Category: Literary Journalism

The Crusader Bible: A Gothic Masterpiece illuminates The Blanton Museum of Art

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“Crusader Bible: A Gothic Masterpiece” – The Blanton Museum of Art at The University of Texas at Austin.

Showcased by The Blanton Museum of Art at The University of Texas at Austin, The Crusader Bible: A Gothic Masterpiece is a traveling art gallery highlighting an illuminated Medieval manuscript from the 13th century. Traveling to seven different countries in the world over a timeline of seven centuries, this French Gothic manuscript from the Middle Ages is created by seven anonymous artists. Depicting selected stories from the Old Testament, retold in the era and culture of Medieval period, originally this one-of-a-kind manuscript was designed to be a picture-book without any script. These colorful illustrations were intended to portray biblical stories without any annotations, explaining why each drawing is so very graphic, specific and characteristic. However, as the Crusader Bible journeyed seven times from France to Italy, Poland, Persia, Egypt, England and the United States: alterations were made and inscriptions were added in various languages, including Latin, Persian and Juedo-Persian.

Upon entrance into The Crusader Bible: A Gothic Masterpiece, the rooms of the gallery are glittering with 40 illuminated pages of gold leafs (pure gold that has been hammered down into thin sheets). The gold is still so remarkably shiny that it’s almost hard to believe this manuscript is nearly 1000 years old. Even under dimmed lighting within a museum, the gold leafs on the pages are so prominent and bold that the display cases within the gallery shine similarly to a jewelry display case. Fortunately the Crusader Bible has withstood the tests of time and it comes to no surprise that these handmade manuscripts are very challenging to make, often taking many years to complete. There is a very specific and thorough process to creating illuminated manuscripts, beginning with the preparation of the parchment paper. Parchment paper derives from animal skin and once it’s finished after weeks of preparation. Then scribes would begin inscriptions. Once the scribe had finished their task, the illuminator left its mark on the parchment paper before sending the manuscript over to bindery. An illumniator is the artist whom illuminated the manuscript with silver or gold leafing. They were responsible for lighting up the pages with precious metals.

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Silver, gold and colorful illuminations aren’t the only part of the Crusader Bible that catch the eye. The carbon black inscriptions also carry a dominant presence. Admiring all the various scripts in different languages is quite compelling because it notes the seven foreign locations and cultures the Crusader Bible ventured to. The number seven is believed to be a divine number of truth and mysticism within numerology studies and spiritual texts. Therefore it’s an interesting coincidence that the number seven plays such a predominant and powerful role in the history of the Crusader Bible. Furthermore, the black calligraphy is immaculate in every language and it took scribes endless hours to complete the script; using a quill pen to write the script and a knife to cut away ink errors when necessary. The carbon black ink used by the scribes is referred to as lampblack. And even though most of us cannot read Latin, Persian or Juedo-Persian. With the use of modern technology and an application called Layar, guests can scan the Medieval manuscript and the application translates it for you right that instant.

Additionally, this special exhibit also features European arms and armor, an illustrated book from Persia, and a large display case featuring many of the tools, rocks, metals and pigments used to inscribe, illustrate and illuminate the parchment paper. There is also a video to regard the process from preparing the parchment paper to the final result in bindery. The Crusader Bible: A Gothic Masterpiece will be on display until April 3, 2016. For more information regarding The Blanton Museum of Art and its hours of operation, admission, upcoming exhibitions or membership, please call 512-471-7324 or visit www.blantonmuseum.org.

“The Blanton Museum of Art at The University of Texas at Austin presents The Crusader Bible: A Gothic Masterpiece, an exhibition of over forty unbound pages from the one of the most celebrated French illuminated manuscripts of the Middle Ages. The illuminations include some of the most compelling visualizations of the Old Testament, bringing Bible stories to life through vivid images that reflect medieval culture and the world of the Crusades. Designed to resonate with thirteenth-century French viewers, biblical characters are depicted as battling knights, equipped with contemporary arms and armor, and situated within medieval French towns. Loans from the Metropolitan Museum, including a shirt of mail, sword, prick spur, and war hat, will augment visitors’ understanding of the weaponry featured in the Crusader Bible. On loan from the Morgan Library & Museum in New York, the Crusader Bible features Old Testament scenes in medieval settings, with brilliantly colored illustrations attributed to seven anonymous artists. To provide historical context for the Bible, the presentation features medieval arms and armor from New York’s Metropolitan Museum of Art. Also included are sixteenth-century Persian illustrations from the Metropolitan and the Ardashīr-nāma, a seventeenth-century Judeo-Persian manuscript of Old Testament stories from The Jewish Theological Seminary of America in New York. The history of the Crusader Bible is fascinating, covering seven centuries and multiple continents. Likely created in Paris during the 1240s for King Louis IX of France— famous for building the Sainte-Chapelle and for leading two crusades— the Bible then passed to the king’s younger brother, Charles of Anjou, who took it to Italy. More than four centuries later, the Archbishop of Cracow acquired and offered it as a diplomatic gift to the great Shah of Persia, ‘Abbas I. By the eighteenth century, the manuscript belonged to an anonymous Persian Jew. After its journey from France to Italy, Poland, and Persia, the Bible traveled to Egypt, England, and finally to the Morgan Library & Museum in the United States. The Crusader Bible, which originally had no text, bears inscriptions in Latin, Persian, and Judeo-Persian. They function as evidence of its changing ownership throughout the centuries and reflect how each owner used his language to lay claim to the book, appropriating its imagery for assimilation into their respective cultures.”

Note: This article was originally published on Examiner.com in December 2015.  

Prevention Magazine will host its 3rd annual award-winning R3 Summit in Austin

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R3 Summit event logo by Prevention Magazine.

