The magic of Euphoria Music Festival lingers

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The 2017 Euphoria Music Festival came to an end and yet the magical feeling of experiencing music with over 50,000 people in Austin, Texas lingers vividly in memory. I can still hear the crowd chanting at Chromeo, and I can relive the hypnotizing light show alongside Moby’s DJ set in my mind. Perhaps this is one of Euphoria’s most lovable and endearing traits: the music festival exerts a natural high of happiness and contentment that stays with you in silence even after it’s all over. For a few hours, everyone that passed the gates entered an intimate and intense world of music, dance, art installations and light shows. There were three stages on the map: Euphoria, Elements and the Dragonfly. The first two stages are the larger set-ups, but the Dragonfly stage is a beauty, waterfront to the Colorado River. A map of the grounds can be found on the official Euphoria app that was released in April. 

Upon entrance to Carson Creek Ranch, the eyes are filled with bold and bright colors, canopies, giant tents, kites, butterflies, swing sets, hammocks, bubbles and an artisans alley. The festival even has a volleyball court, wedding chapel and a giant Tree of Life. There is a sign below the Tree of Life that reads: Write down wishes, hopes, dreams, etc. and set ’em Free. It was very moving to see the thousands of notes left on the tree. Watching the festival with digital eyes that changed moods and colors as the sky shifted from day to night — at the Elements stage there was a steep, tall fox (or wolf) overlooking the crowd. Several times I got lost staring into its round eyes as the music played. 

Founded by Mitch Morales, the 2017 festival included headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and many other artists; bringing the sum total of the line-up to 70. As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival returned to Carson Creek Ranch on the banks of the Colorado River and offered world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more.”

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Euphoria showcases the professionalism, style and acute qualities equal to a global event like Austin City Limits, Burning Man or Lollapalooza. Festival goers can see the time, love and energy invested into the decoration and preparation for the festival. However, unlike the ACL Music Festival that draws 450,000 people—Euphoria is much smaller in attendance and exposure. This independent festival deep in the heart of Texas provides a more intimate experience. Using the power of music to bring everyone together, Euphoria is a festival made for the community. The Euphoria Music Festival feels personalized and charming. The size of Euphoria provides a natural, easy going way of drawing people together. Even if you are attending alone as a member of the Press, like me. That is one of the nice aspects of a festival is various walks of life coming together for the love of music. 

Ultimately, the magic of Euphoria re-awakened my love for music festivals. It brought back the fun and joy of a festival that I used to feel when I was younger. As a local Austinite, I’ve been blessed to attend live shows and music festivals since before I could drive a car. I was one of the lucky people from Austin to experience the live music scene before it morphed into what it’s become today. (True, the music scene has improved with better venues, more esteemed artists and a boost in the economy, but it also came at a cost for the locals.) Years ago I was so sentimental about live music, I saved all of my ticket stubs that are now in a box. Honestly I don’t know how many times I wore a costume or got dolled up for a live show, like the night when I was the absinthe fairy covered in metallic glitter with green wings for Galactic’s Halloween show at Stubb’s. Countless days and nights, my friends and I would gather in masses to rock out, dance and let loose. Alas, after too many festivals and concerts for my stamina-—after one too many expensive tickets, late nights that lead to hangovers and dating too many musicians—the magic began to fade out. Secretly I started to become a little jaded: been there, done that and bought many, many t-shirts. The thrill of live music had begun to alter from love to stress. My heart no longer felt that spark like it once did when I was younger and I really only attend concerts these days at specific venues and no more festivals. Fortunately, Euphoria brought that nostalgic, familiar adrenaline rush back into my heart and it reminded me why I used to love festivals so much. Euphoria made my heart feel lighter and made me feel younger. Frankly I did not know what to expect at Euphoria. And to much delight, Euphoria Music Festival captured the intimacy of the art scene that used to be in ATX. I hope as the festival grows more and more each year that Euphoria will never lose its unique charm.  

I highly encourage music enthusiasts to mark Euphoria Music Festival on their bucket list. A strong indicator as to whether or not a musical event was a success is greatly determined by if the audience transcended time. Meaning, while the band is playing, the DJ is spinning or the musicians are on stage, those in attendance lose track of time. We forget our worries, stresses and anxieties for a while. We are present in the moment and feeling alive in the rhythm of the music. Euphoria Music Festival can and will take you to a transcendental place. 

To view the 2017 recap videos or purchase official merchandise of Euphoria Music Festival please visit www.euphoriafest.com. #FindYourEuphoria

ill-ēsha: Canadian musician, producer, songwriter and vocalist will perform at 2017 Euphoria Music Festival in ATX

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Recently I had the pleasure to interview ill-ēsha. Music producer, vocalist, songwriter composer, DJ, musician and more; ill-ēsha radiates artistic talent and the more I read her artist’s bio. It was very clear what a vast range of art forms within various industries that her skills could be applied to. On April 9, 2017—ill-ēsha will be performing at the 2017 Euphoria Music Festival at Carson Creek Ranch in Austin, Texas. Euphoria Music Festival is showcasing over 70 artists this year and even though ill-ēsha has visited ATX many times for festivals like SXSW and feels at home in the capital of Texas. This will be her first show at Euphoria and Austinites are delighted. 

