The magic of Euphoria Music Festival lingers

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The 2017 Euphoria Music Festival came to an end and yet the magical feeling of experiencing music with over 50,000 people in Austin, Texas lingers vividly in memory. I can still hear the crowd chanting at Chromeo, and I can relive the hypnotizing light show alongside Moby’s DJ set in my mind. Perhaps this is one of Euphoria’s most lovable and endearing traits: the music festival exerts a natural high of happiness and contentment that stays with you in silence even after it’s all over. For a few hours, everyone that passed the gates entered an intimate and intense world of music, dance, art installations and light shows. There were three stages on the map: Euphoria, Elements and the Dragonfly. The first two stages are the larger set-ups, but the Dragonfly stage is a beauty, waterfront to the Colorado River. A map of the grounds can be found on the official Euphoria app that was released in April.

Upon entrance to Carson Creek Ranch, the grounds are filled with bold, bright colors, canopies, giant tents, kites, butterflies, swing sets, hammocks, bubbles and an artisan alley. The festival even has a volleyball court, a wedding chapel and a giant Tree of Life. There is a sign below the Tree of Life that reads: Write down wishes, hopes, dreams, etc. and set ’em Free. It was very moving to see the thousands of notes left on the tree.

Watching the festival from above with its digital eyes that changed moods and colors as the sky shifted from day to night — at the Elements stage, there was a steep, tall fox (or wolf) overlooking the crowd. Several times I got lost staring into its round eyes as the music played. Like one of those vintage kitty clocks.

Founded by Mitch Morales, the 2017 festival included headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and many other artists; bringing the sum total of the line-up to 70. As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival returned to Carson Creek Ranch on the banks of the Colorado River and offered world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more.”

Euphoria showcases the professionalism, style and acute qualities equal to a global event like Austin City Limits, Burning Man, or Lollapalooza. Festival-goers can see the time, love and energy invested into the decoration and preparation for the festival. However, unlike the ACL Music Festival that draws 450,000 people—Euphoria is much smaller in attendance and exposure. This independent festival deep in the heart of Texas provides a more intimate experience. Using the power of music to bring everyone together, Euphoria is a festival made for the community. The Euphoria Music Festival feels personalized and charming. The size of Euphoria provides a natural, easy-going way of drawing people together. Even if you are attending alone as a member of the Press, like me, that is one of the pleasant aspects of a festival is various walks of life coming together for the love of music.

Ultimately, the magic of Euphoria re-awakened my love for music festivals. It brought back the fun and joy of a festival that I used to feel when I was younger. As a local Austinite, I’ve been blessed to attend live shows and music festivals since before I could drive a car. I was one of the lucky people from Austin to experience the live music scene before it morphed into what it’s become today. (True, the music scene has improved with better venues, more esteemed artists and a boost in the economy, but it also came at a cost for the locals.) Years ago, I was so sentimental about live music. I saved all of my ticket stubs that are now in a box. Honestly, I don’t know how many times I wore a costume or got dolled up for a live show, like the night when I was the absinthe fairy covered in metallic glitter with green wings for Galactic’s Halloween show at Stubb’s. Countless days and nights, my friends and I would gather in masses to rock out, dance and let loose. Alas, after too many festivals and concerts for my stamina-—after one too many expensive tickets, late nights that lead to hangovers and dating too many musicians—the magic began to fade out. Secretly I started to become a little jaded: been there, done that and bought many, many t-shirts. The thrill of live music had begun to alter from love to stress. My heart no longer felt that spark like it once did when I was younger and I only attend concerts these days at specific venues and no more festivals. Fortunately, Euphoria brought that nostalgic, familiar adrenaline rush back into my heart and it reminded me why I used to love festivals so much. Euphoria made my heart feel lighter and made me feel younger. Frankly, I did not know what to expect at Euphoria. And to much delight, Euphoria Music Festival captured the intimacy of the art scene that used to be in ATX. I hope as the festival grows more and more each year that Euphoria will never lose its unique charm.

I highly encourage music enthusiasts to mark the Euphoria Music Festival on their bucket list. A strong indicator of whether or not a musical event was a success is greatly determined by if the audience transcended time. Meaning, while the band is playing, the DJ is spinning or the musicians are on stage, those in attendance lose track of time. We forget our worries, stresses and anxieties for a while. We are present in the moment and feeling alive in the rhythm of the music. Euphoria Music Festival can and will take you to an ethereal place.

To view the 2017 recap videos or purchase official merchandise of Euphoria Music Festival, please visit www.euphoriafest.com. #FindYourEuphoria

ill-ēsha: Canadian musician, producer, songwriter and vocalist will perform at 2017 Euphoria Music Festival in ATX

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Imagery provided by ill-ēsha

Recently I had the pleasure to interview ill-ēsha. Music producer, vocalist, songwriter, composer, DJ, musician and more; ill-ēsha radiates artistic talent and the more I read her artist’s bio. It was evident how vast her range of art forms within various industries could be applied to. On April 9, 2017—ill-ēsha will be performing at the 2017 Euphoria Music Festival at Carson Creek Ranch in Austin, Texas. Euphoria Music Festival is showcasing over 70 artists this year and even though ill-ēsha has visited ATX many times for festivals like SXSW and feels at home in the capital of Texas. This will be her first show at Euphoria and Austinites are delighted.

Formally known as Elysha Zaide and casually known as Elle, “Vancouver-born and Colorado-based music producer, artist and DJ ill-ēsha has crafted a long-standing soundscape of electronic bass music throughout her career, continuously evolving her musical stylings and bridging gaps between hip-hop, dubstep, R&B and future bass music. Ill-ēsha is recognized as an extremely rare and diverse, burgeoning artist in the EDM scene. Her live set showcases her incredible talent to sing, DJ, and simultaneously rock her keytar. She is one of few electronic artists to blossom throughout the progression of different musical trends while still focusing on her artistic vision and authenticity. Constantly evolving a dynamic stage show, ill-ēsha is a perfect example of electronic music’s transition towards live instrumentation and indie pop sensibility.”