R3 Summit is an award winning one-and-a-half daylong experiential event hosted by Prevention Magazine that provides women with the tools to take action when it comes to their health and happiness. Taking place at ACL Live at The Moody Theater on January 15-16, 2016; the term ‘R3’ represents the three focuses and the overall mission of this extraordinary event: Revive, Refresh, and Reinvent. Only two blocks away from the trails, bridges and waterfront of Lady Bird Lake (Town Lake), the venue is adjacent to the W Hotel within the heart of downtown in the 2nd Street District. Austin is a befitting city to host a sponsored event like this due to the locals and their love for fitness, wellness and beauty. The water also possesses a sense of tranquility, utopia and peacefulness.

Presently, tickets for Prevention’s R3 Summit are available for purchase online. Guests have the option of selecting a one-day or two-day pass and prices do vary. Limited VIP Tickets are also available and a gift bag valued at over $300 is included with a VIP purchase, as well as priority seating. Students can also find tickets on sale at a discount to accommodate the college budget.

The Celebratory Reception on the night of Friday, January 15th will feature live music and tapas from an inventive, multi-course dinner menu curated by Top Chef Masters alum, Chef Monica Pope. Bob Roth will also be speaking about how to harness your inner power to reach your full potential. “Bob Roth is one of the most experienced and sought-after meditation teachers in America. Over the past 40 years, Bob has taught Transcendental Meditation to many thousands of people and authored an authoritative book on the subject, fittingly entitled, Transcendental Meditation, which has been translated into 20 languages. Bob currently serves as the Executive Director of the David Lynch Foundation, a 501(c)(3) charity which has brought meditation to over 500,000 inner-city youth in underserved schools in 35 countries, to veterans and their families who suffer from post-traumatic stress, and women and children who are survivors of domestic violence.”

The program of events hosted by R3 will also entail fitness and body sculpting classes, tastings and cooking demonstrations by top chefs, one-on-one beauty consultations, and wellness workshops. Additionally, all guests will be served a delicious breakfast, lunch and other tasty snacks on Saturday, January 16th. Attendees can also participate in free yoga all day. And all attendees will receive a custom-designed Prevention R3 reusable gift bag. Furthermore, main stage panel discussions will last from 9:30 A.M. to 4:45 P.M. on Saturday, January 16th.

There are numerous speakers included on the program and the full list can be found online. Doctors, physiologists, nutritionists, chefs, motivational speakers and artists of various sorts will be present at the event. A few of the confirmed speakers for the third annual R3 Summit include the following:

  • Joan Lunden – Keynote Speaker, award-winning journalist, bestselling author, health and wellness advocate, motivational speaker, successful entrepreneur, and a mom of seven children.
  • Dr. Travis Stork – Emmy®‐nominated host of the award-winning talk show, The Doctors, and a board-certified emergency medicine physician.
  • Lizzie Velasquez – motivational speaker, author and activist, A Brave Heart: The Lizzie Velasquez Story.
  • Chad Sarno – VP of Plant-Based Wellness for Rouxbe Online Culinary School.
  • Monica Pope – James Beard nominated Houston Chef and Restauranteur, Top Chef Masters.
  • Mary Joan Cunningham – health and wellness activist, creator of #ThrivewithMS and motivational speaker on ‘How to Rise Above Any Diagnosis’.

To purchase tickets online or obtain additional information pertaining to the schedule, speakers, sponsors and event times: please visit the official website at http://www.preventionr3summit.com.

“Prevention is the nation’s leading healthy lifestyle brand, with a U.S. magazine audience of 7.5 million readers, 34 million readers outside the U.S. and a top digital destination that has 6.5 million unique visitors each month, 15 million page views per month, and 4.3 million newsletter subscribers.”

Note: This article was originally published on Examiner.com in October 2015. 

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Elvis Costello’s memoir: Unfaithful Music & Disappearing Ink

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Autograph by Elvis Costello.

Elvis Costello was the featured guest for an interview with Evan Smith at Book People in Austin, Texas on October 20, 2015. Recently, Costello wrote a memoir titled Unfaithful Music & Disappearing Ink. This exclusive interview was part of his book tour. Entering the room with a light-colored hat, dark suit and vest, black-framed glasses, one gold ring on each hand and slick, black leather shoes: Elvis Costello descended the stairwell from the third floor to discuss the book and his life lived in music thus far. The entire second floor of Book People was filled with attendees and so many people were present that quite a few were listening in the back without a view of Elvis Costello; only able to hear voices echoing over the microphones. Fortunately I was able to grab a front row seat and sit on the floor.

Music is clearly the anthem of his life and the focus of his career. He’s been part of the industry over 40 years. The book is a collection of memoirs entailing his entire life, with a emphasis on his career. During the interview Elvis Costello answered numerous questions and mentioned various musical stories regarding Paul McCartney, The Beatles, T Bone Burnett, Tony Byrne, Jimmie Vaughan, and Jimi Hendrix. Reluctantly, he even rehashed the old SNL incident back in December 1977 that got him banned from the show for nearly 12 years. Additionally, he spoke of his favorite gigs played in Austin and the time they performed at the Armadillo Festival in 1978.

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To much delight, Costello was also very open and willing to share the more personal stories of his past about family, his love and lust for women, or the curse of memory. Costello mentioned that memory, and the fear of losing memory, were two strong factors that compelled him to write the book. He discussed the long process of writing his autobiography and how the process was simplified with the patient support of his wife through her assistance to help organize old memories. Many of his relatives, he said, suffered dementia and Costello didn’t want any memories stolen away in the event that time or health altered his mind. Unafraid to go behind-the-scenes and express life offstage, it was interesting to listen to him speak about how he’s changed over several decades from when he began his musical career as a young man in his 20’s until now in his 60’s. “I wanted my stories to be told by me, in accuracy. I didn’t want them retold in a way that didn’t hold true to my life,” he stated to Evan Smith.

