Euphoriawill be hosting its sixth annual music, camping and community festival atCarson Creek Ranchin Austin, Texas from Apr. 6-9, 2017. Founded by Mitch Morales, the 2017 festival includes headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and much more.Bringing the sum total of the line-up to 70. Recently a public relations member of Euphoria contacted writer, Nicolette Mallow, to share the good news about the upcoming music festival.
*** For Immediate Release ***
Austin, Texas – Following two dynamic phases of artist announcements, Euphoria Music Festival has revealed the third and final phase and completed its lineup for the sixth annual event on April 6 – 9, 2017 and with it,the Official 2017 lineup movie.Already earning considerable buzz with its first two phases for 2017, Euphoria is closing out the year strong with what promises to be the best lineup yet, including new additions: Chromeo; Knife Party; Moby (DJ set); Oliver Heldens; Post Malone; Auto Body; Bakermat (Live); Lost Kings; Russ; Chet Porter; FKJ; Minnesota; Prince Fox; Turkuaz; Eric Dingus; Forgotten Space; Magna Carda; Melvv; Montu; Abe Masaryk; Resonant Frequency; Thoreau; and Whereisalex.
With this latest announcement, Euphoria now boasts a lineup of over 70 artists from around the globe and it’s own backyard, including headliners: Alesso, Pretty Lights Live, Wiz Khalifa, Young Thug, Zeds Dead, The Disco Biscuits and The Floozies. Additional artists announced include: Alan Walker; BadBadNotGood; 2017 GRAMMY nominated artist, Bob Moses; Chronixx & Zincfence Redemption; The Knocks (Live); Mija; Papadosio; Spag Heddy; Yotto; CID; Codeko; Dr. Fresch; The Funk Hunters; Ganja White Night; Grum; Ill-Esha; Manic Focus; Petit Biscuit; Poolside; Raven Felix; Slaptop; Tennyson; Unlike Pluto; Asadi; Blunt Force; Brede; Capyac; Carlyle; Craetion; Evanoff; Flamingosis; Henna Rosso; Lemurian; Jamiroqueen; Maddy O’Neal; Medasin; Psymbionic; Sip Sip; Slice Gang; The Widdler and Willgood.
“From top to bottom, this is Euphoria’s most amazing lineup to date,” says festival producer Mitch Morales. “We have major players, institutions, exciting up-and-comers and even a GRAMMY nominee – all of which cross a multitude of genres, yet still reside within our euphoric musical vibe. I cannot wait to host our festival family, both new and old, again this April.”
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As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival will return toCarson Creek Ranchon the banks of the Colorado River and offer world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more. In addition to the previously announced camping enhancements, direct shuttle service and added greening initiatives deemed “Ecophoria” – the festival will also be offering wedding ceremonies. Tapping into the power of music and community to evoke emotions and forge connections, Euphoria is creating a beautiful space for couples to celebrate their union. Full details can be found atwww.euphoriafest.com/weddings.
General Admission passes are available now for $149, plus fees for a 3-Day festival pass and $249 for a 3-day festival pass with camping. 3-Day “Fly Life” VIP packages with preferred viewing areas, private bars, VIP restrooms and showers, concierge service, luggage drop off, and express entrance are available starting at $269 (without camping) and $419 with camping. The Early Entry pass, which allows Wednesday access for up to 2,500 fans is available for $30. Price will remain frozen, until December 16th. Euphoria will be continuing its partnership with Affirm, offering clear, simple financing to split Eventbrite orders into 3 or 6 monthly payments. This offers patrons the most flexible option yet for affording festival passes. Tickets are available online atwww.euphoriafest.com. Euphoria is an ages 18 and over event.
“My education has been so unwitting I can’t quite tell which of my thoughts come from me and which from my books, but that’s how I’ve stayed attuned to myself and the world around me for the past thirty-five years. Because when I read, I don’t really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.” – Bohumil Hrabal
An imaginative production crew seeks to fundraise resources to launch a full-length feature film about Czech writer Bohumil Hrabal’s novel,Too Loud a Solitude.Directed byGenevieve Andersonand starring Paul Giamatti as the voice of Hanta, Too Loud A Solitude (Příliš hlučná samota) is a feature adaptation of Bohumil Hrabal’s beloved book made with live action puppets, animated sequences and visual effects.
This globally famous novel is about a book crusher, Hanta. Watching the trailer of Too Loud A Solitude is like entering a magic portal to another dimension where Bohumil Hrabal’s book takes place in a world of puppetry. An intimate, sneak peek to Hanta’s daily life and his private love affair with the books and their stories. A mirror reflection of Hrabal’s writing voice and how each book he created almost seems to be a personal letter written to each individual reader as opposed to the masses. As the camera soars in over the skyline of the town and we see gears grinding, scraps of papers tossed about and a city that seems to be very cold and quiet. Characters bundled up in many layers, speaking to each other without speaking as they go about daily life. The music is hypnotic and dreamy with its romantic yet haunting tune of a melancholy violin.