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Nicolette Mallow: You have one of the most interesting music backgrounds out of all the composers I’ve interviewed. Your skills are so extensive, and you’re so musically gifted. A producer, DJ, vocalist, composer, songwriter and more. I loved reading your Bio… Did you always know you wanted to make music? Or did music and the arts choose you?

ill-ēsha: I was always very drawn to many different forms of art. As much as I loved music. I was also into theater arts and that was a potential path for me. Even in high school when I was already DJ’ing, I also partook in a theater company and visual art. Performing arts was my artistic expression for a long time. But yes, I’ve had a tendency towards the arts since I was a kid. I was born into a  family with lots of artists. 

NM: I read you love classical, world jazz and cinematic music—and that you completed Royal Conservatory piano training. That program sounds so fancy and challenging. Is this where you began to learn music?

ill-ēsha: (she laughed) Well, it sounds fancier than it is. It’s just another method to learn music, like the Suziki method. Royal Conservatory is simply one of many systems similar to a competitive sport or grade levels. The more you learn and excel at each level you pass on to the next. My mother was passionate about piano and she always wanted to play. I began taking lessons at 4 years old. I continued to take piano classes until I was 12.

NM: You have a spectacular voice. I loved the demos, especially the animation video… How did all this begin? Can you tell me a little about Speech Level Singing?

ill-ēsha: Seth Riggs created Speech Level Singing (SLS) in the late 70’s. It was a school of thought to help train vocal muscles. Artists like Michael Jackson and Aretha Franklin studied it. Since I am a self-taught vocalist after years and years of rigorous piano. In my 20’s I got into Speech Level Singing to learn how to control my breath better. SLS was sort of a style that purely worked out your vocal chords. It appealed to me because I am not jazz or an opera singer. I’m not an Ariana Grande or Celine Dion with a big, booming voice. I am a musician of all types, not just vocals. Once you have a voice: you go all directions developing it and SLS was a way of developing mine. 

NM: What did it feel like to place in the top 3 finalists for The John Lennon International Songwriting Contest?

ill-ēsha: That was a long time ago, but the coolest thing about that award is I was given a few hundred dollars and I used it to buy my first Serato. (A DJ program with turntables and a laptop.) Up until then everything was pure vinyl, so, thank you John Lennon Songwriting Contest for helping me buy my first Serato. But yeah, songwriting is something else that I do. My roots is songwriting. 

NM: What is the title of the lyrics you wrote and submitted for the contest?

ill-ēsha: “Broken Windows”. 

NM: Vancouver is your hometown and I hear it is beautiful. I hope to visit Canada next year. Now that you’re based in Colorado, do you feel like it reminds you of Canada in any way? I would imagine it’s easy to miss the seaport of Vancouver but the climate in CO perhaps reminds you of home?

ill-ēsha: It’s 50/50. I love the mountain life in Colorado. Before I moved here, I lived in San Francisco. Honestly I considered moving to Austin because I love it so much there, too, but I chose Colorado. 

NM: Speaking of Austin, how did you come to be involved with Euphoria Music Festival? And what can we expect to enjoy during your live set at the festival? 

ill-ēsha: ATX is one of those cities that’s been supporting me for a long time, all the way back to my tracks with Gravitas. Over time I’ve interacted with most of the promoters. I feel very lucky to have played at SXSW and so many other venues. Austin has become a home for me. Really I was torn between Denver and Austin. Ultimately, the weather in CO won me over. But I love Texas and I feel like its one of my strongest markets. It’s very cool to be involved with the music scene in Austin… Euphoria is one of the first festival types I’ve performed, and I will be sharing a lot of new content. Anyone who sees me, even old fans, will have something new to look forward to. Over the years I have evolved. Now that I make so much music in the last few years. What I’ve found is that I want to divide the sets I do and remain conscious of the environment. Live shows are compelling and people enjoy festivals. But for instance, nightclub people want the DJ energy. They want to dance and they want the drum and bass. The booth is tall and people can’t see me or my live set up, they just hear me and my music. However, festivals are more intimate with an open stage. There are more live elements, like my keytar. I’ve been taking a lot of time in the studio to write, collaborate and create new art to suit the time and place of each set. 

NM: Will you tell me about your transition from DJ to headlining performer and Producer? I liked your quote about wanting to participate in the music and not just the culture. 

ill-ēsha: I’m not much of a bystander. I enjoy art from being part of the process. I love film but I don’t actually sit around for long periods of time watching movies. I want to score and write for them. I wanted to be part of it. I started off with singing and DJ’ing. I wanted to control beats and make music. The deeper I got into it, the more deeply I realized I wanted to be part of production… About 10 years ago was sort of the turning point. All in all I’ve been in this industry for 20 years, since I was really young. The first ten years were very much passion projects and you could really tour and do live shows. I worked other jobs, too, and went to college. Touring and other jobs helped pay off student loans. Right around 2008 or 2009, I started feeling discontent. I was not feeling inspired. So I decided to go back to music as contractor and post-production for TV shows and editing. I regenerated and began making a new style of music. It was fun and different. It wasn’t simply drum and bass. At that point I just kind of discovered new people without the pressure. Re-inspired an online chat forum and people became receptive and started signing it. And that’s when I moved to SF and production became a full time priority… Ultimately my passion project and my true underlying goal is to give back and inspire young creative people. I was sort of an angsty teenager. Bummed out by life. Music saved me. Being a mentor, a guide and to give connections to the young artists and young creatives means a lot to me. 

