Shakira & Jennifer Lopez shined bright at NFL Super Bowl 2020 in Miami

Feb. 3, 2020 –Shakira and Jennifer Lopez were hotter than the summer heat in Vegas at The NFL’s Super Bowl LIV Halftime show. The two Latinas made headlines today with their saucy, sexy and salacious performance at Super Bowl LIV in Miami, Florida. Normally, I would not pick two pop stars to write about in a punk, metal, rock n roll zine like Rank & Revue – but our Editor is a huge football fan – and I’m a Latina, Lebanese girl and an artist that’s a huge fan of these two ladies. For decades, I’ve been following Shakira and J.Lo’s careers and mimicking their moves when I dance. I was addicted to watching Jennifer Lopez’s music videos before school in 8th grade. [I also danced to Michael Jackson, Lauryn Hill and Ace of Base in the mornings.]

At the end of the show, I really smiled from the heart when Shakira was in gold and J.Lo was wearing silver and they were holding hands, uplifting and complimenting each other, looking incredibly happy and vivacious. Clearly living out their dreams to the fullest. Silver and gold were colors of royalty, and I liked the way the girls ended the show together, hand in hand, rather than looking like a subtle competition for time and publicity. Each woman had their unique time to shine and relive the classic songs that made them famous. They showcased their unique dance styles. Then, the two sort of passed the baton onto a younger generation as Jennifer Lopez’s daughter, Emme Maribel Muñiz, sang at the end whilst her mother danced and Shakira played the drums. There was a wide range of ages and generations performing on stage, which also made me happy: to see beauty thriving at any age and how all women can be beautiful and powerful, especially in numbers, no matter your age. [Beyonce does a good job of showcasing black girl magic when she performs in masses, too!] So often, society is so shallow and we idolize the youth like Greek gods and demonize women past a certain age. Seeing these women excelling and rocking it at ages 43 and 50 gives hope to all ladies that we aren’t just getting older, we’re getting better and stronger with age, like scotch. Although I doubt either of these women imbibe alcohol with abs like that. Dios mio!

Most of the coverage has been positive, but there has been quite the uproar amongst viewers and alike regarding their provocative dancing and clothing. First, some of those NFL cheerleaders are wearing uniforms with a lot less coverage and a lot more makeup than what Shakira and J.Lo had on. And I’ve seen some of the cheerleader’s dance routines, which can be pretty risqué, even at college games. Truly, I don’t know why anyone that’s seen an NFL game is shocked by what they saw at Super Bowl 2020. Do you have to like it? No. But please don’t act surprised that sexuality has made its way into men’s professional football. We aren’t at church. Plus, male artists have performed shirtless at the Super Bowl, so, why the inequality and scrutiny towards female artists? Secondly, the NFL asked two Latina entertainers to perform the show. They didn’t ask a balloon artist, a magician or a group of older jazz players in suits. They asked Shakira and Jennifer Lopez to perform. And these two ladies brought the live entertainment.

At our best, Latinas are a passionate, sexual, tantalizing and evocative group of females with mystical powers. No one should be surprised that two super stars like Jennifer Lopez and Shakira turned heads and seduced the crowd with their beauty, style, athleticism and artistic talent. The photo provided by Pepsi promoting the show was a bombshell of sex appeal, clearly letting the audience know: this will be provocative, times two.

Furthermore, belly dancing is hard. I would know because I am a belly dancer and have performed on stage at nightclubs. What Shakira is doing is hard work and it’s more than just a few sexy hip thrusts: she’s showcasing cultural art, dance and music. She’s isolating parts of her body and her muscles to move each part, one by one, sometimes in a fluid and constant motion. I remember years ago, one of my gay guy friends sent me a video of Shakira coming down the pole in her video “Rabiosa” with Pitbull and said “this reminds me of you”. An ex of mine, got jealous about it, which was absurd. True, the pole dancing by J.Lo in Super Bowl 2020 was pushing it a bit, considering kids were watching this event, but that is also an extremely difficult dance form that requires strength. It’s not just for strippers, pole dancing is a great core exercise and can really make someone feel sexy and empowered. Even if you pole dance in private at home.