In regards to Elvis Costello’s past, the topic of family and his memories of childhood were predominant, reoccurring themes throughout the interview. Many old photographs of times past were presented on a large screen, even a heartfelt video of his father performing live on television and dancing on stage whilst singing “If I Had A Hammer”. Elvis Costellospoke fondly about both his parents and there was great love and adoration in his voice when he shared old memories and his love for family. Nonetheless, there was a huge emphasis on his father, Ross McManus, a well-known musician and trumpet player. In fact, Costello made a point to inform the audience that October 20th, that very day, was indeed his father’s birthday. A particularly poignant memory of childhood included Costello telling the audience how he peeked around the back of the TV as a small boy to see if he might find his father behind the machine, only to realize that his dad was on stage in a studio. I found those sorts of memories to be the most endearing because only a child could think someone or something could transform into a miniature size and fit inside a TV. Costello’s honesty and his ability to tell old memories as if he were reliving it that very moment humanized his life story and made the interview all the more refreshing to hear.

Growing up in a house of music, all my life I’d heard the name ‘Elvis Costello’ and I knew he was a musician, singer-songwriter and record producer from England. I knew he’d been inducted into the Rock and Roll Hall of Fame and I knew he’d been to Austin many times to perform. The city of Austin has always loved hosting Elvis Costello shows and over the past 20 years: I’d seen his name printed all over line-ups in the press. But to be quite frank, I really had no idea how in-depth his career was or how influential he was until this interview and until I began reading his memoir. Not only did I walk away that night learning and absorbing new insights about a famous musician born in Europe. That evening I became an Elvis Costello enthusiast. Just listening to the stories during the interview had me intrigued, eager to finish the rest of his book I’d only obtained one day prior to the event. However, the moment when he surprised us with live music and began to play “Everyday I Write the Book” and I heard those lyrics for the first time only a few feet away from Elvis Costello in the flesh and blood: I felt a strong connection to the music. I wanted to hear more. My heart was so deeply moved by the words in his lyrics that it almost made me want to cry, in a good way. Since then I’ve started to read many of his lyrics and it’s clear to me now why he’s become a global success for 40 years. Elvis Costello is an artist whom posses a distinct voice and an edge. An artist that followed his heart and writes from the heart. A one-of-a-kind artist with innate gifts of articulation, imagination and passion. Gifts that cannot be taught nor bought.

Furthermore, Costello read a few chapters from his newly released memoir, Unfaithful Music & Disappearing Ink. Ending the evening on a high note, that’s when he played a bit of live music for the audience. We even got a little history lesson about his guitar in-between songs. A short video of his performance that I recorded from my seat can be found here on YouTube: Elvis Costello playing music at Book People.

Elvis Costello’s memoir was released in October 2015. The nearly 700 page story hasn’t been on the bookshelves that long but it’s already receiving quite a bit of positive feedback and attention from the media. Posted verbatim on his official website, “Born Declan Patrick MacManus, Elvis Costello was raised in London and Liverpool, grandson of a trumpet player on the White Star Line and son of a jazz musician who became a successful radio dance-band vocalist. Costello went into the family business and before he was twenty-four took the popular music world by storm. Costello continues to add to one of the most intriguing and extensive songbooks of our day. His performances have taken him from strumming a cardboard guitar in his parents’ front room to fronting a rock and roll band on our television screens and performing in the world’s greatest concert halls in a wild variety of company. Unfaithful Music & Disappearing Ink describes how Costello’s career has endured for almost four decades through a combination of dumb luck and animal cunning, even managing the occasional absurd episode of pop stardom. This memoir, written entirely by Costello, offers his unique view of his unlikely and sometimes comical rise to international success, with diversions through the previously undocumented emotional foundations of some of his best-known songs and the hits of tomorrow. It features many stories and observations about his renowned cowriters and co-conspirators, though Costello also pauses along the way for considerations of the less appealing side of fame.”

Unfaithful Music & Disappearing Ink can be purchased online or at your local bookstore. For more information regarding Elvis Costello, his book tour, list of albums or other miscellany: please visit the website at www.elviscostello.com.

“Don’t tell me you don’t know what love is. When you’re old enough to know better. When you find strange hands in your sweater. When your dreamboat turns out to be a footnote. I’m a man with a mission in two or three editions. And I’m giving you a longing look. Everyday, everyday, everyday I write the book. Chapter One we didn’t really get along. Chapter Two I think I fell in love with you. You said you’d stand by me in the middle of Chapter Three. But you were up to your old tricks in Chapters Four, Five and Six. The way you walk. The way you talk, and try to kiss me, and laugh. In four or five paragraphs. All your compliments and your cutting remarks. Are captured here in my quotation marks. Don’t tell me you don’t know the difference. Between a lover and a fighter. With my pen and my electric typewriter. Even in a perfect world where everyone was equal. I’d still own the film rights and be working on the sequel… Everyday I write the book.” – Elvis Costello

Note: This story is originally published on Rank & Revue in July 2015.

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The Driskill Hotel hosts holiday traditions in Texas for more than a century

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December flowers at The Driskill Hotel in Austin, Texas. Photography by Nicolette Mallow.

On the first of December at six in the evening, The Driskill Hotel initiated its annual holiday celebrations beginning with the lighting of the tree and a double quartet of singers from Austin Opera. A decorated tree is positioned in the center of the marble floors and columns within the main lobby closest to the grand stairwell. This holiday tree is illuminated and glowing the entire month of December. The tree is so substantial in size that the gold star on top nearly touches the stained glass dome of the ceiling.