Formally known as Elysha Zaide and casually known as Elle, “Vancouver-born and Colorado-based music producer, artist and DJ ill-ēsha has crafted a long-standing soundscape of electronic bass music throughout her career, continuously evolving her musical stylings and bridging gaps between hip-hop, dubstep, R&B and future bass music. Ill-ēsha is recognized as an extremely rare and diverse, burgeoning artist in the EDM scene, as her live set showcases her incredible talent to sing, DJ, and simultaneously rock her keytar. She is one of few electronic artists to blossom throughout the progression of different musical trends while still focusing on her artistic vision and authenticity. Constantly evolving a dynamic stage show, ill-ēsha is a perfect example of electronic music’s transition towards live instrumentation and indie pop sensibility.”

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Nicolette Mallow: You have one of the most interesting music backgrounds out of all the composers I’ve interviewed. Your skills are so vast and you’re so musically gifted. A producer, DJ, vocalist, composer, songwriter and more. I loved reading your Bio… Did you always know you wanted to make music? Or did music and the arts choose you? 

ill-ēsha: I was always very drawn to many different forms of art. As much as I loved music. I was also into theater arts and that was a potential path for me. Even in high school when I was already DJ’ing, I also partook in a theater company and visual art. Performing arts was my artistic expression for a long time. But yes, I’ve had a tendency towards the arts since I was a kid. I was born into a  family with lots of artists. 

NM: I read you love classical, world jazz and cinematic music—and that you completed Royal Conservatory piano training. That program sounds so fancy and challenging. Is this where you began to learn music?

ill-ēsha: (she laughed) Well, it sounds fancier than it is. It’s just another method to learn music, like the Suziki method. Royal Conservatory is simply one of many systems similar to a competitive sport or grade levels. The more you learn and excel at each level you pass on to the next. My mother was passionate about piano and she always wanted to play. I began taking lessons at 4 years old. I continued to take piano classes until I was 12.

NM: You have a spectacular voice. I loved the demos, especially the animation video… How did all this begin? Can you tell me a little about Speech Level Singing?

ill-ēsha: Seth Riggs created Speech Level Singing (SLS) in the late 70’s. It was a school of thought to help train vocal muscles. Artists like Michael Jackson and Aretha Franklin studied it. Since I am a self-taught vocalist after years and years of rigorous piano. In my 20’s I got into Speech Level Singing to learn how to control my breath better. SLS was sort of a style that purely worked out your vocal chords. It appealed to me because I am not jazz or an opera singer. I’m not an Ariana Grande or Celine Dion with a big, booming voice. I am a musician of all types, not just vocals. Once you have a voice: you go all directions developing it and SLS was a way of developing mine. 

NM: What did it feel like to place in the top 3 finalists for The John Lennon International Songwriting Contest?

ill-ēsha: That was a long time ago, but the coolest thing about that award is I was given a few hundred dollars and I used it to buy my first Serato. (A DJ program with turntables and a laptop.) Up until then everything was pure vinyl, so, thank you John Lennon Songwriting Contest for helping me buy my first Serato. But yeah, songwriting is something else that I do. My roots is songwriting. 

NM: What is the title of the lyrics you wrote and submitted for the contest?

ill-ēsha: “Broken Windows”. 

NM: Vancouver is your hometown and I hear it is beautiful. I hope to visit Canada next year. Now that you’re based in Colorado, do you feel like it reminds you of Canada in any way? I would imagine it’s easy to miss the seaport of Vancouver but the climate in CO perhaps reminds you of home?

ill-ēsha: It’s 50/50. I love the mountain life in Colorado. Before I moved here, I lived in San Francisco. Honestly I considered moving to Austin because I love it so much there, too, but I chose Colorado. 

NM: Speaking of Austin, how did you come to be involved with Euphoria Music Festival? And what can we expect to enjoy during your live set at the festival? 

ill-ēsha: ATX is one of those cities that’s been supporting me for a long time, all the way back to my tracks with Gravitas. Over time I’ve interacted with most of the promoters. I feel very lucky to have played at SXSW and so many other venues. Austin has become a home for me. Really I was torn between Denver and Austin. Ultimately, the weather in CO won me over. But I love Texas and I feel like its one of my strongest markets. It’s very cool to be involved with the music scene in Austin… Euphoria is one of the first festival types I’ve performed, and I will be sharing a lot of new content. Anyone who sees me, even old fans, will have something new to look forward to. Over the years I have evolved. Now that I make so much music in the last few years. What I’ve found is that I want to divide the sets I do and remain conscious of the environment. Live shows are compelling and people enjoy festivals. But for instance, nightclub people want the DJ energy. They want to dance and they want the drum and bass. The booth is tall and people can’t see me or my live set up, they just hear me and my music. However, festivals are more intimate with an open stage. There are more live elements, like my keytar. I’ve been taking a lot of time in the studio to write, collaborate and create new art to suit the time and place of each set. 