“Too Loud a Solitudeis the story of a waste compactor, Hanta, who was charged with destroying his country’s great literature in his humble press, and who fell so in love with the beautiful ideas contained within the books that he began secretly rescuing them – hiding them whole inside the bales, taking them home in his briefcase, and lining the walls of his basement with them. It became one of the defining books in Czechoslovakia’s history for its unsentimental, humorous, painfully relevant portrayal of humankind’s resilience.The story of Hanta’s quest to save the world of books and literature from destruction is often cited as the most beloved of Hrabal’s books. Too Loud a Solitude has a global fan base and an active community of support has emerged for our feature film project. The book has been translated into 37languages and sold over 70,000 copies of Michael Henry Heim’s English translation alone. Bohumil Hrabal wrote the novella as an unsentimental account of what happened to him during the Russian occupation of Czechoslovakia during the 40’s and 50’s. Many of Hrabal’s books were banned by the Russian regime and other great books by many authors were physically destroyed, an act Hrabal characterizes in Too Loud a Solitude as ‘crimes against humanity’… Our team has been committed to bringing Czech writer Bohumil Hrabal’s beloved novella Too Loud a Solitudeto the screen since 2004. With the assistance of The Rockefeller Media Arts Foundation (now the Tribeca Film Institute), Heather Henson and Handmade Puppet Dreams, and The Jim Henson Foundation, we completed a 17 minute sample of the film in 2007. The film has been playing nationally and internationally in the Handmade Puppet Dreams program, and in 2009 was awarded an UNIMA-USA citation of excellence. We are currently working on financing the feature project, first through a Kickstarter start-up funds campaign and then through partnership with other financing and production entities. Our intention is to enlist the support of the book’s global fan base and expand its already impressive audience. We’re down to two weeks left in ourKickstarter fundraising campaignand are continuing to do outreach work to drum up more support for our project. We seek to raise $35,000 to cover the costs of puppet design, armature creation, motion exploration, character development, costume design, and visual effects.”
For more information about the film, please visitwww.tooloudasolitude.com.“For thirty-five years now I’ve been in wastepaper, and it’s my love story…I am a jug filled with water both magic and plain; I have only to lean over and a stream of beautiful thoughts flows out of me.”
“I felt beautiful and holy for having the courage to hold on to my sanity after all I’d seen and had been through, body and soul, in too loud a solitude.”
“Masquerade Series – The Void” created by Chris Guarino. {Photo by Nicolette Mallow}.
June 2016—ART on 5th revealed three exhibitions by artists Brandon Snow, John Breiner and Chris Guarino. Each artist creates a unique style from the heart. However, Brandon Snow’s pieces can be recognized by his bold use of the colors black and red, butterflies, roses, matches and a balloon. The works of John Breiner are a bit more playful and extensive with bright colors, including images like an eagle, a Native American and an owl. The collection by Chris Guarino reflects a fantasy world of magic, darkness, nature and masks. All three exhibitions and all three artists displayed by the gallery are listed below in fuller details.
“Life, Death, and Beauty”: The strength of Brandon Snow’s work stems from the simplicity of his imagery. Each piece is conceptualized by photographing an everyday object. These are then translated from film to canvas via a large-format silkscreen printing method which he has developed through years of experimentation. This will be the artist’s first solo exhibition in Austin. “Brandon Snow is an Austin-based self-taught artist. Out of a desire to infuse his work with a new type of energy and excitement, Brandon began merging lo-fi film photography and silkscreen printing. When Snow discovered that he could print his photographs using large format silk screens, he immediately began the tedious process of teaching himself through trial and error. This silk screen method also allows room for unique and unplanned characteristics to develop in each piece during its creation”. Snow’s works are on display until July 7, 2016. www.brandonsnowart.com
“Aetheria”: John Breiner’s work revolves around the reuse of found paper, including book covers and old maps. By utilizing a unique print transfer method, Breiner combines photographs and original drawings. He finishes the image with a myriad of techniques, including acrylic, spray paint, and collage. The result is an ephemeral surface which transcends traditional print media. John Breiner is from New York, and this will be his second exhibition at ART on 5th. “John Breiner’s love of the ephemeral surface has kept him painting and illustrating for close to two decades. While the focus of his personal work revolves around the reuse of found items (specifically old paper, books and book jackets), John has also painted large-scale murals, numerous illustrations, and album covers over the years”. Briener’s works are on display until July 7, 2016. www.johnbreiner.com
“From The Unknown & The Masquerade Series”: Chris Guarino, the winner of our 2015 Bombay Sapphire Artisan Series Contest, is currently the featured artist at ART on 5th. Guarino’s sculptures and digital photography are no longer on display. For information about prints, please contact ART on 5th. “From the Unknown is a solo exhibition of work by internationally recognized sculptor and digital media artist, Chris Guarino. Chris was also the winner of our 2015 Bombay Sapphire Artisan Series Contest. His work has been exhibited in Chicago, Miami, and Berlin. This show will feature original cast resin sculptures as well as prints of his digital photography work.” “From the Unknown” ended on June 18, 2016. Viewers can still see artwork by Chris Guarino at the gallery, however the full exhibit is no longer up in its original form. www.chrisguarino.com
Additionally, please bear in mind that ART on 5th is encouraging a Call for Entries from artists that have yet to be featured at the gallery. “ART on 5th will once again be hosting the Bombay Sapphire Artisan Series. The Artisan Series is a national search to find the next big name in visual arts, and offers under represented artists a national platform to showcase their work. Artists residing within 150 miles of the city center will be considered for the Austin semi-finalist exhibition to be held at ART on 5th this October”. For more information regarding hours, location or upcoming exhibits at the gallery of ART on 5th: please visit their website at www.arton5th.com or call (512) 481-1111.