Throughout December, for nearly 130 years since it was built in 1886, The Driskill Hotel hosts annual time-honored traditions to celebrate the holiday season. Notably, The Driskill is the oldest operating hotel in Austin, Texas and the architecture is Romanesque in design. When you enter the hotel it’s like going back in time, or finding a magical hiding place in town, because there is something otherworldly about the building’s energy. Yet you know you’re in Texas by all the lone stars, leather, cowhides and southern hospitality. Even horse carriages still wait outside to take guests and locals for a stroll through downtown. An artistic infusion of different periods; there is no other structure in Austin quite like it. Blocks away from the Texas State Capitol, The Driskill is a Historic Landmark, and its European design carries a prominent, unique presence amongst modern-day architecture in the downtown vicinity. This refined hotel is aesthetically beautiful and elegant, inside and out. However, every December, as the holiday season arrives: The Driskill shines brighter than ever with its festive, colorful decorum and sparkling tealights. Even before entering the hotel, dozens of homemade gingerbread men can be seen dangling happily in the windows of 1886 Cafe & Bakery. The gingerbread men are reasonably large, decorated with smiles of white icing, red candied buttons, green checkered stockings, and eyes made of chocolate.

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In addition to the lovely holiday decorum on display the month of December, The Driskill will also feature holiday events on selected days and nights: seasonal music from a live string quartet, Afternoon Tea, an Afternoon with Santa, and Christmas Day in The Driskill Grill. Prices per event do vary. The Driskill Bar upstairs, which was recently named the best cocktail bar by The Austin Chronicle, hosts live music as well. Guests can escape the cold and warm up with snacks and a libation, or an apple cider, within the lounge area while enjoying the lyrics and melodies of various singers and songwriters. Don’t forget to try the mejdool dates wrapped in bacon!

Furthermore, on December 13th at 2:00 PM, Cookies for Caring is another holiday-related charity event at The Driskill. “In collaboration with the Austin American-Statesman’s Season for Caring, The Driskill is hosting a holiday cookie swap. Guests can create their own holiday cookie collection and a portion of the proceeds will be donated to The Austin American-Statesman’s Season for Caring charity drive.” Cookie tins cost $25 per person and will be waiting for guests upon arrival to the event.

Seasonally decorated gourmet cookies can also be purchased at 1886 Cafe & Bakery, a premier restaurant within the hotel named after the year The Driskill came to life. “The Driskill Hotel opened on December 20, 1886, to great fanfare and applause from Austin’s 20,000 residents. Since that time, the ‘grande dame’ of Texas hotels has remained a magnificent gathering place for locals, Texans and others to celebrate the holidays and other special moments of their lives in Colonel Jesse Driskill’s splendid Romanesque masterpiece. We invite you to recapture a nostalgic memory from a holiday season long past and to create new memories for your family and friends during our holiday celebrations.”

The Driskill Hotel holds 189 guest rooms and suites. Guests may also admire The Maximilian Room, the Governor’s Boardroom, the Mezzanine and the Victorian Room. For more information about holiday events, hotel reservations, catering, or The Driskill Bar and Grill: please visit their website at www.driskillhotel.com or call 512-439-1234.

Note: This article was originally published on Examiner.com in December 2015. 

Viva la Vida: Mexic-Arte Museum honors Día de los Muertos festival for 32 years in Tejas

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La Catrina drawn by unknown artist at The Mexic-Arte Museum. Photography by Nicolette Mallow.

Since the doors first opened in 1984, the Mexic-Arte Museum in Austin has celebrated thirty-two years of Día de los Muertos (Day of the Dead) festivities. This October the museum presents two seasonal exhibitions alongside its annual Viva la Vida festival featuring a grand procession, artist vendors, live music, and a grand sugar skull piñata float by local piñata artisans Monica and Sergio Lejarazu. The museum will also host a black-tie masquerade event known as the Catrina Ball that will debut at The Four Seasons Hotel.

The highlighted Día de los Muertos exhibition at the Mexic-Arte Museum, Community Altars: Ofrendas Inspired from the States of Mexico, is located within the main gallery and contains nearly a dozen altars to honor the lives of loved ones who are deceased. Adorning the altars are flowers, crosses, candles, angels, framed photographs, flags, hand-cut paper, skulls and catrinas. Echoes of a film directed by Jim Hill, Llamar a los Muertos a Casa (Calling Home The Dead), are heard as guests walk about the rooms. In the very back of the exhibition there is a bench to sit and watch the movie about the villagers of Lake Pátzcuaro. And viewers can learn why it’s believed this land is a doorway to heaven.

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Nicolette Mallow in La Catrina face paint at the Viva la Vida festival in October 2015.

Each altar represents the regional and cultural differences within diverse areas of Mexico, including the following states: Guanajuato, Guerrero, Jalisco, Michoacán, Oaxaca, Puebla, San Luis Potosí, Veracruz, Mexico D.F. and Coahuila. Admiring the similarities and dissimilarities between the altars is part of the appeal. Not a single altar is identical to another, and yet the holiday spirit Día de los Muertos is strong within every altar, unifying the exhibition at the Mexic-Arte museum.

In 2003, the 78th Legislature of the State of Texas awarded the Mexic-Arte Museum as the Official Mexican and Mexican American Art Museum of Texas. Also according to their website, “Día de los Muertos is an ancient, Mexican and Mexican American religious holiday with a historically rich tradition that integrates both pre-Columbian and Catholic customs. It is often celebrated in connection with the Catholic Holy Days of All Saints’ Day and All Souls’ Day (dates and length of the celebration vary by state or region). In the celebrants’ minds, the holiday is a time to honor and greet their deceased relatives and friends, who make the journey back from Mictlan (the underworld in Aztec culture) to be with the living each year. These days are a time for families and friends to gather in celebration of life and death, embracing the circle of life rather than loss and sorrow.