NM: Will you tell me about your transition from DJ to headlining performer and Producer? I liked your quote about wanting to participate in the music and not just the culture. 

ill-ēsha: I’m not much of a bystander. I enjoy art from being part of the process. I love film but I don’t actually sit around for long periods of time watching movies. I want to score and write for them. I wanted to be part of it. I started off with singing and DJ’ing. I wanted to control beats and make music. The deeper I got into it, the more deeply I realized I wanted to be part of production… About 10 years ago was sort of the turning point. All in all I’ve been in this industry for 20 years, since I was really young. The first ten years were very much passion projects and you could really tour and do live shows. I worked other jobs, too, and went to college. Touring and other jobs helped pay off student loans. Right around 2008 or 2009, I started feeling discontent. I was not feeling inspired. So I decided to go back to music as contractor and post-production for TV shows and editing. I regenerated and began making a new style of music. It was fun and different. It wasn’t simply drum and bass. At that point I just kind of discovered new people without the pressure. Re-inspired an online chat forum and people became receptive and started signing it. And that’s when I moved to SF and production became a full time priority… Ultimately my passion project and my true underlying goal is to give back and inspire young creative people. I was sort of an angsty teenager. Bummed out by life. Music saved me. Being a mentor, a guide and to give connections to the young artists and young creatives means a lot to me. 

NM: What was it like touring with Bassnectar? I adore his track “Butterfly” featuring Mimi Page and listen to it all the time. 

ill-ēsha: Touring with Bassnectar was pretty magical. I feel so lucky I got to experience that. It was only a few Southern tour dates and New Year’s Eve shows. I loved it though! Bassnectar is a big symbol of my music scene. Bassnectar created the west coast music sound within the DJ world. It was an honor to get to open for him. This is the guy who took it from A to Z.

NM: Last question, listening to your music on SoundCloud I heard a track called “Ghostwriter” with opening audio talking about computer hacking. Why did you choose to write about a computer hacker? 

ill-ēsha: In the 1990’s there was a children’s TV show called “Ghostwriter”. A lot of the samples in that track are from a single episode that I found to be cute. “Ghostwriter” was an educational kid’s show and that episode was about early internet. Teaching kids about hackers. At the time I was learning more about computers and I definitely enjoy digital nostalgia of different era’s because I’ve been through them all. As a child of cross generation analog and digital and I remember both… it’s always on my mind. 

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For more information about ill-ēsha:  please visit her website at www.ill-esha.com. To listen to samples of her music please visit ill-ēsha’s SoundCloud page at https://soundcloud.com/ill-esha

Euphoria Music Festival releases line-up for April 2017 featuring 70 artists

 

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Photography provided by Euphoria Music Festival.

Euphoria will be hosting its sixth annual music, camping and community festival at Carson Creek Ranch in Austin, Texas from Apr. 6-9, 2017. Founded by Mitch Morales, the 2017 festival includes headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and much more. Bringing the sum total of the line-up to 70. Recently a public relations member of Euphoria contacted writer, Nicolette Mallow, to share the good news about the upcoming music festival. 

*** For Immediate Release ***

Austin, Texas –  Following two dynamic phases of artist announcements, Euphoria Music Festival has revealed the third and final phase and completed its lineup for the sixth annual event on April 6 – 9, 2017 and with it, the Official 2017 lineup movie. Already earning considerable buzz with its first two phases for 2017, Euphoria is closing out the year strong with what promises to be the best lineup yet, including new additions: Chromeo; Knife Party; Moby (DJ set); Oliver Heldens; Post Malone; Auto Body; Bakermat (Live); Lost Kings; Russ; Chet Porter; FKJ; Minnesota; Prince Fox; Turkuaz; Eric Dingus; Forgotten Space; Magna Carda; Melvv; Montu; Abe Masaryk; Resonant Frequency; Thoreau; and Whereisalex.

With this latest announcement, Euphoria now boasts a lineup of over 70 artists from around the globe and it’s own backyard, including headliners: Alesso, Pretty Lights Live, Wiz Khalifa, Young Thug, Zeds Dead, The Disco Biscuits and The Floozies. Additional artists announced include: Alan Walker; BadBadNotGood; 2017 GRAMMY nominated artist, Bob Moses; Chronixx & Zincfence Redemption; The Knocks (Live); Mija; Papadosio; Spag Heddy; Yotto; CID; Codeko; Dr. Fresch; The Funk Hunters; Ganja White Night; Grum; Ill-Esha; Manic Focus; Petit Biscuit; Poolside; Raven Felix; Slaptop; Tennyson; Unlike Pluto; Asadi; Blunt Force; Brede; Capyac; Carlyle; Craetion; Evanoff; Flamingosis; Henna Rosso; Lemurian; Jamiroqueen; Maddy O’Neal; Medasin; Psymbionic; Sip Sip; Slice Gang; The Widdler and Willgood.

“From top to bottom, this is Euphoria’s most amazing lineup to date,” says festival producer Mitch Morales. “We have major players, institutions, exciting up-and-comers and even a GRAMMY nominee – all of which cross a multitude of genres, yet still reside within our euphoric musical vibe. I cannot wait to host our festival family, both new and old, again this April.”

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As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival will return to Carson Creek Ranch on the banks of the Colorado River and offer world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more. In addition to the previously announced camping enhancements, direct shuttle service and added greening initiatives deemed “Ecophoria” – the festival will also be offering wedding ceremonies. Tapping into the power of music and community to evoke emotions and forge connections, Euphoria is creating a beautiful space for couples to celebrate their union. Full details can be found at www.euphoriafest.com/weddings.