Note: This article was originally published on Examiner.com in June 2016.
Directed by Keith Maitland, “A Song For You: The Austin City Limits Story” held its world premiere at The Paramount Theatre in Austin, Texas during SXSW on Mar. 17, 2016. The SXSW Music, Film and Interactive Conferences and Festivals is celebrating its 30th year. And this year Keith Maitland and his teammates debuted two films for the first time at SXSW 2016. “A Song For You: The Austin City Limits Story” is a vibrant, intimate and engaging documentary covering 40 years and four decades of live music filmed for the beloved television show Austin City Limits (ACL). It’s a playful and raw story—an immaculate collection of great artists and their bands that took the stage at Austin City Limits. Director Keith Maitland shares the unique story of how ACL began with ‘janky’ sound equipment and soon morphed into the longest running music show in television history.
Artists that appear within the documentary include the following: Willie Nelson, Townes Van Zandt, Steve Ray Vaughan, Beck, Johnny Cash, Bonnie Raitt, Ray Charles, Emmylou Harris, Buddy Guy, Jeff Bridges, Matthew McConaughey, Lyle Lovett, Sheryl Crow, Dolly Parton, Radiohead, B.B. King, Lighting Hopkins, The Avett Brothers, Talking Heads, Garth Brooks, Thao Nguyen and more. “Long-time producer of Austin City Limits, Terry Lickona, also transcends the TV show and gives audiences a front-row seat and backstage pass to the greatest performances of the longest running music show in television history.”
One prime reason “A Song For You” is described as the ‘ultimate backstage pass’ to Austin City Limits is because it entails endless video clippings from numerous performances filmed live at ACL alongside annotations of those who were there first-hand to experience the performances. The audience is granted the inside track regarding many ACL shows, off-stage and-onstage. Watching the artists and the production team work their magic. Feeling as if we were there, too. Hearing about the highs-and-lows of the non-stop adventure—’the flood of memories’—it’s an adrenaline rush to the heart and soul. Listening to the music, hearing the interviews and seeing it all unfold and come to life at once makes the documentary unforgettable.
Director Keith Maitland did an immaculate job of intertwining 40 years of history into 96 minutes. “A Song For You” opens with Dale Watson solely because he was the featured artist on the final episode filmed for Season 39 by Austin City Limits. Once Maitland sets the scene in present day, the Director takes us all the way back to the beginning when Willie Nelson played for ACL in 1974 and tells the story in a retrospective way. Obviously, music is the core of Austin City Limits: their universal love of music and their never-ending desire to showcase musical masters and the up-and-coming talent. The title of the film is also befitting because without the audience, Austin City Limits wouldn’t have thrived. The show needs the audience as much as we need the show. You won’t want this film to end it’s that exciting, but when it does. As the credits come to a close, there is a video of Ray Charles singing “Deep In The Heart of Texas”. Which is where it all began, deep in the hearts of Texans. Or at least those living in Texans even if born elsewhere… Many of the artists in the film are still living, others have died and passed on. But the story of Austin City Limits will live on forever.
Imagery provided by Go-Valley Films.
Fortunately, this week the Director Keith Maitland met with Austin Examiner, Nicolette Mallow, at The Driskill Hotel to talk about “A Song For You: The Austin City Limits Story” and how this delightful documentary came to fruition. Maitland also touched briefly on his other film, “Tower” that screened at the SXSW 2016 festival, too. [“Tower” is about the sniper in August of 1966 who rode the elevator to the top and held people hostage from The University of Texas Tower for 96 minutes, and at the end of his tyranny he’d taken 16 lives and wounded over three dozen.]
Nicolette Mallow: What compelled you to make a film about Austin City Limits? Do you simply love the show and what it stands for? Or do you have a strong affiliation with the city of Austin, too? I noticed both of your films pertained to Austin, Texas.
Keith Maitland: I attended The University of Texas at Austin from 1994 to 1998. Then I lived in NYC for ten years. About ten years ago, I moved back to Austin. And yes, live music is something I’ve always loved … In the 1990’s, I saw a few ACL tapings. I even sneaked backstage a few times. Once I snuck onto Willie Nelson’s tour bus in 1998. I had a knack for sneaking backstage. And that’s really what I wanted this documentary to capture: the energy and excitement of a wide-eyed fan… How this project came about is that I used to work at KLRU. And then a few years ago, a PBS Executive in DC called me about Austin City Limits and their 40th anniversary.
NM: How were you able to pick and choose a specific list of videos from an endless supply of ACL performances?
KM: That was no easy task and there was simply no way to honor all of the artistic talent that has premiered on the show. Austin City Limits has showcased around 800 performers and their bands. That’s a rough estimate and not an exact number, but my point is that it was impossible to include everyone in 96 minutes. I asked the production crew for a list of their favorites, and that was hard for them as well. So rather than pick out favorites, together, we oriented the set list around pivotal moments of the show.
NM: I noticed the documentary focused a great deal on Beck, Willie Nelson, and Stevie Ray Vaughan. All very big artists that are loved by Austin and around the globe… Personally I loved the footage in your film of Beck’s performance at ACL. And I actually went to middle school and high school with Willie’s nephew, Trevor. Any reason you chose those three to focus on?