NM: What was it like touring with Bassnectar? I adore his track “Butterfly” featuring Mimi Page and listen to it all the time. 

ill-ēsha: Touring with Bassnectar was pretty magical. I feel so lucky I got to experience that. It was only a few Southern tour dates and New Year’s Eve shows. I loved it though! Bassnectar is a big symbol of my music scene. Bassnectar created the west coast music sound within the DJ world. It was an honor to get to open for him. This is the guy who took it from A to Z.

NM: Last question, listening to your music on SoundCloud I heard a track called “Ghostwriter” with opening audio talking about computer hacking. Why did you choose to write about a computer hacker? 

ill-ēsha: In the 1990’s there was a children’s TV show called “Ghostwriter”. A lot of the samples in that track are from a single episode that I found to be cute. “Ghostwriter” was an educational kid’s show and that episode was about early internet. Teaching kids about hackers. At the time I was learning more about computers and I definitely enjoy digital nostalgia of different era’s because I’ve been through them all. As a child of cross generation analog and digital and I remember both… it’s always on my mind. 

For more information about ill-ēsha:  please visit her website at www.ill-esha.com. To listen to samples of her music please visit ill-ēsha’s SoundCloud page at https://soundcloud.com/ill-esha

Euphoria Music Festival releases line-up for April 2017 featuring 70 artists

 

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Photography provided by Euphoria Music Festival.

Euphoria will be hosting its sixth annual music, camping and community festival at Carson Creek Ranch in Austin, Texas from Apr. 6-9, 2017. Founded by Mitch Morales, the 2017 festival includes headliners like Chromeo, Knife Party, Moby (DJ set), Oliver Heldens, Post Malone, The Disco Biscuits, Wiz Khalifa, Zeds Dead and much more. Bringing the sum total of the line-up to 70. Recently a public relations member of Euphoria contacted writer, Nicolette Mallow, to share the good news about the upcoming music festival. 

*** For Immediate Release ***

Austin, Texas –  Following two dynamic phases of artist announcements, Euphoria Music Festival has revealed the third and final phase and completed its lineup for the sixth annual event on April 6 – 9, 2017 and with it, the Official 2017 lineup movie. Already earning considerable buzz with its first two phases for 2017, Euphoria is closing out the year strong with what promises to be the best lineup yet, including new additions: Chromeo; Knife Party; Moby (DJ set); Oliver Heldens; Post Malone; Auto Body; Bakermat (Live); Lost Kings; Russ; Chet Porter; FKJ; Minnesota; Prince Fox; Turkuaz; Eric Dingus; Forgotten Space; Magna Carda; Melvv; Montu; Abe Masaryk; Resonant Frequency; Thoreau; and Whereisalex.

With this latest announcement, Euphoria now boasts a lineup of over 70 artists from around the globe and it’s own backyard, including headliners: Alesso, Pretty Lights Live, Wiz Khalifa, Young Thug, Zeds Dead, The Disco Biscuits and The Floozies. Additional artists announced include: Alan Walker; BadBadNotGood; 2017 GRAMMY nominated artist, Bob Moses; Chronixx & Zincfence Redemption; The Knocks (Live); Mija; Papadosio; Spag Heddy; Yotto; CID; Codeko; Dr. Fresch; The Funk Hunters; Ganja White Night; Grum; Ill-Esha; Manic Focus; Petit Biscuit; Poolside; Raven Felix; Slaptop; Tennyson; Unlike Pluto; Asadi; Blunt Force; Brede; Capyac; Carlyle; Craetion; Evanoff; Flamingosis; Henna Rosso; Lemurian; Jamiroqueen; Maddy O’Neal; Medasin; Psymbionic; Sip Sip; Slice Gang; The Widdler and Willgood.

“From top to bottom, this is Euphoria’s most amazing lineup to date,” says festival producer Mitch Morales. “We have major players, institutions, exciting up-and-comers and even a GRAMMY nominee – all of which cross a multitude of genres, yet still reside within our euphoric musical vibe. I cannot wait to host our festival family, both new and old, again this April.”

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As the region’s largest independent music festival, Euphoria attracts over 50,000 fans each year, all while maintaining the qualities that land it on many annual Top 10 lists. Conveniently located just minutes from Downtown Austin, the multi-stage music and camping festival will return to Carson Creek Ranch on the banks of the Colorado River and offer world-class visuals, unique stage designs, artist workshops, interactive experiential installations, enhanced camping options and much more. In addition to the previously announced camping enhancements, direct shuttle service and added greening initiatives deemed “Ecophoria” – the festival will also be offering wedding ceremonies. Tapping into the power of music and community to evoke emotions and forge connections, Euphoria is creating a beautiful space for couples to celebrate their union. Full details can be found at www.euphoriafest.com/weddings.

General Admission passes are available now for $149, plus fees for a 3-Day festival pass and $249 for a 3-day festival pass with camping. 3-Day “Fly Life” VIP packages with preferred viewing areas, private bars, VIP restrooms and showers, concierge service, luggage drop off, and express entrance are available starting at $269 (without camping) and $419 with camping. The Early Entry pass, which allows Wednesday access for up to 2,500 fans is available for $30. Price will remain frozen, until December 16th. Euphoria will be continuing its partnership with Affirm, offering clear, simple financing to split Eventbrite orders into 3 or 6 monthly payments. This offers patrons the most flexible option yet for affording festival passes. Tickets are available online at www.euphoriafest.com. Euphoria is an ages 18 and over event.

Euphoria Music Festival is produced by Vivid Sound Entertainment. Visit www.euphoriafest.com for the most up-to-date information. Stay connected on Twitter at www.twitter.com/EuphoriaFest and on Facebook at www.facebook.com/EuphoriaFest.