General Admission passes are available now for $149, plus fees for a 3-Day festival pass and $249 for a 3-day festival pass with camping. 3-Day “Fly Life” VIP packages with preferred viewing areas, private bars, VIP restrooms and showers, concierge service, luggage drop off, and express entrance are available starting at $269 (without camping) and $419 with camping. The Early Entry pass, which allows Wednesday access for up to 2,500 fans is available for $30. Price will remain frozen, until December 16th. Euphoria will be continuing its partnership with Affirm, offering clear, simple financing to split Eventbrite orders into 3 or 6 monthly payments. This offers patrons the most flexible option yet for affording festival passes. Tickets are available online at www.euphoriafest.com. Euphoria is an ages 18 and over event.

Euphoria Music Festival is produced by Vivid Sound Entertainment. Visit www.euphoriafest.com for the most up-to-date information. Stay connected on Twitter at www.twitter.com/EuphoriaFest and on Facebook at www.facebook.com/EuphoriaFest.

Official Euphoria 2016 Recap Video

 

Dolly Parton’s Imagination Library brings the magic of reading to preschool children worldwide

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The High Road on Dawson has launched the first branch in Austin to support Dolly Parton’s Imagination Library. Bringing the magic of reading to local preschool children, Dolly Parton’s Imagination Library has distributed over 117,920,187 million books to four countries around the world: United States, United Kingdom, Australia and Canada. Dolly’s beloved organization is present within other Texas cities—but there wasn’t a branch in Austin until now. Thankfully, The High Road on Dawson and its committee raised enough funds to bring the Imagination Library to another city in The Lone Star State. 

The Imagination Library is a non-profit organization based in Sevier County, TennesseeThe High Road on Dawson (THROD) is a member based non-profit charity in ATX. For two years The High Road on Dawson committee strived to open an account. Finally their dream became a reality for the local community and the Imagination Library will make its debut in the 78721 zip code

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The history, mission and vision of Dolly’s Imagination Library is quite interesting. “In 1995, Dolly Parton launched an exciting new effort, Dolly Parton’s Imagination Library, to benefit the children of her home county in East Tennessee, USA. Her father, Robert Lee Parton, was the inspiration of Dolly’s Imagination Library. Dolly’s vision was to foster a love of reading among her county’s preschool children and their families by providing them with the gift of a specially selected book each month. By mailing high quality, age-appropriate books directly to their homes, she wanted children to be excited about books and to feel the magic that books can create. Moreover, she could insure that every child would have books, regardless of their family’s income. Dolly’s Imagination Library became so popular that in the year 2000 she announced that she would make the program available for replication to any community that was willing to partner with her to support it locally. Already statistics and independent reports have shown Dolly Parton’s Imagination Library drastically improves early childhood literacy for children enrolled in the program. Further studies have shown improved scores during early literacy testing.”

The Board of Directors at The High Road on Dawson are immensely proud of their two team leaders that brought the Imagination Library into fruition within Austin: Monica Keller and Jen Philhower. Recently, Keller and Philhower spoke with local writer and fellow THROD member, Nicolette Mallow, to further discuss Dolly Parton’s Imagination Library, the new branch in Austin and their passion for childhood education. A recording of the entire interview can be found online. 

Nicolette Mallow: Will you tell me how The High Road on Dawson came to be involved with Dolly Parton’s Imagination Library?

The High Road on Dawson: So, we are both members of the lodge at The High Road on Dawson. We were Elks members prior to that and we both participated in a committee that was put together just to create charitable events. One of the purposes behind the lodge, besides community, is to do charitable things. In the committee, we kind of discovered that there were a bunch of us that are fans of Dolly (Parton) and we just think she’s a spectacular human, a great entertainer and just this awesome, cool person. An entity that deserved recognition. We really like her… Then one of our committee members, I think it was Heather, she asked if we had seen or heard about the Imagination Library. So then we got to talking about Dolly a lot more. And since we knew her birthday (January 19), the lodge at THROD decided to throw a birthday party in honor of Dolly Parton every year. Forever. There are a lot of events where we pay homage in Austin to different musicians. We have a Buck Owens birthday party, a Loretta Lynn pie social and the HAAM fundraiser. Suddenly we had the realization that there was no Dolly event and that she deserved her own special party. That was like a light bulb and we began hosting a Dolly’s Birthday Party and soon after it was suggested we should open our own branch of the Imagination Library. And we decided that the birthday party would be the fundraiser. We didn’t realize at the time the party would be a sellout and so successful! It was entirely conceivable that it would’ve just been us sitting upstairs with friends and musicians singing songs. 

NM: What is the goal for the next year between THROD and the Imagination Library?

THROD: They have a set series of goals for membership. Their 5 year plan is that within the first year, your branch gets 20% of eligible kids to sign up. And by year five the goal is to have 100% of the eligible kids signed up. Their goals are 20% every year and they give you the costs that would be associated with sending out all the books each year. Our personal goal is to have that done in four years and by the fifth year add an additional zip code. That is our hope and our goal. 

NM: My understanding is that each month for five years, preschool children receive books in the mail from the Imagination Library. Sent directly to their home so the little ones can begin their own book collection. However, are the monthly books preselected or are the books selected at random?