KM: Beck is one of my absolute favorite artists and his presence in the film portrays the musical energy of present day. It was so cool to book an interview with him and quite rare for us to get the chance. Beck is very exclusive about interviews. I think it had been about ten years since Beck had consented to an on-camera documentary interview. So that was a huge honor and I know the only reason we were able to book it is because of Beck’s love for Austin City Limits… In regards to the other two artists. There are two statues of musicians in downtown Austin: Willie Nelson and Stevie Ray Vaughan. Their names were paramount to the story because they have each cast a shadow over the legacy of this town… Plus, Willie Nelson is the first artist to perform for the show and he’s from Austin. Also, the producers of ACL absolutely adore those two. And I can tell they had a very personal friendship with Stevie Ray Vaughan and that the absence of his presence still stings the ACL family.
NM: Did you enjoy interviewing the production crew, and specifically (the producer) Terry Lickona, from the ACL crew?
KM: Yes. I did. One of my favorite parts of the film is at the end when we are asking all the employees at ACL about what lead them to their job and what their role in the company is… Terry Lickona is just a great person in addition to being a fantastic producer. He is also a live music devourer. And he is always looking to the future and ‘what’s next’ which keeps the show fresh and exciting. He is a people’s people and is constantly out there absorbing the latest news pertaining to music. Terry’s loyalty to the show— and the loyalty of the entire ACL crew—it’s astounding. They’re an amazing team. And come on, it’s a pretty sweet gig to work.
NM: My last question is about your other film “Tower”. The other day I saw “A Song For You” at the Violet Crown and I adore it. But I’ve yet to see this one. My question is, many people have made movies or written stories about the 1966 sniper that murdered people from the UT Tower on the UT campus. What defines your story from all the rest and makes it so unique?
KM: Yes a lot of people have covered this story. What makes my take on it unique is that I don’t focus on the sniper. I focus on the witnesses, the heroes and the survivors of the story. The sniper is obviously mentioned and he’s part of the story. But he’s almost like the shark in the movie “Jaws” and how we don’t really see him until the end. We just hear the music and know what’s coming. “Tower” is a story of humanity at its best and worst. We get to see the people who put their lives at risk to save another. We also get to hear accounts from those who were frozen in fear, unable to help, and the shame they felt for being paralyzed with fear. But it’s very touching to hear the stories. A lot of people risked their lives to come to the rescue of those bloodied, bleeding and wounded… There is a little bit of us all in these characters and I wanted people to be able to relate to the story. Not the sniper.
For more information regarding “A Song For You: The Austin City Limits Story” please visit the official website at www.asongforyoufilm.com. To learn more about Austin City Limits (ACL) and to search upcoming performances: please check out their web page at www.acl-live.com.
Note: This article was originally published on Examiner.com in March 2016.
DJI Phantom 4 drone and VNTANA hologram technology at SXSW 2016 in Austin, Texas. Photography provided by VNTANA and DJI.
In partnership with DJI, the world leader in aerial imaging—VNTANA, an interactive technology hologram company out of Los Angeles created the first ever interactive hologram drone experience at SXSW from Mar. 12-14, 2016. The SXSW Music, Film and Interactive Conferences and Festivals is celebrating its 30th year in Austin, Texas. And this year SXSW featured its first ever interactive hologram drone pilots between DJI and VNTANA.
“From fully-controllable life-size avatars to simultaneous global performances from the world’s top artists, VNTANA’s technology creates the most engaging and realistic holographic experiences in the world. With our technology people can truly be multiple places at once and bring products and characters to life in new interactive ways. VNTANA’s team of designers, engineers, business strategists, system integrators, and creative technologists is dedicated to bringing you the next generation of holographic technology.”
The interactive lounge was set up along Rainey Street close to SouthBites™. During this time SXSW attendees could see themselves projected as a hologram in real-time standing next to a hologram of the new DJI Phantom 4 Drone hovering next to them. The Phantom 4 is the first consumer quadcopter camera (or “drone”) to use highly advanced computer vision and sensing technology to make professional aerial imaging easier for everyone. Using gestures, attendees were able to control the hologram drone and even see the interiors of the drone. At the end of the experience, attendees received a hologram GIF via e-mail. To see video footage of attendees experiencing their lounge at SXSW, please visit Vimeo and watch “DJI Phantom 4 Interactive Hologram Drone Experience – Powered by VNTANA”.
A representative from VNTANA met with Austin Examiner, Nicolette Mallow, during the SXSW festival to briefly discuss how to operate the hologram and fly the drone. Mallow also got to experience the hologram first hand.
Nicolette Mallow: How exactly do guests pilot and fly the drone through the hologram?
VNTANA: The guests see themselves on the display as a life-size hologram standing next to the DJI drone. They are able to pilot the drone through gesture control. In this case, guests use vertical hand and arm gestures to fly the drone up and down along with lateral body movement to fly the drone left and right. If you clasp your hands together and then quickly split them apart, the drone also splits apart to show the separate mechanisms and motors inside.
For more information regarding VNTANA or DJI, please visit their websites at www.vntana.com and www.dji.com.
Ethan Hawke attending Arts & Cinema Centre premier party for “In A Valley of Violence”. Photo by Dawson Smith.
To celebrate the world premiere of the film “In A Valley of Violence” starring Ethan Hawke and John Travolta—Hollywood event company A-List Communications hosted its popular Arts & Cinema Centre with venue partner Basecamp and Summit in Austin, Texas on Saturday, Mar. 12, 2016.