Official Euphoria 2016 Recap Video

 

Dolly Parton’s Imagination Library brings the magic of reading to preschool children worldwide

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The High Road on Dawson has launched the first branch in Austin to support Dolly Parton’s Imagination Library. Bringing the magic of reading to local preschool children, Dolly Parton’s Imagination Library has distributed over 117,920,187 million books to four countries around the world: United States, United Kingdom, Australia and Canada. Dolly’s beloved organization is present within other Texas cities—but there wasn’t a branch in Austin until now. Thankfully, The High Road on Dawson and its committee raised enough funds to bring the Imagination Library to another city in The Lone Star State. 

The Imagination Library is a non-profit organization based in Sevier County, TennesseeThe High Road on Dawson (THROD) is a member based non-profit charity in ATX. For two years The High Road on Dawson committee strived to open an account. Finally their dream became a reality for the local community and the Imagination Library will make its debut in the 78721 zip code

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The history, mission and vision of Dolly’s Imagination Library is quite interesting. “In 1995, Dolly Parton launched an exciting new effort, Dolly Parton’s Imagination Library, to benefit the children of her home county in East Tennessee, USA. Her father, Robert Lee Parton, was the inspiration of Dolly’s Imagination Library. Dolly’s vision was to foster a love of reading among her county’s preschool children and their families by providing them with the gift of a specially selected book each month. By mailing high quality, age-appropriate books directly to their homes, she wanted children to be excited about books and to feel the magic that books can create. Moreover, she could insure that every child would have books, regardless of their family’s income. Dolly’s Imagination Library became so popular that in the year 2000 she announced that she would make the program available for replication to any community that was willing to partner with her to support it locally. Already statistics and independent reports have shown Dolly Parton’s Imagination Library drastically improves early childhood literacy for children enrolled in the program. Further studies have shown improved scores during early literacy testing.”

The Board of Directors at The High Road on Dawson are immensely proud of their two team leaders that brought the Imagination Library into fruition within Austin: Monica Keller and Jen Philhower. Recently, Keller and Philhower spoke with local writer and fellow THROD member, Nicolette Mallow, to further discuss Dolly Parton’s Imagination Library, the new branch in Austin and their passion for childhood education. A recording of the entire interview can be found online. 

Nicolette Mallow: Will you tell me how The High Road on Dawson came to be involved with Dolly Parton’s Imagination Library?

The High Road on Dawson: So, we are both members of the lodge at The High Road on Dawson. We were Elks members prior to that and we both participated in a committee that was put together just to create charitable events. One of the purposes behind the lodge, besides community, is to do charitable things. In the committee, we kind of discovered that there were a bunch of us that are fans of Dolly (Parton) and we just think she’s a spectacular human, a great entertainer and just this awesome, cool person. An entity that deserved recognition. We really like her… Then one of our committee members, I think it was Heather, she asked if we had seen or heard about the Imagination Library. So then we got to talking about Dolly a lot more. And since we knew her birthday (January 19), the lodge at THROD decided to throw a birthday party in honor of Dolly Parton every year. Forever. There are a lot of events where we pay homage in Austin to different musicians. We have a Buck Owens birthday party, a Loretta Lynn pie social and the HAAM fundraiser. Suddenly we had the realization that there was no Dolly event and that she deserved her own special party. That was like a light bulb and we began hosting a Dolly’s Birthday Party and soon after it was suggested we should open our own branch of the Imagination Library. And we decided that the birthday party would be the fundraiser. We didn’t realize at the time the party would be a sellout and so successful! It was entirely conceivable that it would’ve just been us sitting upstairs with friends and musicians singing songs. 

NM: What is the goal for the next year between THROD and the Imagination Library?

THROD: They have a set series of goals for membership. Their 5 year plan is that within the first year, your branch gets 20% of eligible kids to sign up. And by year five the goal is to have 100% of the eligible kids signed up. Their goals are 20% every year and they give you the costs that would be associated with sending out all the books each year. Our personal goal is to have that done in four years and by the fifth year add an additional zip code. That is our hope and our goal. 

NM: My understanding is that each month for five years, preschool children receive books in the mail from the Imagination Library. Sent directly to their home so the little ones can begin their own book collection. However, are the monthly books preselected or are the books selected at random?

THROD: Yes, there is a series of books and everything is pre-selected and planned out by the Imagination Library month-to-month each year. The series actually starts with “The Little Engine That Could” We also looked briefly into the books and they’re gender neutral, they don’t have any sort of political and religious message. They’re just classic children’s books to introduce kids to the magic of reading and imagination. 

For more information about Dolly Parton’s Imagination Library please visit the website at www.imaginationlibrary.com. Parents or guardians that wish to enroll their children may Register Online. To contact members and volunteers at The High Road on Dawson to become involved with this local project, please call 512-442-8535. 

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Mark Thomas Studio transforms and beautifies with their royal treatment and southern hospitality

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Photography of beauty parlor provided by Mark Thomas Studio.

Mark Thomas Studio will transform and beautify your hair, scalp and skin with their royal treatment. All guests will leave feeling refreshed, rejuvenated and more polished than ever before with the salon’s all-encompassing and luxurious products. Mark Thomas Studio provides exquisite services inside a fun, playful and relaxing atmosphere located in the heart of downtown Austin off West 38th Street.

This high-end salon is the only location in Texas that offers Philip Kingsley products and FACE Stockholm makeup together in one boutique. Mark Thomas Studio bestows exceptional service reminiscent of a lavish boutique infused with Southern hospitality, permeating luxury and gentility into one location. You will not find another boutique like it within all of Texas or the Midwest.