THROD: Yes, there is a series of books and everything is pre-selected and planned out by the Imagination Library month-to-month each year. The series actually starts with “The Little Engine That Could” We also looked briefly into the books and they’re gender neutral, they don’t have any sort of political and religious message. They’re just classic children’s books to introduce kids to the magic of reading and imagination. 

For more information about Dolly Parton’s Imagination Library please visit the website at www.imaginationlibrary.com. Parents or guardians that wish to enroll their children may Register Online. To contact members and volunteers at The High Road on Dawson to become involved with this local project, please call 512-442-8535. 

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Mark Thomas Studio transforms and beautifies with their royal treatment and southern hospitality

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Mark Thomas Studio will transform and beautify your hair, scalp and skin with their royal treatment. All guests will leave feeling refreshed, rejuvenated and more polished than ever before with the salon’s all-encompassing and luxurious products. Mark Thomas Studio provides exquisite services inside a fun, playful and relaxing atmosphere located in the heart of downtown Austin off West 38th Street.

This high-end salon is the only location in Texas that offers Philip Kingsley products and FACE Stockholm makeup together in one boutique. Mark Thomas Studio bestows exceptional service reminiscent of a lavish boutique infused with Southern hospitality, permeating luxury and gentility into one location. You will not find another boutique like it within all of Texas or the Midwest.

“For those unaware of Philip Kingsley, he coined the phrase ‘bad hair day’ and is the world’s most respected authority on hair and scalp health. With over 55 years of Trichological experience, Philip Kingsley’s past and present clientele include politicians, royalty and celebrities. Called the ‘Hair Doctor’ by The Sunday Times and the ‘Hair Guru’ by The New York Times, Philip has written many publications on both sides of the Atlantic. Philip has recognized the need to bridge the gap between science and hairdressing as well as providing solutions for the most extreme hair and scalp problems, and those who just want the best from their hair.”

Whether you are in need of a new cut and color – or whether you seek a bikini wax and a deep pore facial – or whether you simply want to have a makeover. Mark Thomas Studio will cater to your every need without the stress. This intimate salon is perfect for men and women of all ages. And they offer the best products and services– striving for every client to leave satisfied.

For more information please visit their website at www.markthomasstudios.com or call Mark Thomas Studio at 512-459-6900. 

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Photography of beauty parlor provided by Mark Thomas Studio.

Aetheria, Death, Beauty and Masquerades: Three exhibits revealed at ART on 5th

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“Masquerade Series – The Void” created by Chris Guarino. Limited {Photography by Nicolette Mallow}.

June 2016—ART on 5th revealed three exhibitions by artists Brandon Snow, John Breiner and Chris Guarino. Each artist creates a unique style from the heart. However, Brandon Snow’s pieces can be recognized by his bold use of the colors black and red, butterflies, roses, matches and a balloon. The works of John Breiner are a bit more playful and extensive with bright colors, including images like an eagle, a Native American and an owl. The collection by Chris Guarino reflects a fantasy world of magic, darkness, nature and masks. All three exhibitions and all three artists displayed by the gallery are listed below in fuller details.

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  • “Life, Death, and Beauty”: The strength of Brandon Snow’s work stems from the simplicity of his imagery. Each piece is conceptualized by photographing an everyday object. These are then translated from film to canvas via a large-format silkscreen printing method which he has developed through years of experimentation. This will be the artist’s first solo exhibition in Austin. “Brandon Snow is an Austin-based self-taught artist. Out of a desire to infuse his work with a new type of energy and excitement, Brandon began merging lo-fi film photography and silkscreen printing. When Snow discovered that he could print his photographs using large format silk screens, he immediately began the tedious process of teaching himself through trial and error. This silk screen method also allows room for unique and unplanned characteristics to develop in each piece during its creation”. Snow’s works are on display until July 7, 2016. www.brandonsnowart.com
  • “Aetheria”: John Breiner’s work revolves around the reuse of found paper, including book covers and old maps. By utilizing a unique print transfer method, Breiner combines photographs and original drawings. He finishes the image with a myriad of techniques, including acrylic, spray paint, and collage. The result is an ephemeral surface which transcends traditional print media. John Breiner is from New York, and this will be his second exhibition at ART on 5th. “John Breiner’s love of the ephemeral surface has kept him painting and illustrating for close to two decades. While the focus of his personal work revolves around the reuse of found items (specifically old paper, books and book jackets), John has also painted large-scale murals, numerous illustrations, and album covers over the years”. Briener’s works are on display until July 7, 2016. www.johnbreiner.com
  • “From The Unknown & The Masquerade Series”: Chris Guarino, the winner of our 2015 Bombay Sapphire Artisan Series Contest, is currently the featured artist at ART on 5th. Guarino’s sculptures and digital photography are no longer on display. For information about prints, please contact ART on 5th. “From the Unknown is a solo exhibition of work by internationally recognized sculptor and digital media artist, Chris Guarino. Chris was also the winner of our 2015 Bombay Sapphire Artisan Series Contest. His work has been exhibited in Chicago, Miami, and Berlin. This show will feature original cast resin sculptures as well as prints of his digital photography work.” “From the Unknown” ended on June 18, 2016. Viewers can still see artwork by Chris Guarino at the gallery, however the full exhibit is no longer up in its original form. www.chrisguarino.com

Additionally, please bear in mind that ART on 5th is encouraging a Call for Entries from artists that have yet to be featured at the gallery. “ART on 5th will once again be hosting the Bombay Sapphire Artisan Series. The Artisan Series is a national search to find the next big name in visual arts, and offers under represented artists a national platform to showcase their work. Artists residing within 150 miles of the city center will be considered for the Austin semi-finalist exhibition to be held at ART on 5th this October”. For more information regarding hours, location or upcoming exhibits at the gallery of ART on 5th: please visit their website at www.arton5th.com or call (512) 481-1111.