The Arts & Cinema Centre cocktail party took place during the opening weekend of SXSW 2016 on the rooftop of the Summit venue located at 120 West 5th St. Overlooking the downtown skyline, the rooftop has a vibrant view of the Warehouse District and particularly Mr. Robot’s glowing and stellar 100 ft. Coney-island Ferris Wheel. Sponsored by Maestro Dobel® Tequila and Miller-Coors Brewing. Maestro Dobel® Tequila offered specialty cocktails including its signature “Black Diamond Margarita” and Miller-Coors provided its Blue Moon Brewing selections to A-list talent, media and filmmakers in attendance.
Film cast and crew in attendance of the cocktail party included Ti West (Director), Jason Blum (Producer) and stars Ethan Hawke and Toby Huss. Earlier that day at 6:30 P.M. CST—“In A Valley of Violence” had its world premiere for the 2016 SXSW Film Festival. The SXSW Music, Film and Interactive Conferences and Festivals is celebrating its 30th year. “In A Valley of Violence” is a narrative feature and headliner film that has three official screenings on the SXSW schedule.
The official synopsis of the film released by Focus Features states the following: “A mysterious drifter named Paul (Ethan Hawke) and his dog Abbie (Jumpy) make their way towards Mexico through the barren desert of the old west. In an attempt to shorten their journey they cut through the center of a large valley—landing themselves in the forgotten town of Denton—a place now dubbed by locals as a valley of violence. The once popular mining town is nearly abandoned, and controlled by a brash group of misfits and nitwits—chief among them, the seemingly untouchable, Gilly (James Ransone) who is the troublemaking son of the town’s unforgiving Marshal (John Travolta). As tensions rise between Paul and Gilly, Denton’s remaining residents bear witness to an inevitable act of violence that starts a disastrous chain reaction, infecting the petty lives of all involved and quickly drags the whole town into the bloody crosshairs of revenge. Mary-Anne (Taissa Farmiga) and Ellen (Karen Gillan), two bickering sisters who run the town’s only hotel, try to find the good in both men, while desperately searching for their own salvation. Only the world-weary Marshal struggles to stop the violent hysteria, but after a gruesome discovery about Paul’s past… there is no stopping the escalation. From writer/director Ti West (“The House of the Devil”, “The Innkeepers” and “The Sacrament”) and Blumhouse Productions (“Insidious”, “The Visit”, “Whiplash” and “The Gift”)—”In A Valley of Violence” brings absurdist humor, unique dialogue and West’s shocking scenes of violence to the Western genre. The film also boasts a stellar supporting cast that includes Toby Huss, Burn Gorman, and genre darling Larry Fessenden.”
Note: This article was originally published on Examiner.com in March 2016.
Photography provided by The Robert Rodriguez Museum.
“Death Dealer” by Frank Frazetta. Photography provided by The Robert Rodriguez Museum.
“Earths Core” by Frank Frazetta. Photography provided by The Robert Rodriguez Museum.
“Man Ape” by Frank Frazetta. Photography provided by The Robert Rodriguez Museum.
“Dark Kingdom” by Frank Frazetta. Photography provided by The Robert Rodriguez Museum.
On Mar. 8, 2016 an official press release was shared by FONS PR announcing that Robert Rodriguez is curating a Frank Frazetta art gallery exclusively for The 2016 SXSW Music, Film and Interactive Conferences and Festivals in Austin, Texas. Original art pieces created by the infamous Frank Frazetta, the gallery is endlessly colorful, hypnotic, intense, enchanting and darkling. Showcasing Frazetta’s spellbinding fantasy artwork to the city of Austin and all the travelers from around the world attending SXSW. This spectacular and rare exhibition is open to the public for an entry fee of $10. Please note that SXSW badges are not necessary for entry to the museum.
FONS PR granted local Arts and Entertainment Examiner, Nicolette Mallow, with permission to replicate their official press release stated below to help spread the word of art to the city of Austin.
FOR IMMEDIATE RELEASE
Robert Rodriguez curates museum featuring original Frank Frazetta masterpieces.
SXSW 2016 gallery event runs March 12-19, 2016 in Austin, Texas.
For a limited time only during SXSW 2016, Robert Rodriguez is proud to present a curated collection of original art, including twelve masterwork paintings by iconic artist Frank Frazetta, including original paintings like “Death Dealer”. Considered to be the most influential fantasy artist in history, Frazetta contributed iconic artwork to classic works of fiction for Conan the Barbarian, Tarzan and John Carter of Mars among others. Other notable artwork being featured is artwork from the upcoming Rodriguez film “Fire and Ice” based on the works of Frank Frazetta.
The gallery will also feature an original “Sin City” masterpiece by Frank Miller, original art by Drew Struzan including his rendering of Sylvester Stallone for the movie poster “First Blood”, and original poster art for “The Thing”. Original paintings by New Pop Art master Sebastian Krüger including hyper real paintings of Keith Richards, Mick Jagger and Danny Trejo. Bronzed art sculptures from Clete Shields. Shields’ work has been commissioned by Quentin Tarantino, Kevin Smith, Robert Rodriguez and Samuel L. Jackson.