“For those unaware of Philip Kingsley, he coined the phrase ‘bad hair day’ and is the world’s most respected authority on hair and scalp health. With over 55 years of Trichological experience, Philip Kingsley’s past and present clientele include politicians, royalty and celebrities. Called the ‘Hair Doctor’ by The Sunday Times and the ‘Hair Guru’ by The New York Times, Philip has written many publications on both sides of the Atlantic. Philip has recognized the need to bridge the gap between science and hairdressing as well as providing solutions for the most extreme hair and scalp problems, and those who just want the best from their hair.”

Whether you are in need of a new cut and color – or whether you seek a bikini wax and a deep pore facial – or whether you simply want to have a makeover. Mark Thomas Studio will cater to your every need without the stress. This intimate salon is perfect for men and women of all ages. And they offer the best products and services– striving for every client to leave satisfied.

For more information please visit their website at www.markthomasstudios.com or call Mark Thomas Studio at 512-459-6900. 

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Photography of beauty parlor provided by Mark Thomas Studio.

Aetheria, Death, Beauty and Masquerades: Three exhibits revealed at ART on 5th

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“Masquerade Series – The Void” created by Chris Guarino. {Photo by Nicolette Mallow}.

June 2016—ART on 5th revealed three exhibitions by artists Brandon Snow, John Breiner and Chris Guarino. Each artist creates a unique style from the heart. However, Brandon Snow’s pieces can be recognized by his bold use of the colors black and red, butterflies, roses, matches and a balloon. The works of John Breiner are a bit more playful and extensive with bright colors, including images like an eagle, a Native American and an owl. The collection by Chris Guarino reflects a fantasy world of magic, darkness, nature and masks. All three exhibitions and all three artists displayed by the gallery are listed below in fuller details.

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  • “Life, Death, and Beauty”: The strength of Brandon Snow’s work stems from the simplicity of his imagery. Each piece is conceptualized by photographing an everyday object. These are then translated from film to canvas via a large-format silkscreen printing method which he has developed through years of experimentation. This will be the artist’s first solo exhibition in Austin. “Brandon Snow is an Austin-based self-taught artist. Out of a desire to infuse his work with a new type of energy and excitement, Brandon began merging lo-fi film photography and silkscreen printing. When Snow discovered that he could print his photographs using large format silk screens, he immediately began the tedious process of teaching himself through trial and error. This silk screen method also allows room for unique and unplanned characteristics to develop in each piece during its creation”. Snow’s works are on display until July 7, 2016. www.brandonsnowart.com
  • “Aetheria”: John Breiner’s work revolves around the reuse of found paper, including book covers and old maps. By utilizing a unique print transfer method, Breiner combines photographs and original drawings. He finishes the image with a myriad of techniques, including acrylic, spray paint, and collage. The result is an ephemeral surface which transcends traditional print media. John Breiner is from New York, and this will be his second exhibition at ART on 5th. “John Breiner’s love of the ephemeral surface has kept him painting and illustrating for close to two decades. While the focus of his personal work revolves around the reuse of found items (specifically old paper, books and book jackets), John has also painted large-scale murals, numerous illustrations, and album covers over the years”. Briener’s works are on display until July 7, 2016. www.johnbreiner.com
  • “From The Unknown & The Masquerade Series”: Chris Guarino, the winner of our 2015 Bombay Sapphire Artisan Series Contest, is currently the featured artist at ART on 5th. Guarino’s sculptures and digital photography are no longer on display. For information about prints, please contact ART on 5th. “From the Unknown is a solo exhibition of work by internationally recognized sculptor and digital media artist, Chris Guarino. Chris was also the winner of our 2015 Bombay Sapphire Artisan Series Contest. His work has been exhibited in Chicago, Miami, and Berlin. This show will feature original cast resin sculptures as well as prints of his digital photography work.” “From the Unknown” ended on June 18, 2016. Viewers can still see artwork by Chris Guarino at the gallery, however the full exhibit is no longer up in its original form. www.chrisguarino.com

Additionally, please bear in mind that ART on 5th is encouraging a Call for Entries from artists that have yet to be featured at the gallery. “ART on 5th will once again be hosting the Bombay Sapphire Artisan Series. The Artisan Series is a national search to find the next big name in visual arts, and offers under represented artists a national platform to showcase their work. Artists residing within 150 miles of the city center will be considered for the Austin semi-finalist exhibition to be held at ART on 5th this October”. For more information regarding hours, location or upcoming exhibits at the gallery of ART on 5th: please visit their website at www.arton5th.com or call (512) 481-1111.

 Note: This article was originally published on Examiner.com in June 2016.  

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SXSW interview with Director of ‘A Song For You: The Austin City Limits Story’

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BECK. Imagery provided by Go-Valley Films.

Directed by Keith Maitland, “A Song For You: The Austin City Limits Story” held its world premiere at The Paramount Theatre in Austin, Texas during SXSW on Mar. 17, 2016. The SXSW Music, Film and Interactive Conferences and Festivals is celebrating its 30th year. And this year Keith Maitland and his teammates debuted two films for the first time at SXSW 2016. “A Song For You: The Austin City Limits Story” is a vibrant, intimate and engaging documentary covering 40 years and four decades of live music filmed for the beloved television show Austin City Limits (ACL). It’s a playful and raw story—an immaculate collection of great artists and their bands that took the stage at Austin City Limits. Director Keith Maitland shares the unique story of how ACL began with ‘janky’ sound equipment and soon morphed into the longest running music show in television history.

Artists that appear within the documentary include the following: Willie Nelson, Townes Van Zandt, Steve Ray Vaughan, Beck, Johnny Cash, Bonnie Raitt, Ray Charles, Emmylou Harris, Buddy Guy, Jeff Bridges, Matthew McConaughey, Lyle Lovett, Sheryl Crow, Dolly Parton, Radiohead, B.B. King, Lighting Hopkins, The Avett Brothers, Talking Heads, Garth Brooks, Thao Nguyen and more. “Long-time producer of Austin City Limits, Terry Lickona, also transcends the TV show and gives audiences a front-row seat and backstage pass to the greatest performances of the longest running music show in television history.”