Standing in a room of altars that pay homage and respect to the dead, it might not seem like a place of love and light to those unfamiliar with Día de los Muertos. However, there is an undeniable force of love and life flowing throughout the rooms. An intense and evocative kind of love that can be seen and felt like standing next to a bonfire on a frigid moonless night. Looking at the altars one-by-one, imagining the time it took to make it all by hand. Thinking about the fact that massive quantities of people from all over the country designate the time and energy each year to create memorials. Memorials that signify and represent their memories towards family members or loved ones no longer living is indicative of their selflessness, loyalty and respect. It’s indicative of their devout love. It’s very moving to the heart and mind as guests walk from altar-to-altar; absorbing a sense of each person, or persons, revered at every altar by those still living. Unlike a tombstone that only states a name and dates of life, these large altars are unique to each family member and give viewers are stronger sense of personality. Books, jewelry, baskets of black beans, blankets, pottery, Marlboro cigarettes, bottles of tequila, and guitars; various items are placed throughout the altars, humanizing and personalizing the interests and pleasures of each person’s life.

Additionally, bright lights and vivacious colors illuminate the altars. Color and light are key elements in this exhibition at the Mexic-Arte Museum. Blue, red, pink, yellow, green and violet are prominent colors seen throughout the altars in the main gallery. Marigold flowers are one particular item of deeper significance seen at every altar. “Marigolds guide the spirits to their altars using their vibrant colors and scent. It is believed that the spirits of the dead visit the living during the celebration. Marigolds, or flowers in general, also represent the fragility of life. The marigold most commonly used in Día de los Muertos celebrations is the Targetes erecta or African Marigold, otherwise known as cempasúchil or flower of the dead.”

To view the history of thirty-one prior Día de los Muertos celebrations at the Mexic-Arte Museum, please venture to the annex gallery. Exhibitions will be on display through most of the autumnal season until mid-November. Please note the Viva la Vida festival is a daylong, eight-hour event open to the public on October 31, 2015. Tickets to the Catrina Ball on October 17, 2015 can be purchased online. For more information regarding upcoming events, exhibitions, admission, memberships and hours of operation, please visit www.mexic-artemuseum.org or call 512-480-9373.

¡Viva Mexico & Tejas!

Note: This article was originally published on Examiner.com in October 2015. 

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‘Natalie Frank: The Brothers Grimm’ exhibition on display at The Blanton Museum of Art

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“Six Swans III” – Drawing by Natalie Frank. (Photography by Nicolette Mallow.)

Natalie Frank: The Brothers Grimm is a current exhibition hosted by The Blanton Museum of Art at The University of Texas at Austin. Located within five different rooms that are all interconnected, the gallery is adorned with dozens of gouache and pastel drawings showcasing Frank’s hypnotizing and graphic fairy tale art. Make no mistake; the Brothers Grimm fairy tales are not reflective of the typical happily-ever-after stories that modern authors portray to our children today. Originally, these fairy tales were written for adults, not adolescents. Therefore, stand warned that Frank’s exquisite drawings are not necessarily child-friendly. Viewers with kids are advised to take a stroll before taking their children through the gallery.

“Looky, look, look at the shoe that she took. There’s blood all over, and the shoe’s too small. She’s not the bride you met at the ball,” (Grimm’s Fairy Tales).

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This fairy tale exhibition is a collection of otherworldly, unforgettable stories written hundreds of years ago. Magical, dark, haunting, and spellbinding. The colorful illustrations tell the Brothers Grimm stories of love, lust, death, tragedy, and (historical) folklore. During an interview with The Wall Street Journal, Frank explains how she “delved deeper into the early, unsanitized editions, she saw why so many of the brothers’ story plots contained brutal violence and elements of shape-shifting magic: Their folk tales were actually being told and retold by women who had to navigate a 19th-century social and political world wherein they held almost no power over their fates. Marriages were typically arranged; death during childbirth was common. Suddenly, the princesses, hags and witches in the Grimm’s’ fairy tales felt grounded and complex to Ms. Frank, and she started making drawings that could reflect these characters’ vulnerabilities and strengths.”

Blood, castles, animals, metamorphosis, nudity, genitalia, nature, and the supernatural can all be found in the artwork. The use of imagination within Natalie Frank: The Brothers Grimm is striking, unique and disturbing. The imagery is very intense, such as Frank’s drawing “Brier Rose,” which depicts a woman who almost seems to be drugged or half-conscious, missing clothing and unable to resist any advances. Her story entails a one-hundred-year-sleep caused by an evil witch, masked and blindfolded in a blood-red veil as a half-man and half-beast creature weighs down upon her as if to approach her in a sexual manner.

These are not images one can easily forget.

Entranced by the images in the artwork, walking through the gallery lures viewers to step out of modern times for a while. To think these stories were told centuries ago is fascinating and a bit creepy. Frank’s storybook illustrations are booming with bold and powerful colors that lighten the heaviness of the stories. The colors are so playful and bright like a children’s room, and yet the symbolism is so dark and grim. The gallery includes almost 20 stories, including the following: Snow White, Brier Rose, The Frog King, Rapunzel, The Juniper Tree, Endpaper, The Devil with The Three Golden Hairs, and Six Swans.

According to The Blanton Museum of Art, “Natalie Frank: The Brothers Grimm, is an exhibition of more than 30 gouache and pastel drawings by artist Natalie Frank, a New York-based Austin native. Organized by The Drawing Center in New York, this presentation explores the nineteenth-century fairy tales of Jacob and Wilhelm Grimm. Drawing upon the history of illustrated books, figuration, and personal and political narrative, Frank’s drawings represent the largest collection of Grimm’s fairy tales ever illustrated by a fine artist.”

“Mirror, mirror on the wall, who in this realm is the fairest of them all? … You, my queen, may have a beauty quite rare, but Snow White is a thousand times more fair,” (Grimm’s Fairy Tales).