In addition, the gallery will feature original movie props from Rodriguez’s films and painted portraits of characters from Rodriguez’s films between Rodriguez himself and his actors including paintings by Josh Brolin, Rosario Dawson, Lady Gaga, Bruce Willis, and Joseph Gordon Levitt. There will also be a selection of hand numbered giclée prints of Frazetta pieces photographed and printed by Robert Rodriguez available for purchase. Proceeds from the prints and merchandise benefit the preservation of Frank Frazetta’s art.
Robert Rodriguez has been touring Frank Frazetta original art at Comic Con and Wizard Con to continue the wish of Frank Frazetta, a friend and collaborator of Robert’s who always wanted audiences to see his paintings in person. The original Frazetta museum in upstate New York closed after the passing of Frank Frazetta in 2010. The Rodriguez museum features other world class artists Robert has also worked with and studied under over the years, with art that he’s collected himself, and others that are on exclusive loan for this event. The Frank Frazetta Collection has an unprecedented amount of original masterpieces including new additions “Moon Maid”, “Flash Gordon”, “Kubla Khan” as well as “Death Dealer 2”, “Egyptian Queen”, “At the Earth’s Core”, “Conan Man Ape” and “Dark Kingdom”, and a rare original painting Frazetta did for the movie “From Dusk Till Dawn” among others, 15 original masterpiece paintings total.
“I’m extremely excited to host this very special event at South by Southwest, featuring mind-blowing art by my favorite artists and collaborators,” said filmmaker Robert Rodriguez. “It’s the only place in the world where you can see original Frank Frazetta art, 15 masterpiece paintings total, alongside original art by Frank Miller, Drew Struzan, Sebastian Kruger and Clete Shields. There’s no other museum like this.”
The gallery will be open daily to the public until Saturday, Mar. 19th from noon to 5 PM. The gallery will have a $10 entrance fee benefiting the preservation of Frank Frazetta art. SXSW badges are not required for entry to the art gallery. The Robert Rodriguez Museum is located at 920 Congress Ave. in Austin, Texas.
“Santanico” painting in progress by Eiza Gonzalez and Robert Rodriguez. Photography by Nicolette Mallow.
Note: This article was originally published on Examiner.com in March 2016.
Founder and CEO of Reserveage™ Nutrition, Naomi Whittel has dedicated her career to naturally beautify the world with a vision oriented around science, health and wellness. Whittel is a ‘nutritional navigator’ who travels the globe studying various cultures and ecosystems to discover the best standards in nutritional health. Launching her company with four products in March 2009—Reserveage™ Nutrition now offers an extensive list of products ranging from skin hydration, metabolism boosters, anti-aging, cardiovascular support, antioxidants, and much more. Naomi Whittel has received several prestigious awards for her role as a successful female entrepreneur, including the following: the Gold Stevie Winner as Female Executive of the Year and the Silver Stevie Winner as Female Entrepreneur of the Year. “Naomi Whittel is one of the nation’s leading female innovators in the natural products industry. With two decades of experience in developing and managing sustainable companies in the health and wellness sector, she is the founder and CEO of Reserveage Nutrition™ and two sister companies: ResVitale™ and ReBody™. Together these natural health supplement brands have earned over 30 industry awards in four years, and are recognized for their mission to produce life-changing products based on ground-breaking science.”
Recently, Naomi Whittel assented to an interview with a local Arts & Entertainment Examiner, Nicolette Mallow, to talk entrepreneurship and becoming a CEO at the age of 23. Whittel also shared some helpful tips and insights related to wellness. The interview was held within the Press room at Prevention Magazine’s third annual R3 Summit held at ACL Live at The Moody Theater in Austin, Texas.
Nicolette Mallow: On stage, you spoke of age and numbers. You emphasized that a number doesn’t define us no matter how young or advanced in age. Listening to you talk about starting a company that went global and being the CEO at 23 years old is so inspiring to all female (or male) entrepreneurs. However, I also recall during the presentation you mentioned that sometimes in the past you hid the fact you were the CEO because you felt your age might cause others to not take you seriously… How did you overcome the fear of being the youngest? It’s important for us all to learn from our elders or those with the experience of time that exceeds our own. But I have often felt the same way as an artistic professional when I’m the youngest, and often the only female, in a group where everyone else is older. It can be hard to be taken seriously and it can feel discouraging… How did you break free of all that and succeed?
Naomi Whittel: Being a young entrepreneur can be difficult. In hindsight, I wish that I hadn’t always kept it a secret that I was the CEO. But it’s a learning process for everyone starting out. First off, in order to succeed you have to be willing to fail and to be bold. To take risks. Failure is a huge part of success, but so long as you hold fast to your purpose and sustain boldness in all you do. In due time your visions and dreams will transpire. It’s also imperative to have a voice and to be honest with yourself. To know your strengths and weaknesses… Not long ago, I was in a meeting with other entrepreneurs and we were discussing investments. We needed to raise money for something that day and it seemed daunting to the others. At first no one was willing to invest, but I saw no reason to not make a move and act. I was the first one, and the youngest, to offer up a check to invest. Once I made the first move, the others were interested in the investment and we raised the money that day. Boldness goes a long way… Once you harness your internal power and know how to use it in a healthy way. Once you find a vision and hold onto it: falling into success becomes natural.
NM: Speaking of healthy, in regards to nutrition and wellness, it can be daunting for those just starting out with a mission to achieve a better diet or a healthier lifestyle. There are thousands of books, recipes and products out there for people to try. Where to begin? What is your advice for anyone wanting to change their lifestyle and nutritional diet but they don’t know where to start?