One prime reason “A Song For You” is described as the ‘ultimate backstage pass’ to Austin City Limits is because it entails endless video clippings from numerous performances filmed live at ACL alongside annotations of those who were there first-hand to experience the performances. The audience is granted the inside track regarding many ACL shows, off-stage and-onstage. Watching the artists and the production team work their magic. Feeling as if we were there, too. Hearing about the highs-and-lows of the non-stop adventure—’the flood of memories’—it’s an adrenaline rush to the heart and soul. Listening to the music, hearing the interviews and seeing it all unfold and come to life at once makes the documentary unforgettable.

Director Keith Maitland did an immaculate job of intertwining 40 years of history into 96 minutes. “A Song For You” opens with Dale Watson solely because he was the featured artist on the final episode filmed for Season 39 by Austin City Limits. Once Maitland sets the scene in present day, the Director takes us all the way back to the beginning when Willie Nelson played for ACL in 1974 and tells the story in a retrospective way. Obviously, music is the core of Austin City Limits: their universal love of music and their never-ending desire to showcase musical masters and the up-and-coming talent. The title of the film is also befitting because without the audience, Austin City Limits wouldn’t have thrived. The show needs the audience as much as we need the show. You won’t want this film to end it’s that exciting, but when it does. As the credits come to a close, there is a video of Ray Charles singing “Deep In The Heart of Texas”. Which is where it all began, deep in the hearts of Texans. Or at least those living in Texans even if born elsewhere… Many of the artists in the film are still living, others have died and passed on. But the story of Austin City Limits will live on forever.

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Imagery provided by Go-Valley Films.

Fortunately, this week the Director Keith Maitland met with Austin Examiner, Nicolette Mallow, at The Driskill Hotel to talk about “A Song For You: The Austin City Limits Story” and how this delightful documentary came to fruition. Maitland also touched briefly on his other film, “Tower” that screened at the SXSW 2016 festival, too. [“Tower” is about the sniper in August of 1966 who rode the elevator to the top and held people hostage from The University of Texas Tower for 96 minutes, and at the end of his tyranny he’d taken 16 lives and wounded over three dozen.]

Nicolette Mallow: What compelled you to make a film about Austin City Limits? Do you simply love the show and what it stands for? Or do you have a strong affiliation with the city of Austin, too? I noticed both of your films pertained to Austin, Texas.

Keith Maitland: I attended The University of Texas at Austin from 1994 to 1998. Then I lived in NYC for ten years. About ten years ago, I moved back to Austin. And yes, live music is something I’ve always loved … In the 1990’s, I saw a few ACL tapings. I even sneaked backstage a few times. Once I snuck onto Willie Nelson’s tour bus in 1998. I had a knack for sneaking backstage. And that’s really what I wanted this documentary to capture: the energy and excitement of a wide-eyed fan… How this project came about is that I used to work at KLRU. And then a few years ago, a PBS Executive in DC called me about Austin City Limits and their 40th anniversary.

NM: How were you able to pick and choose a specific list of videos from an endless supply of ACL performances?

KM: That was no easy task and there was simply no way to honor all of the artistic talent that has premiered on the show. Austin City Limits has showcased around 800 performers and their bands. That’s a rough estimate and not an exact number, but my point is that it was impossible to include everyone in 96 minutes. I asked the production crew for a list of their favorites, and that was hard for them as well. So rather than pick out favorites, together, we oriented the set list around pivotal moments of the show.

NM: I noticed the documentary focused a great deal on Beck, Willie Nelson, and Stevie Ray Vaughan. All very big artists that are loved by Austin and around the globe… Personally I loved the footage in your film of Beck’s performance at ACL. And I actually went to middle school and high school with Willie’s nephew, Trevor. Any reason you chose those three to focus on?

KM: Beck is one of my absolute favorite artists and his presence in the film portrays the musical energy of present day. It was so cool to book an interview with him and quite rare for us to get the chance. Beck is very exclusive about interviews. I think it had been about ten years since Beck had consented to an on-camera documentary interview. So that was a huge honor and I know the only reason we were able to book it is because of Beck’s love for Austin City Limits… In regards to the other two artists. There are two statues of musicians in downtown Austin: Willie Nelson and Stevie Ray Vaughan. Their names were paramount to the story because they have each cast a shadow over the legacy of this town… Plus, Willie Nelson is the first artist to perform for the show and he’s from Austin. Also, the producers of ACL absolutely adore those two. And I can tell they had a very personal friendship with Stevie Ray Vaughan and that the absence of his presence still stings the ACL family.

NM: Did you enjoy interviewing the production crew, and specifically (the producer) Terry Lickona, from the ACL crew?

KM: Yes. I did. One of my favorite parts of the film is at the end when we are asking all the employees at ACL about what lead them to their job and what their role in the company is… Terry Lickona is just a great person in addition to being a fantastic producer. He is also a live music devourer. And he is always looking to the future and ‘what’s next’ which keeps the show fresh and exciting. He is a people’s people and is constantly out there absorbing the latest news pertaining to music. Terry’s loyalty to the show— and the loyalty of the entire ACL crew—it’s astounding. They’re an amazing team. And come on, it’s a pretty sweet gig to work.

NM: My last question is about your other film “Tower”. The other day I saw “A Song For You” at the Violet Crown and I adore it. But I’ve yet to see this one. My question is, many people have made movies or written stories about the 1966 sniper that murdered people from the UT Tower on the UT campus. What defines your story from all the rest and makes it so unique?

