fairly quick. I think I started putting out videos on World Star when I was 17. And when I was 18, he was in Amsterdam and saw me online and thought my tracks were dope and wanted to be involved. So, he found me and my people, and I feel very lucky. After that, all of a sudden we are making music a month or two later.

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Nicolette: What was it like touring with  with Snoop Dogg and Wiz Khalifa during “The High Road” tour in 2016?

Raven: I think for me it’s just a blessing to even have these huge artists that are insanely talented as my friends and colleagues. They are monsters of artists with amazing careers and to be involved with me. It’s definitely cool. And we all bring different songs and styles to the mix. Tour was amazing in general. 

Nicolette: I read one of your poems on Instagram. And I liked your line in the track “Me” when you say “Tell ‘em kiss it like I was your Bible”… How long have you been writing?

Raven: Well I’ve been writing since I was a kid, really ever since I could write. I wrote. But I think middle school is when I really started being interested. I had notebooks in drawers and boxes of handwritten notes. I still really very much want to branch out into writing novels, poetry, screenplays and scripts. Poetry, for me, is something that is a completely different outlet than my music. I keep it separate and I think its something that relaxes me. If I am having a road block. I think poetry can be my outlet. Writing is important to me and I seek to become a multifaceted artist as I move forward in my career. I can do much more than rap and sing on stage, which is dope. Writing is just one of many things like modeling, acting and other art forms I would love to explore in the future. 

Nicolette: I read the interview with VIBE that stated your top female artists are Eve, Missy Elliot and Nicki Minaj.. I recall listening to “Love is Blind” a lot as a teenager, dancing to Missy Elliot in college and playing Nicki’s track “I Lied” a lot while I lived in Ireland… Will you share a little about how these artists inspired you and your musical craft?

Raven: Nicki Minaj is the biggest inspiration to me out of all three women. I am 21 and so when I was in high school. I think I was in 9th grade. I had a mixed tape of hers and it was so hard and so dope. I fell in love with her then because I had never really heard an artist like her during my era, growing up. I heard a lot of rock and alternative stuff as a child because of my mother. So when people turned me onto Nicki and opened up doors for me to discover others like Eve and Missy Elliot, it’s amazing to hear all these talented women.

Nicolette: I read Southern Comfort was your first drink. What’s your poison (choice of alcoholic beverage) these days?

Raven: I usually switch back and forth between Bombay and Hennessy. Wiz and them from Taylor gang really like gin. At first I hated gin, but like now I really enjoy it. 

Nicolette: So when you aren’t touring or traveling for work, which sounds like a lot of fun. What do you do for fun and leisure with such a lively schedule?

Raven: I love being able to travel and do all this stuff for work. But I was just in London for Christmas for leisure. Just for me. Just for fun. So yeah, I love to be on the road and being on tour, but when I get to be home. I spend a lot of time with my mom and it centers me and keeps me grounded. She is my best friend and spending time with her is important; being near my mother relaxes me. I also like to keep in touch and be around my west coast friends that I grew up with in The Valley. The ones that cared about me from the start. Because, often we got lost and lose track of time out on the road. Coming home, back to your roots, it’s important for my friends to know that I’m still the same person they always knew and loved—and they’re just as important to me as always. 

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To purchase tickets to the 2017 Euphoria Music Festival to hear Raven Felix and 70 other artists in Austin, Texas please visit www.euphoriafest.com