 Note: This article was originally published on Examiner.com in June 2016.  

Sebastian Evans: Composer of Nickelodeon’s “Teenage Mutant Ninja Turtles” series

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Teenage Mutant Ninja Turtles (Raphael, Leonardo, Michelangelo and Donatello) and April. Photography used with permission from Nickelodeon.

Composer Sebastian Evans is scoring the music for Nickelodeon Animation Studio’s “Teenage Mutant Ninja Turtles” TV series. Based in California, Sebastian Evans learned music theory as a kid and began to play piano when he was 10 years old. Evans’ mission to pursue music began after watching “Return of the Jedi” when he was seven. After participating in various musical entities until he reached college: a jazz band, concert orchestra, drum line and musical theater. Over the course of time Sebastian Evans also taught himself how to score music as a working professional.

“Sebastian Evans is one of the only black Composers in the industry, and he’s quickly rising in the competitive world of TV and film music. Evans is a creative type who is rapidly gaining accolades within the industry. Invigorating several hit animated television shows with his unique style, Sebastian has received considerable acclaim from fans and critics alike. Most recently, Sebastian’s distinct sound has helped reinvent the “Teenage Mutant Ninja Turtles” franchise starring Seth Green and Sean Astin. From his head-bob inducing main title theme to his seamless blend of Far East and Western musical styles, Sebastian provides a lively score that’s helped reinvent Nickelodeon’s Emmy-winning series for a whole new generation. Sebastian has also created scores for other hugely popular shows including “Cartoon Network’s Ben 10: Omniverse”, starring Yuri Lowenthal and Joe DiMaggio, “Transformers: Animated”, starring David Kaye and Tara Strong as well as “Super Robot Monkey Team Hyperforce Go”, starring Greg Cipes and Mark Hamill for Disney. He has also worked on various projects for “Warner Brothers” and “Adult Swim”. Also, in case you were wondering, his favorite Ninja Turtle is Donatello.”

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Earlier this week in June 2016, a phone interview was booked between Sebastian Evans and Writer for Examiner, Nicolette Mallow.

Nicolette Mallow: When was the moment you realized the power of music and that you wanted to make music? How did you know that you were meant to be a composer?

Sebastian Evans: The day I saw “Return of the Jedi” for the first time when I was 7. That was when I really remember feeling something from the music and I wanted to replicate it myself. Specifically it was the moment when Admiral Ackbar says “It’s a trap!”… Right then and there I wanted to learn music. I wanted to know how to make the audience feel a certain way just by hearing the sounds. That scene in “Star Wars” stuck with me and I started taking music lessons soon after. By the time I was 10, I could play the piano and as time went by. I learned all kinds of musical styles. Eventually I moved out to L.A. with my band, but that didn’t work out. So then I got a job after sending demos to various studios. Warner Bros. hired me for “Cartoon Monsoon” which was an animated pilot program online. Later I made some connections standing in the “Star Wars” line at Mann’s Chinese Theater to see “The Phantom Menace”. Then I pitched to Disney. Along the way I met Ciro Nieli (Executive Producer of “Teenage Mutant Ninja Turtles” for Nickelodeon) and we began working together on various projects.

NM: Do you have a music ritual or a method of operation for when you create and compose? Or do the projects flow naturally and you write from the heart as it comes along?

SE: I used to write a lot more from the heart when it was personal, like for the band or my own art portfolio. But when it’s a project for a team: my style is based around the desire to reflect the Director’s vision. I want to support the film or the story. I try to stay flexible because you don’t always know exactly what the team wants. My focus for work projects are dictated by the team and how I can bring my own musical style to meet their vision.

NM: I am unfamiliar with writing music and putting audio or soundtracks onto film. What is it like writing for “Teenage Mutant Ninja Turtles”?

SE: Ninja Turtles has a lot of underground hip hop influences and a lot of loops. The music is often subtle and grey as to not overpower the story, dialogue or the characters. But the Director is also seeking to get something across that emotes something in a scene that would not be as prevalent without the music accompanying it. Music foreshadows events that are about to happen, or perhaps it uplifts the mood or makes the tone more serious. It all depends on the situation at hand. We have a couple of meetings every episode and we discuss what the scene needs. This helps me create a score that will benefit the character building of the story within each episode.

NM: Did you always intend to write for animation, comics or cartoons? Or did this path sort of unfold naturally?

SE: Yes, it all sort of unfolded naturally. My end goal in the future is to work on movies, but I really love working on animation for television. It’s been a learning experience and very rewarding because I never imagined that I would be where I am now. My roots in music are very scattered and I grew up listening to classical, like Mozart and the greats. Yet I also love metal and alternative. I will play Mos Def, Timbaland and Wu Tang during the same duration as I listen to Bjork or classical. So, yeah, I would like to explore as many characters as possible through TV and film in the future. But I am grateful for where I am right now and enjoy working on animation.