KM: Yes a lot of people have covered this story. What makes my take on it unique is that I don’t focus on the sniper. I focus on the witnesses, the heroes and the survivors of the story. The sniper is obviously mentioned and he’s part of the story. But he’s almost like the shark in the movie “Jaws” and how we don’t really see him until the end. We just hear the music and know what’s coming. “Tower” is a story of humanity at its best and worst. We get to see the people who put their lives at risk to save another. We also get to hear accounts from those who were frozen in fear, unable to help, and the shame they felt for being paralyzed with fear. But it’s very touching to hear the stories. A lot of people risked their lives to come to the rescue of those bloodied, bleeding and wounded… There is a little bit of us all in these characters and I wanted people to be able to relate to the story. Not the sniper.

For more information regarding “A Song For You: The Austin City Limits Story” please visit the official website at www.asongforyoufilm.com. To learn more about Austin City Limits (ACL) and to search upcoming performances: please check out their web page at www.acl-live.com.

Note: This article was originally published on Examiner.com in March 2016. 

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Ethan Hawke and crew from ‘In A Valley of Violence’ attend Arts & Cinema Centre

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Ethan Hawke attending Arts & Cinema Centre premier party for “In A Valley of Violence”. Photo by Dawson Smith.

To celebrate the world premiere of the film “In A Valley of Violence” starring Ethan Hawke and John Travolta—Hollywood event company A-List Communications hosted its popular Arts & Cinema Centre with venue partner Basecamp and Summit in Austin, Texas on Saturday, Mar. 12, 2016.

The Arts & Cinema Centre cocktail party took place during the opening weekend of SXSW 2016 on the rooftop of the Summit venue located at 120 West 5th St. Overlooking the downtown skyline, the rooftop has a vibrant view of the Warehouse District and particularly Mr. Robot’s glowing and stellar 100 ft. Coney-island Ferris Wheel. Sponsored by Maestro Dobel® Tequila and Miller-Coors Brewing. Maestro Dobel® Tequila offered specialty cocktails including its signature “Black Diamond Margarita” and Miller-Coors provided its Blue Moon Brewing selections to A-list talent, media and filmmakers in attendance.

Film cast and crew in attendance of the cocktail party included Ti West (Director), Jason Blum (Producer) and stars Ethan Hawke and Toby Huss. Earlier that day at 6:30 P.M. CST—“In A Valley of Violence” had its world premiere for the 2016 SXSW Film Festival. The SXSW Music, Film and Interactive Conferences and Festivals is celebrating its 30th year. “In A Valley of Violence” is a narrative feature and headliner film that has three official screenings on the SXSW schedule.

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The official synopsis of the film released by Focus Features states the following: “A mysterious drifter named Paul (Ethan Hawke) and his dog Abbie (Jumpy) make their way towards Mexico through the barren desert of the old west. In an attempt to shorten their journey they cut through the center of a large valley—landing themselves in the forgotten town of Denton—a place now dubbed by locals as a valley of violence. The once popular mining town is nearly abandoned, and controlled by a brash group of misfits and nitwits—chief among them, the seemingly untouchable, Gilly (James Ransone) who is the troublemaking son of the town’s unforgiving Marshal (John Travolta). As tensions rise between Paul and Gilly, Denton’s remaining residents bear witness to an inevitable act of violence that starts a disastrous chain reaction, infecting the petty lives of all involved and quickly drags the whole town into the bloody crosshairs of revenge. Mary-Anne (Taissa Farmiga) and Ellen (Karen Gillan), two bickering sisters who run the town’s only hotel, try to find the good in both men, while desperately searching for their own salvation. Only the world-weary Marshal struggles to stop the violent hysteria, but after a gruesome discovery about Paul’s past… there is no stopping the escalation. From writer/director Ti West (“The House of the Devil”, “The Innkeepers” and “The Sacrament”) and Blumhouse Productions (“Insidious”, “The Visit”, “Whiplash” and “The Gift”)—”In A Valley of Violence” brings absurdist humor, unique dialogue and West’s shocking scenes of violence to the Western genre. The film also boasts a stellar supporting cast that includes Toby Huss, Burn Gorman, and genre darling Larry Fessenden.”

Note: This article was originally published on Examiner.com in March 2016. 

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SXSW 2016: Frank Frazetta masterpieces exhibited at The Robert Rodriguez Museum

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On Mar. 8, 2016 an official press release was shared by FONS PR announcing that Robert Rodriguez is curating a Frank Frazetta art gallery exclusively for The 2016 SXSW Music, Film and Interactive Conferences and Festivals in Austin, Texas. Original art pieces created by the infamous Frank Frazetta, the gallery is endlessly colorful, hypnotic, intense, enchanting and darkling. Showcasing Frazetta’s spellbinding fantasy artwork to the city of Austin and all the travelers from around the world attending SXSW. This spectacular and rare exhibition is open to the public for an entry fee of $10. Please note that SXSW badges are not necessary for entry to the museum.

FONS PR granted local Arts and Entertainment Examiner, Nicolette Mallow, with permission to replicate their official press release stated below to help spread the word of art to the city of Austin.

FOR IMMEDIATE RELEASE

Robert Rodriguez curates museum featuring original Frank Frazetta masterpieces.

SXSW 2016 gallery event runs March 12-19, 2016 in Austin, Texas.

For a limited time only during SXSW 2016, Robert Rodriguez is proud to present a curated collection of original art, including twelve masterwork paintings by iconic artist Frank Frazetta, including original paintings like “Death Dealer”. Considered to be the most influential fantasy artist in history, Frazetta contributed iconic artwork to classic works of fiction for Conan the Barbarian, Tarzan and John Carter of Mars among others. Other notable artwork being featured is artwork from the upcoming Rodriguez film “Fire and Ice” based on the works of Frank Frazetta.