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“Brier Rose III” – Drawing by Natalie Frank. (Photography by Nicolette Mallow.)

The exhibition will be featured at The Blanton Museum of Art at The University of Texas at Austin until November 15, 2015. The Blanton Museum of Art is a lovely university museum full of natural light, tall ceilings, blue tiling, installation pieces, statues and grand stairwells that facilitate the galleries. Over 17,000 works of art have become part of their permanent collection. However, due to the fact this particular gallery in the museum has no windows and flash photography is prohibited: It is strongly advised to visit the exhibition (and Natalie Frank’s website) in order to see her drawings in all their splendor and vivacity. Be sure to also check out storyteller Tom Lee on October 15, 2015 at 6:30 PM at The Blanton Museum of Art to perform selected stories from Frank’s illustrations. For more information regarding the exhibition, the museum or the artist, please visit www.natalie-frank.com or www.blantonmuseum.org.

Note: This article was originally published on Examiner.com in August 2015. 

Crystal Works is still sparkling magic and alchemy in Austin

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Pendant of the Ancient Egyptian goddess, Isis, found at Crystal Works in Austin, Texas. Photography: Nicolette Mallow.

A local gemstone within the city of Austin, Crystal Works is a distinct boutique filled with many treasures and ancient folklore from around the world. Stock full of Swarovski crystal prisms, gemstones, aromatherapy oils, pendants, sage, books and artwork: Crystal Works is a place of alchemy, magic, spirituality and healing. From the outside, before even setting foot inside, guests notice and admire lots of individual crystals on display; dangling from the tops of the windowsill in many different shapes and sizes. Adjacent to the crystals, also levitating inside the window are authentic dream catchers with feathers and rainbow maker mobiles. The term ‘rainbow maker’ is quite literal, meaning these special crystals radiate light the colors of the rainbow. Twirling gently and elegantly with the airflow, these crystals allure and tantalize the eyes by emitting rays of rainbow-colored light beams. Color and light are key elements at Crystal Works.

Upon entrance, the moment guests do cross the doorway; all the energy in the atmosphere transforms and everything becomes particularly peaceful and calm, like standing in a meditation room. Serene music plays in the background. And amidst the serene music, echoes from rock waterfalls can be heard as the water flows about in their stone pools. Tiny bells can be heard jingling softly, too, from dream catchers, charms and spirit bells.

There is no other shop in Austin quite like it, and even the air smells differently within this local alchemist haven. According to the founder and owner, Cathleen Day, “The wonderful smell of Crystal Works comes from our many organic scents. There are no chemicals or artificially scented products. The gemstone fossils and crystals are from all over the world and their colors wash over the eye, causing a delightful endorphin cascade. The ancient folklore ascribed to the stones is intriguing and connect us with beliefs and cultures thousands of years old.”

Alongside many of the gemstones, geodes and minerals are note cards to inform guests as to what each piece represents and the healing powers they’re said to possess. The ancient folklore behind all these stones is quite interesting and there are many books that entail clearer insight into each one. For instance, black onyx gemstones are thought to provide protection. Bloodstones are believed to attract peace, healing and compassion. Tiger’s eye is a warrior stone that brings balance, whereas Rose Quartz is a stone of unconditional love.

Crystal Works is completely filled to the brim with beautiful merchandise. Whether it’s looming from the ceiling, pinned to the wall or resting on the floor, there is no space left empty. It takes several visits to regard and absorb everything Crystal Works has to offer. Some of the more expensive items are locked away in glass cases. However, most of the items can be seen and touched. On the counter tops surrounding the register is unique, one-of-a-kind jewelry made from gems and minerals, separated by colors and stones: Red, blue, violet, green and onyx. Various kinds of cards can be found, too. Educational, scientific and holistic books are stacked in the corner. Additionally there are little Buddha shrines and mirrors scattered about the shop.

For nearly 40 years Crystal Works has been in operation. The store came to be in 1977 when Cathleen Day was “admiring the rainbows from a friends’ sparkling prism and it was decided right then she wanted to begin selling them”. Since then, the shop has flourished from only selling Swarovski crystal prisms to the extensive inventory that it’s become today.

Located on the corner of 12th and Lamar near Enfield, Crystal Works is open seven days a week. Please refer to the website or Yelp for hours of operation. For more information, please call 512-472-5597 or www.crystalworksaustin.com.

Note: This article was originally published on Examiner.com in September 2015. 

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Lonesome Dove brings the old west to the Warehouse district

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nicolette mallow

Lonesome Dove in Austin, Texas. Photography by Nicolette Mallow.

Founded and operated by Chef Tim Love, Lonesome Dove is a fine dining Western flagship with an urban twist. Pinpointed on the corner of 5th and Colorado within the Warehouse District of Austin; guests are welcomed by an open space adorned with chandeliers, studded leather, soft suede, candle lights, black steel, pinewood and taxidermy animals. High above the hardwood floors, the ceilings are lofty with industrial rafters. Antlers are detected in mass abundance. The bar particularly emphasizes the antlers and they’re arranged in such a way it almost looks like barbwire made of bones. Scents of fresh genuine leather filter the room with a natural musk, adding to the rustic and familiar aromas of wood-fire cooking in Texas. Even Lonesome Dove’s logo looks like a cattle brand with the silhouette of a dove nesting between the initials of the restaurant: LD. Sterling silver utensils and cutlery are also engraved with stars, longhorns, horseshoes and other symbols that portray the Western and pioneering themes of times past.