NM: Out of all four ninja turtles (Leonardo, Raphael, Donatello and Michelangelo), why is Donatello your favorite?

SE: Donatello seems like the outcast. He’s the brains and the nerd of the group. Donatello is also a romantic yet he’s very shy. And I just like him because he’s cool with being different and I felt a kinship to his character.

NM: Interesting. I relate most to Raphael because he’s the most fiery, hot tempered and yet also the most sensitive. Do you have any favorite hobbies outside of composing music?

SE: I watch a lot of comedy shows and I build LEGO® bricks a lot.

NM: That is awesome. I love LEGO® models. Thank you so much for your time. I enjoyed interviewing you and look forward to watching the TV series with my godson, Micah. He loves “Teenage Mutant Ninja Turtles”.

SE: You’re welcome. I’m glad to hear kids like the show. Thank you for interviewing me today.

To hear a playlist of Sebastian Evans tracks for “Teenage Mutant Ninja Turtles” please visit SoundCloud. Also if you would like to watch an engaging video on YouTube posted by Nickelodeon about Season 4 of “Teenage Mutant Ninja Turtles” and the creators, characters and story line: please refer to the video “Teenage Mutant Ninja Turtles | Kicking Shell & Taking Names”.

 Note: This article was originally published on Examiner.com in June 2016.  

Top Drawer opens a second thrift shop in the heart of Austin

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Photography provided by Top Drawer and Project Transitions.

A welcome party was held in honor of Top Drawer’s second thrift shop located in the Crestview neighborhood within the heart of Austin, Texas. This newly released thrift shop operated by Top Drawer opened its doors earlier this spring. However the official party was hosted at 7101B Woodrow Avenue on May 15, 2016, the exact date as the International AIDS Candlelight Memorial. Top Drawer Thrift is the social enterprise arm of Project Transitions. “Since 1988, Project Transitions is a non-profit dedicated to serving people with HIV and AIDS by providing supportive living, housing and hospice in compassionate and caring environments.” Top Drawer’s original location on Burnet Road has been open since 1993, always sustaining a focus to sell items in support of Project Transitions. To this day, all proceeds directly benefit the programs of this nonprofit and volunteers mostly run the shops.

Arts and Entertainment Writer, Nicolette Mallow, interviewed the Manager of Top Drawer thrift shop, Karin Kokinda. The two spoke of donations, the history of the shop and how the employees often get sentimentally attached to the pieces. (An audio recording can be found on YouTube.)

“I can’t begin to tell you how excited Project Transitions is to dive into this new experiment. For over 20 years we’ve had the Top Drawer location at 49th and Burnet and it has been amazingly successful and popular,” said Karin Kokinda, Top Drawer’s manager. “The new store gives us the opportunity to showcase some of the more special and unusual items that are generously donated.”

The welcome party at Top Drawer’s second shop in Crestview featured complimentary wine, fruits, cheeses and crackers. All items were 20% off during the party. Entering the thrift shop, guests will notice it’s like an infusion of a high-end fashion boutique, antique library, art gallery and a retro thrift shop with vinyl records and other goodies of the past. Inside the store there is something to be desired for purchase by anyone and everyone. Top Drawer is beautifully decorated and arranged to where the space is filled top-to-bottom with inventory, and yet it does not feel crowded or scattered. The room is neatly organized and the eyes can never get bored. Boots, dresses, books, tables, lamps, giant mirrors, old cameras, artwork, imported goods and other miscellany are available for purchase.

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Arts and Entertainment Writer for Examiner, Nicolette Mallow, attended this special event and purchased a lovely, handmade Italian brown leather notebook as a keepsake and a literary diary. After the purchase, Mallow interviewed the Manager of Top Drawer, Karin Kokinda. The two spoke of donations, the history of the shop and how the employees often get sentimentally attached to the pieces. To hear the interview, please click on the video above.

To contact Top Drawer Crestview about acceptable items or more information, please call 512-454-5161. The store hours of operation are 11 A.M. to 7 P.M. every Monday through Saturday. Donations will continue to only be accepted at the Burnet location. For more information about Project Transitions, please visit www.projecttransitions.org or call 512-454-8646.

“It’s a collaboration between the community and Project Transitions. It starts with our donors who provide our inventory, then our loyal customers that come shop in our store, and finally, our clients who directly benefit from 100% of the proceeds,” said Madge Whistler, Project Transitions Financial Administrator.

 Note: This article was originally published on Examiner.com in June 2016.  

HBO Films presents “All The Way” red carpet event at LBJ Presidential Library

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HBO Films presents “All The Way” at The Lyndon B. Johnson Presidential Library on May 11, 2016 in Austin, Texas. Photography used with permission from Jay Godwin.