The gallery will also feature an original “Sin City” masterpiece by Frank Miller, original art by Drew Struzan including his rendering of Sylvester Stallone for the movie poster “First Blood”, and original poster art for “The Thing”. Original paintings by New Pop Art master Sebastian Krüger including hyper real paintings of Keith Richards, Mick Jagger and Danny Trejo. Bronzed art sculptures from Clete Shields. Shields’ work has been commissioned by Quentin Tarantino, Kevin Smith, Robert Rodriguez and Samuel L. Jackson.

In addition, the gallery will feature original movie props from Rodriguez’s films and painted portraits of characters from Rodriguez’s films between Rodriguez himself and his actors including paintings by Josh Brolin, Rosario Dawson, Lady Gaga, Bruce Willis, and Joseph Gordon Levitt. There will also be a selection of hand numbered giclée prints of Frazetta pieces photographed and printed by Robert Rodriguez available for purchase. Proceeds from the prints and merchandise benefit the preservation of Frank Frazetta’s art.

Robert Rodriguez has been touring Frank Frazetta original art at Comic Con and Wizard Con to continue the wish of Frank Frazetta, a friend and collaborator of Robert’s who always wanted audiences to see his paintings in person. The original Frazetta museum in upstate New York closed after the passing of Frank Frazetta in 2010. The Rodriguez museum features other world class artists Robert has also worked with and studied under over the years, with art that he’s collected himself, and others that are on exclusive loan for this event. The Frank Frazetta Collection has an unprecedented amount of original masterpieces including new additions “Moon Maid”, “Flash Gordon”, “Kubla Khan” as well as “Death Dealer 2”, “Egyptian Queen”, “At the Earth’s Core”, “Conan Man Ape” and “Dark Kingdom”, and a rare original painting Frazetta did for the movie “From Dusk Till Dawn” among others, 15 original masterpiece paintings total.

“I’m extremely excited to host this very special event at South by Southwest, featuring mind-blowing art by my favorite artists and collaborators,” said filmmaker Robert Rodriguez. “It’s the only place in the world where you can see original Frank Frazetta art, 15 masterpiece paintings total, alongside original art by Frank Miller, Drew Struzan, Sebastian Kruger and Clete Shields. There’s no other museum like this.”

The gallery will be open daily to the public until Saturday, Mar. 19th from noon to 5 PM. The gallery will have a $10 entrance fee benefiting the preservation of Frank Frazetta art. SXSW badges are not required for entry to the art gallery. The Robert Rodriguez Museum is located at 920 Congress Ave. in Austin, Texas.

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“Santanico” painting in progress by Eiza Gonzalez and Robert Rodriguez. Photography by Nicolette Mallow.

 Note: This article was originally published on Examiner.com in March 2016.

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Salvador Dalí gallery at ART on 5th reaches its closing week

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“Mad Tea Party” by Salvador Dalí. Photography provided by ART on 5th gallery.

Prints by Salvador Dalí will be on display for only a few more days at ART on 5th in Austin, Texas. Also known as Ao5, evident within this art gallery are colorful butterflies, portraits, eroticism, symbolism and storytelling, as well as the notorious melting clocks that Salvador Dalí is well known for. All original copies, The Salvador Dalí art exhibition entails many printmaking pieces, too. Printmaking is a significant and unique form of art that launched in the 1400’s. And the last day to see this timeless exhibit of prints is Saturday, March 12, 2016.

Born in Spain the year of 1904, Salvador Dalí is an artist of the 20th century whom was talented in many art forms that included the following: painting, illustrations, sculpture, fashion, photography, writing, architecture and film. Known greatly for his work revolving around surrealism, Dalí’s artwork is captivating and haunting, unforgettable; a kaleidoscope of colors. A master of his craft, he tantalized, hypnotized and sometimes horrified the world with his powerful, one-of-a-kind artwork. After an extensive career of great publicity and artistic beauty: Salvador Dalí died of heart failure at the age of 84. Thankfully, the memory of his artistic legacy is immortal and will live on forever.

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ART on 5th released a final promotion to inform locals in Austin, Texas that this is the last week to see the exhibition, “ART on 5th will be hosting a stunning exhibition of over 50 authenticated Salvador Dalí prints until March 12, 2016. The work spans three decades of the artist’s career, from the 1950’s – 1970’s, and includes a sampling of images from 6 different series by this artist. Owned by a private art collector in the northeast, this gallery is part of a larger collection of Dalí prints. Dalí worked in series and we have images from a wide variety of his series, including “Memories of Surrealism”, “Les Diners de Gala”, “Biblia Sacra”, “The Twelve Apostles”, “The Divine Comedy” and many others. One particularly interesting series is the 1973 “Les Caprices de Goya”, which Salvador Dalí created by printing over—adding color and new image details to the original series “Los Caprichos”, by 18th century Spanish artist Francisco Goya. As a result, each of these pieces bear the signature of both artists. There is a helpful description of “Les Caprices de Goya” online. Another interesting fact to note about the work: many of the pieces from the “Divine Comedy” series are deconstructions, which means they are sort of artists proofs that may have been used to test plates or colors before doing the entire edition. For instance, we have one on display called “Dante Purified” which only has the pink and the blue inks from the image are printed. It is an incomplete version of the image as it was released in the final publication of the edition.”

Located on 3005 South Lamar, admission to the gallery at ART on 5th is free of cost. For more information regarding ART on 5th and their hours of operation, please call 512-481-1111 or visit their website at www.arton5th.com

To explore more about this artist, please visit Artsy’s Salvador Dalí page which provides visitors with Dalí’s bio, over 1300 of his works, exclusive articles, and up-to-date Dalí exhibition listings. A current exhibition is featured at The Royal Academy of Arts in London from 7 October 2017 — 3 January 2018. 

Note: This article was originally published on Examiner.com in March 2016. 

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