NW: Yes there is a lot of information there. I would advise the first step to be the elimination of processed foods. Processed foods do not carry natural nutrients, or often any nutrients, and therefore the body is not getting anything vital or healthy from these processed foods. Processed foods can do more harm than good. Solely because processed foods often carry a lot of chemicals and damaging, artificial substances within them, too. People aren’t always aware that what they are eating isn’t actually food at all… I was fortunate to grow up in a home of science and chemistry with parents focused on a biodynamic, organic lifestyle. However, I want everyone to join me on the journey to wellness no matter how or when their journey begins.
NM: My last question is, for those of us who sustain an overall healthy diet, exercise, drink plenty of fluids, take nutritional supplements and hydrate our skin, hair and nails. For those of us who feel we are nearly doing it all. What is something else that we can do to improve our diet and overall wellness?
NW: Intermittent fasting is something even the pro’s can forget to do. Fasting periodically from 8 PM to NOON has amazing benefits on the body. Intermittent fasting has proven to control blood sugar and insulin. It can promote weight loss and reduce cholesterol levels. Intermittent fasting can even assist with cellular repair or inflammation in the body, reducing stress.
Dr. Travis Stork educated listeners about the human heart and how it operates at Prevention Magazine’s 3rd annual R3 Summit held at ACL Live at The Moody Theater on Jan. 16, 2016. Dr. Stork works in the emergency room and he seeks to advise people about the warning signs of heart malfunction and when to seek immediate medical attention. Joining him on stage was R3’s Master of Ceremonies, Dr. Jennifer Ashton, a Board-certified ob-gyn and fellow co-host of the Emmy®- Award–winning show “The Doctors”, ABC Chief Health Correspondent. Together, the two doctors delivered a compelling, interactive, playful and graphic presentation regarding heart disease and other medical miscellany.
Heart disease is the number one killer for both women and men. And Dr. Travis Stork says that too many people neglect the warning signs or the red flags of heart-related health problems due to factors such as lack of knowledge or lack of awareness. Sadly a lot of people are unaware of the symptoms or they unknowingly confuse a heart attack for something less severe like fatigue, numbness, indigestion or nausea. Resulting in a heart that goes untreated, sometimes until it’s too late. “Time is muscle” and Dr. Stork wants everyone to be aware of the facts.
“Dr. Travis Stork is an Emmy®-nominated host of the award-winning talk show, ‘The Doctors’, and a board-certified emergency medicine physician. He graduated Magna Cum Laude from Duke University as a member of Phi Beta Kappa and earned his M.D. with honors from the University of Virginia, being elected into the prestigious honor society of Alpha Omega Alpha for outstanding academic achievement. Based on his experiences in the ER, Dr. Stork is driven to teach people how to prevent illness before it happens. As a motivational speaker on the topic of health and wellness, Dr. Stork teaches people how to achieve optimal health by focusing on the 200-plus seemingly inconsequential health decisions people make throughout each day.”
Prior to his presentation at Prevention Magazine’s R3 Summit—Nicolette Mallow, an Arts & Entertainment Examiner within Austin—interviewed Dr. Travis Stork in the Press room.
Nicolette Mallow: Working as an ER doctor, obviously you deal with a lot of blood and trauma. You have numerous patients in dire pain and distress, sometimes on the verge of life or death. How do you handle such high volumes of pressure and chaos on a daily basis and remain calm all the while to serve and heal your patients?
Dr. Travis Stork: Being an ER doctor is a lot like anything else. A learned skill. For instance, I am sure when you began writing and interviewing people that it made you nervous. You had doubts, fears and hesitations. Everything can be scary in the beginning. As an ER doctor, I felt all those emotions and fears in the beginning. But as time went by it became more and more of a routine and I overcame my fear. When you have a patient gushing or squirting out massive amounts of blood: you have to learn to overcome the fear, manage the stress and work under pressure.
NM: What is one aspect of being a doctor that Medical school could not prepare you for?
DTS: The healthcare system. It’s a beast. Nothing at school could’ve ever prepared me for that and it’s most definitely a huge problem that I was not prepared for. Fortunately doctors are becoming more vocal about our dysfunctional healthcare system and seek to improve the inadequacies.
NM: A veteran who served our country overseas as a Combat medic in the US Army during times of war once told me that the heart is the most important organ in our body. People often think it’s the brain, but he told me that the brain can die and yet the heart stays awake. Which is what happens when people go into a coma. Do you agree that the heart is our most imperative organ?
DTS: Yes; without a doubt the heart is the most crucial organ. Let’s say someone’s brain is damaged after a heart attack or the brain stops functioning. The result is not because the brain died or was damaged on its own without cause. It doesn’t just happen for no reason. When oxygen flow is cut off from the heart to the brain, tissue dies. The effect of such scar tissue is damage (sometimes permanent damage) to the brain. Our heart pumps out blood and oxygen that flows into every particle, cell and organ within the body.
For those unable to hear Dr. Travis Stork’s live presentation at the R3 Summit, there is plenty of information provided by online. Please refer to his videos “Signs of a Heart Attack” and what happens to the body during a “Heart Attack”.
Note: This article was originally published on Examiner.com in January 2016.
“Crusader Bible: A Gothic Masterpiece” – The Blanton Museum of Art at The University of Texas at Austin.