On May 21, 2016—HBO Films will feature the grand debut of “All The Way” at 7:00 PM CST. Directed by Jay Roach and Written by Robert Schenkkan, “All The Way” is like an immaculate time machine that takes you back to the 1960’s when former President Lyndon B. Johnson (LBJ) came into The Oval Office after the assassination of former President John F. Kennedy. The film begins with a powerful start: reliving the intense aftermath of a deeply tragic situation in Dallas, Texas. The audience sees and hears the bloody mess and the Lincoln limousine. And we feel the intimate conversation between LBJ and his wife, Lady Bird Johnson, while up in the sky on Air Force One. When LBJ gets to office in Washington DC, this is when the story of “All The Way” truly begins. Because the focus of the film is how President Lyndon B. Johnson brought the civil rights moment into legal affect with The Civil Rights Act of 1964.

According to HBO: “All The Way” offers a riveting behind-the scenes look at President Lyndon B. Johnson’s tumultuous first year in office after the assassination of former President John F. Kennedy. Staking his presidency on what would be an historic unprecedented Civil Rights Act, Johnson finds himself caught between the moral imperative of Dr. Martin Luther King, Jr. and the expectations of the southern Democratic Party leaders who brought Johnson to power. As King battles to press Johnson while controlling more radical elements of the Civil Rights Movement, Johnson navigates the bill through Congress, winning a landslide victory against Barry Goldwater, but causing the South to defect from the Democratic Party. Following its critically acclaimed, award-winning Broadway run, “All The Way” comes to HBO on May 21, 2016. Actor, Bryan Cranston (four-time Emmy® winner for “Breaking Bad”) reprises his Tony Award-winning role as LBJ for the HBO Films presentation, which also stars Anthony Mackie as MLK (“The Hurt Locker”) and is Directed by Jay Roach (“Trumbo”; Emmy® winner for HBO’s “Game Change” and “Recount”) from a screenplay by Robert Schenkkan (Pulitzer Prize winner for “The Kentucky Cycle”; two-time Emmy® nominee and Writers Guild Award winner for HBO’s “The Pacific”), who has adapted his Tony Award-winning play of the same name.”

Last week on May 11, 2016 in Austin, Texas—HBO Films and The Lyndon B. Johnson Presidential Library hosted a special event and exclusive screening of the film. The delightful cast and crew of “All The Way” strolled the red carpet for the Press before the screening of the film. After the movie ended, a Q&A session took place. (A video of the Q&A conversation is online.) Local Arts and Entertainment Writer for Examiner, Nicolette Mallow, attended the red carpet event and she interviewed Director Jay Roach and Writer Robert Schenkkan. Both audio recordings of each interview are uploaded onto YouTube.

Director Jay Roach discussed the changes and differences between the making of his many comedy films (ie: “Hitchhikers Guide to the Galaxy”) and transcending into more serious, political topics like “All The Way”. During the interview Roach also shared his insights on the importance of voting and what he hopes that viewers, especially younger generations, will retain the most from this story about The Civil Rights Act and how one man from Texas made history by striving to give all people equal rights and that every vote counts. Writer Robert Schenkkan talks about what he would’ve liked to ask former President LBJ if he were still alive. And he talks about the writing process as to how he developed this story and wrote it so beautifully.

Also in attendance to this red carpet event was Luci Baines Johnson, the daughter of Lyndon B. Johnson and former First Lady Lady Bird Johnson. There is one scene that made a writer (Nicolette Mallow) in attendance of this film cry and it was one of the only moments in the film we really connect with the daughter. (In fact, there were many scenes that made Mallow laugh and cry, and she was glad she wasn’t wearing eyeliner or mascara, but this one scene hit home.) Nonetheless, in the midst of White House chaos and political war, there is a moment that LBJ watches his daughter Luci passing by and he asks her not to rush off. As they’re talking, he takes a good look at his daughter and says three words: “You’re getting tall”. It’s in that moment we see that time is moving fast, too fast, and that his energy and dedication to politics has sort of taken away some personal time with family, particularly Luci. Any daughter that had a father who worked that hard to provide a better life can understand the bittersweet feeling of being proud and also perhaps wishing there had been more time.

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“All The Way” focuses mostly on LBJ’s struggles and successes as President and the societal and political injustices that were happening in The United States of America. Many problems we are still struggling with today. The movie doesn’t spend too much time in his family life, even if the audience gets to see very intimate dialogue behind closed doors and his ranch in Texas. During the film, we learn (or are reminded) about how LBJ became so passionate about civil rights, beginning his career as a teacher to minority children. The love in former President Lyndon B. Johnson’s heart is undeniable and the film does a perfect job of capturing this innate trait. LBJ’s fiery passion almost seems to come out of the screen and pour into your heart. Every scene in this film evokes something from within. The audience feels the struggle of it all and we are reminded of the horrors that were going on during the 1960’s to African Americans and other minorities. Ultimately, we witness a humanized version of LBJ: his flaws and imperfections, as well as the deep love in his heart and the powerhouse that he was. The power he had to make changes for the highest good of all. “All The Way” should make all Texans even more proud to be a Texan knowing that LBJ (a man from Texas) brought the Civil Rights Act into legal effect because he knew in his heart it was the right thing to do.

“All The Way” will make its grand debut on HBO this weekend on Sat. May 21, 2016 at 7:00 PM CST. For more information about the cast, crew and synopsis: please visit their official website on HBO at www.hbo.com/movies/all-the-way. 

Note: This article was originally published on Examiner.com in May 2016.  

“The stars at night, are big and bright. Deep in the heart of Texas.”