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Opening its doors to Austin this summer, Lonesome Dove’s original location is further up north in The Stockyards of Fort Worth. Totaling seven culinary operations that span the Lone Star State, Chef Love also maintains five other restaurants and a catering business. In regard to Lonesome Dove Austin, while the owner, Chef Love, is seen from time-to-time at this establishment: Josh Neises is the Chef de Cuisine. These two chefs and their staff members have brought a refreshing and remarkable form of cuisine to Austin that every local or tourist should explore. Lonesome Dove’s menu is so extensive and rich in flavors that carnivorous guests would find great difficulty to ever grow tired of the food. (There are of course vegetarian options available, too.) According to the website, “Chef has designed a menu influenced by all of the ingredients and cultures that have been a part of the West since the first adventure began on the Goodnight-Loving and Chisholm Trails — with an added level of modern sophistication.”

The name of this restaurant chain derives from the Pulitzer-Prize winning novel “Lonesome Dove” written by Larry McMurtry. The writer of this accredited novel is also from Texas, so it is most befitting that the state capital finally harbors and hosts this delightful culinary gem. Frankly the location of Lonesome Dove Austin is particularly interesting because of a building looming in the distance: The Frost Bank Tower. Frost Bank Tower is notorious for its architecture and there’s also a myth amongst locals that it was designed to look like a gigantic owl with enormous eyes glowing day or night. Therefore, to see Lonesome Dove and the Frost Bank Tower perched right behind its skyline is a picturesque addition to the artistic appeal of downtown Austin.

Without a doubt, Lonesome Dove has literally brought its game to the city. Various forms of meat can be found on the menu, entailing the following: Rattlesnake, rabbit, duck, kangaroo, elk, quail, wild boar, lamb, lobster, steaks, hamachi and more. Their lunch, dinner, dessert and drink menus are intricate and charismatic, just like McMurty’s novel. And the specialty cocktails are made with a loving bite of alcohol. Furthermore, everyday the Wild Game Fattine changes on the menu. These small, exclusive dishes can be found on the menu right above the first course plates. These daily-prepared meats are “a selection of cuts spit-roasted over open mesquite fire” and they are made with herbs, fruits and spices.

“I truly believe that Austin is one of the greatest cities in the country. The music, the architecture, the culture, and of course, the food, is out of this world. Austin feels like the perfect home for my style of cooking and opening a restaurant here has been a big dream of mine for a long time. I’m incredibly proud to be here alongside all the talented and creative chefs in the city and am excited to officially call Austin my second home.”
— Chef Tim Love

For more information regarding Lonesome Dove Austin or Chef Tim Love, please visit www.lonesomedoveaustin.com. To make a dinner reservation, call (512) 271-2474.

Note: This article was originally published on Examiner.com in August 2015. 

1.5 million Mexican free-tailed bats are mascots of the night in ATX

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nicolette mallow

Amethyst Bridge Bat pendant by Franzetti Jewelers.

Overlooking Lady Bird Lake in Austin, Texas—Congress Bridge is a home for 1.5 million Mexican free-tailed bats. For decades, bats have established themselves as one of the local and beloved mascots in ATX.  It was discovered in the 1980s that these Mexican free-tailed bats eat millions of pounds of insects a night, including agricultural pests, ultimately providing many benefits to the city, its residents, and the ecosystem.   Plus, our bats are terribly endearing to the eyes, and it’s kind of nice to know. These nocturnal creatures are embarking on hunting flights in masses to run their little errands of the night as a great deal of the city is sound asleep.   

The ATX bats have now become a major tourist attraction from the months of March to November. People wait at sunset for the bats to wake up and leave the bridge. They fly in the sky from dusk to dawn! From afar, they are safe and harmless, with no interest in humans. But do not touch or handle one, and certainly do not trap or hunt them. The bats are only to be admired and adored from a safe distance by land or water. For the best views, people can stand on Congress Bridge, under the bridge, or take an electric boat tour. Visitors may want to bring a red light past dusk to see the millions of bats exiting the bridge a lot clearer in the dark. 

Mexican free-tailed bats are small enough to fit in your hand but large enough to be easily detected by their shape. These bats move differently than other local airborne critters, and sometimes, they look like they are flying in circles. The bats fly similarly to big butterflies, and yet their wingspan looks nothing alike, and they are less graceful. So pay attention to their wings and shape to know when you’re in the presence of a bat versus a frantic bird! When they are leaving Congress Bridge by the millions, these bats aren’t always quiet or stealthy.  Sometimes, they make a lot of cute and squeaky noises as they wake up and soar away. Fuzzy and soft with fur that is various shades of brown and gray, large ears for its size, and a wingspan similar to Marvel Comics Batman logos—these migratory bats are born with “built-in GPS and night vision”.

The bats at Congress Bridge make for capturing fantastic photos! Reflections of water cascading from Lady Bird Lake and the bright lights of downtown—many vivid photographs can be found online to see these bats hover, play and glide through the night sky in Austin. Every night during bat season, as time passes from sunset, to dusk, to twilight: people gather around Lady Bird Lake to see the atmosphere become consumed with gusts of bats pouring out of Congress Bridge. Departing in millions after sunset beneath Congress Bridge before the bats return back around dawn. Some people like to hang out on the bridge, but a boat is another fun option.

Fortunately there are many local boat tours and city-wide destinations to discover and experience the best viewings of these beauties. Capital Cruises Internationally Famous Bat Watching Tour is a good choice and I have attended once, even thought I am a local Austinite of 20+ years. The tour only cost $10 and they take out a infrared light that glows colors of reds into the sky. Making it quite easy for the human eye to capture the live visuals of millions of bats pouring out together in droves. For locals and visitors alike, it’s a remarkable sight to see! Sitting on an electronic boat, watching the bats can be rather hypnotizing and exhilarating to watch. As if the bats are putting on a show for us all, without any of the cruelty of a standard zoo or a traveling animal circus. However I do recommend choosing the covered boat as these bats are just waking from a deep sleep.