Showcased by The Blanton Museum of Art at The University of Texas at Austin, The Crusader Bible: A Gothic Masterpiece is a traveling art gallery highlighting an illuminated Medieval manuscript from the 13th century. Traveling to seven different countries in the world over a timeline of seven centuries, this French Gothic manuscript from the Middle Ages is created by seven anonymous artists. Depicting selected stories from the Old Testament, retold in the era and culture of Medieval period, originally this one-of-a-kind manuscript was designed to be a picture-book without any script. These colorful illustrations were intended to portray biblical stories without any annotations, explaining why each drawing is so very graphic, specific and characteristic. However, as the Crusader Bible journeyed seven times from France to Italy, Poland, Persia, Egypt, England and the United States: alterations were made and inscriptions were added in various languages, including Latin, Persian and Juedo-Persian.
Upon entrance into The Crusader Bible: A Gothic Masterpiece, the rooms of the gallery are glittering with 40 illuminated pages of gold leafs (pure gold that has been hammered down into thin sheets). The gold is still so remarkably shiny that it’s almost hard to believe this manuscript is nearly 1000 years old. Even under dimmed lighting within a museum, the gold leafs on the pages are so prominent and bold that the display cases within the gallery shine similarly to a jewelry display case. Fortunately the Crusader Bible has withstood the tests of time and it comes to no surprise that these handmade manuscripts are very challenging to make, often taking many years to complete. There is a very specific and thorough process to creating illuminated manuscripts, beginning with the preparation of the parchment paper. Parchment paper derives from animal skin and once it’s finished after weeks of preparation. Then scribes would begin inscriptions. Once the scribe had finished their task, the illuminator left its mark on the parchment paper before sending the manuscript over to bindery. An illumniator is the artist whom illuminated the manuscript with silver or gold leafing. They were responsible for lighting up the pages with precious metals.
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Silver, gold and colorful illuminations aren’t the only part of the Crusader Bible that catch the eye. The carbon black inscriptions also carry a dominant presence. Admiring all the various scripts in different languages is quite compelling because it notes the seven foreign locations and cultures the Crusader Bible ventured to. The number seven is believed to be a divine number of truth and mysticism within numerology studies and spiritual texts. Therefore it’s an interesting coincidence that the number seven plays such a predominant and powerful role in the history of the Crusader Bible. Furthermore, the black calligraphy is immaculate in every language and it took scribes endless hours to complete the script; using a quill pen to write the script and a knife to cut away ink errors when necessary. The carbon black ink used by the scribes is referred to as lampblack. And even though most of us cannot read Latin, Persian or Juedo-Persian. With the use of modern technology and an application called Layar, guests can scan the Medieval manuscript and the application translates it for you right that instant.
Additionally, this special exhibit also features European arms and armor, an illustrated book from Persia, and a large display case featuring many of the tools, rocks, metals and pigments used to inscribe, illustrate and illuminate the parchment paper. There is also a video to regard the process from preparing the parchment paper to the final result in bindery. The Crusader Bible: A Gothic Masterpiece will be on display until April 3, 2016. For more information regarding The Blanton Museum of Art and its hours of operation, admission, upcoming exhibitions or membership, please call 512-471-7324 or visit www.blantonmuseum.org.
“The Blanton Museum of Art at The University of Texas at Austin presents The Crusader Bible: A Gothic Masterpiece, an exhibition of over forty unbound pages from the one of the most celebrated French illuminated manuscripts of the Middle Ages. The illuminations include some of the most compelling visualizations of the Old Testament, bringing Bible stories to life through vivid images that reflect medieval culture and the world of the Crusades. Designed to resonate with thirteenth-century French viewers, biblical characters are depicted as battling knights, equipped with contemporary arms and armor, and situated within medieval French towns. Loans from the Metropolitan Museum, including a shirt of mail, sword, prick spur, and war hat, will augment visitors’ understanding of the weaponry featured in the Crusader Bible. On loan from the Morgan Library & Museum in New York, the Crusader Bible features Old Testament scenes in medieval settings, with brilliantly colored illustrations attributed to seven anonymous artists. To provide historical context for the Bible, the presentation features medieval arms and armor from New York’s Metropolitan Museum of Art. Also included are sixteenth-century Persian illustrations from the Metropolitan and the Ardashīr-nāma, a seventeenth-century Judeo-Persian manuscript of Old Testament stories from The Jewish Theological Seminary of America in New York. The history of the Crusader Bible is fascinating, covering seven centuries and multiple continents. Likely created in Paris during the 1240s for King Louis IX of France— famous for building the Sainte-Chapelle and for leading two crusades— the Bible then passed to the king’s younger brother, Charles of Anjou, who took it to Italy. More than four centuries later, the Archbishop of Cracow acquired and offered it as a diplomatic gift to the great Shah of Persia, ‘Abbas I. By the eighteenth century, the manuscript belonged to an anonymous Persian Jew. After its journey from France to Italy, Poland, and Persia, the Bible traveled to Egypt, England, and finally to the Morgan Library & Museum in the United States. The Crusader Bible, which originally had no text, bears inscriptions in Latin, Persian, and Judeo-Persian. They function as evidence of its changing ownership throughout the centuries and reflect how each owner used his language to lay claim to the book, appropriating its imagery for assimilation into their respective cultures.”
Note: This article was originally published on Examiner.com in December 2015.
Nicolette Mallow 