According to Bat Conservation International, “When engineers reconstructed the Congress Avenue Bridge in 1980 they had no idea that new crevices beneath the bridge would make an ideal bat roost. Although bats had lived there for years, it was headline news when they suddenly began moving in by the thousands. Reacting in fear and ignorance, many people petitioned to have the bat colony eradicated. About that time, Merlin Tuttle brought BCI to Austin and told the city the surprising truth: that bats are gentle and incredibly sophisticated animals; that bat-watchers have nothing to fear if they don’t try to handle bats; and that on the nightly flights out from under the bridge, the Austin bats eat from 10,000 to 20,000 pounds of insects, including agricultural pests. As the city came to appreciate its bats, the population under the Congress Avenue Bridge grew to be the largest urban bat colony in North America. With up to 1.5 million bats spiraling into the summer skies, Austin now has one of the most unusual and fascinating tourist attractions anywhere.”

In 2007, the city of Austin changed the name of the reservoir running beneath Ann W. Richards Congress Bridge from Town Lake to Lady Bird Lake. The name change was a controversy in-and-of itself as the Former First Lady of the United States, nicknamed Lady Bird Johnson, was against the idea of naming this lake after her and wished for it to remain as is. However, when she passed away the city opted to change the reservoirs name in honor of all the hard work, dedication and endless support that Claudia Alta Taylor “Lady Bird” Johnson bestowed upon the state of Texas. Particularly her involvement with the Town Lake Beautification Project in Austin: the state capital of The Lone Star State.

Thankfully these special and unique Mexican bats living on Lady Bird Lake beneath Congress Bridge are forever protected by the city, solely because of individuals like Lady Bird Johnson and Merlin Tuttle. However, Austin’s love for bats exceeds far beyond Congress Bridge. Bat-related art and merchandise can be found all over the city at many local gift shops. Franzetti Jewelers is a perfect example of a local company that has taken a mascot of the city and turned it into beautiful jewelry. Designing necklaces, rings and pendants; Franzetti Jewelers offers silver and gold, bat-inspired jewelry with stones of garnet, blue topaz, citrine, peridot, onyx, amethyst, smoky quartz and white quartz.

For more information regarding the Mexican free-tail bats of Austin and the best times to find them this summer and fall under Congress Bridge, please consult www.batcon.org.

Note: This article was originally published on Examiner.com in July 2015.

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Art by Eya: Dreamscape artist and local Texan beautifies the city of Austin

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Nicolette Mallow

“Tiger Lady” by Eya Floyd.

Born and raised in Austin, Texas—Eya Claire Floyd is an artist and local Texan whose work is found at many local artisans fairs and retail boutiques around town. Creating whimsical,  introspective and playful pieces that illuminate the room with their vibrant colors. There is something magical about Eya’s work, too. Intertwining nature, animals and people in a mystical way that could only happen in our dreams—such as a bird with a woman’s head or a fierce tiger with giant wings like an Egyptian deity— it seems as if her characters are shape shifting at times. Transforming into creatures that appear in fantasies or myths and not reality. Many of the characters within Floyd’s art pieces also seem to be floating in time and space – adding to the allure of the dreamscape theme.

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Floyd’s ability to integrate a plethora of fanciful creatures, nature and scenery into her pieces is endless, just like her imagination. Would you like dinosaurs digging in the sand? She’s got it. A monkey riding the back of a dragon? She’s got that, too. Or maybe you need a bird girl carrying a red heart in her claws. There is something for everybody’s taste.

The paintings and illustrations she designs are so beautifully simplistic and yet so intricately detailed – it leaves the eyes with an equal sense of peace and excitement. Another positive trait about her art is that it’s beloved by audiences of all ages: children and adults. A lot of her artwork is reminiscent of childhood with its light-hearted spirit, and yet other pieces are adult-oriented. The universal aesthetics withn her work evokes endearing emotions of love, humor and happiness whilst admiring Eya’s artwork.

Nicolette Mallow: Can you tell me a bit about your involvement with the Austin art scene and the local community?

Eya Floyd: My first exhibition as an adult was in the 1990’s and since then I have been creating and showcasing my art, mostly paintings. I find painting to be the most challenging and I think that’s why I like it so much. But I also like to create ceramic sculptures. Regardless, last year I assisted the group SprATX in an outdoor mural at the HOPE Outdoor Gallery. The mural was then featured in a full-spread on the inside, back cover of a book, “Hope Outdoor Gallery: Lost and Found Volume I”. Recently I also became involved with Little Artist Big Artist and that has been very rewarding to me, too.

NM: Your booth displays at art fairs always showcase a ton of items to purchase far beyond paintings. What are your best-selling pieces?

EF: Yes, in addition to a mass amounts of prints and paintings in various sizes that I do sell. A lot of my art I’ve turned into various forms of merchandise: pendants for necklaces, coin purses, bags, matchboxes, magnets, postcards and temporary tattoos. My best sellers are certainly my necklaces, the temporary tattoos and the miniature prints that I’ve framed. People love miniature art.

NM: You are well known and appreciated by the locals for participating in so many artisan fairs and art shows around town. Will you be partaking in any upcoming art-related events?

EF: Yes. On August 8, 2015 I will be at the Austin Flea, hosted by The Highball adjacent to Alamo Drafthouse on South Lamar. And on August 16th, next month I will have a booth set-up at East Side Pop Up, a traveling art showcase that primarily supports local artists in Austin.

For more information regarding Eya Floyd’s artwork, please refer to EyaClaire on Etsy or Art by Eya on Facebook. Floyd’s artwork can be also found in various shops in Austin, Texas such as A-Town on Burnet Road, or Prima Dora on South Congress. SprATX Street Art Collective also carries her art in their east side gallery.

Note: This article was originally published on Examiner.com in July 2015.