Ultimately, no matter where you stand on sexuality, it shouldn’t be a shock, especially since J.Lo was nominated for an award for her role in the film “Hustlers”. Which featured a dance routine with her on the pole wearing not very much at all. Believe me when I say, she toned it down for the Super Bowl. Mind you, I did notice there was a lot of spread eagles and close-ups of intimate lady parts and was rather graphic. [Remember in the film “Chicago” when Catherine Zeta-Jones says she caught her husband and her sister doing the spread eagle?] Either way, while I did notice that Shakira and J.Lo’s dance routines and their performances were dripping with sexuality and perhaps many didn’t appreciate the sex factor. Again, why are so many people shocked? This isn’t anything new for either entertainer or The National Football League.

Today, my boyfriend was playing sports radio and three men were talking about the Super Bowl Halftime show. Listening to three straight Southern men talk about the performance was amusing, cringe worthy, depressing and cliché. I love men’s sports talk! But this was quite silly to waste this much air-time on gossip. Instead of talking about the costumes, hair and makeup and the fantastic dancing or their successful careers; the focus was on the women’s sexiness, appearances and their ages. The men talked about how Shakira had an outer belly button and normally that’s not sexy, but she pulled it off. One guy talked about how Jennifer was too old to be dancing like that, and so was Shakira. Other men defended the ladies right to entertain, which I appreciated. Although I did understand some concerns from one man, speaking as a parent, because little girls are looking up to these women and we’re already under so much pressure to be sex objects. Sadly, us ladies are damned if we do and damned if we don’t. We get treated like sex objects no matter what. We are either too sexy, not sexy enough, too young or too old, too skinny or too fat. Too confident or too submissive. It’s always something. Aesthetically, we can’t please every man and it’s not our job to do so. It’s exhausting how women are always expected to smile and ‘be ladylike’ and never be too pushy or you’ll look like a bitch. It’s simply impossible for girls to please everyone. So, I think the message is clear and just like Rihanna and Madonna said, we should “shine bright like a diamond!” and be “unapologetically ourselves”. J.Lo and Shakira give so much back to the community, why didn’t the men talk about the fact Jennifer Lopez has an estimated net worth of $400 million and Shakira has an estimated net worth of $300 million. Hips don’t lie? How about numbers don’t lie. These women are two fiery powerhouses that know how to make money, create a brand and flourish in a man’s world.

The first thing I said to Steven Mark, my boyfriend, after we saw the Halftime show, “I loved their costumes! I want every single one for me!” Because anyone that adores fashion knows that J.Lo’s handmade Versace and Swarovski clothes were to die for! I wanted to do a photo shoot in it and I can just imagine all the people around the world about to mimic these iconic looks. Already, a local dance studio here in town is offering Super Bowl Half Time classes for dancers to replicate the routines. All in all, it was an unforgettable performance that reminded me of Las Vegas.

¡Gracias chicas! Your hard work has paid off. ¡Viva Latinas!

“There is a rose in Spanish Harlem
A red rose up in Spanish Harlem
It is a special one, it’s never seen the sun
It only comes out when the moon is on the run
And all the stars are gleaming
It’s growing in the street right up through the concrete
But soft and sweet and dreamin
g

There is a rose in Spanish Harlem
A red rose up in Spanish Harlem
With eyes as black as coal
That look down in my soul
And starts a fire there
And then I lose control
I have to beg your pardon
. I’m going to pick that rose
And watch her as she grows in my garden.”

– Ben E. King

Note: This story was originally published in Rank & Revue, 2020 issue

Pt 2. Interview: James White & the Broken Spoke

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George Strait. Photography by the Broken Spoke. 

On May 1, 2019 —For the second year in a row, I interviewed James White at the Broken Spoke sitting at table B2 next to a replica of Willie Nelson’s guitar, Trigger. The same booth where Willie Nelson and his wife, Annie, used to dine in decades past. Coincidentally, one year ago I interviewed him on the exact same day. This was not planned and I just so happen to notice this coincidence whilst uploading the audio files post-interview. Last year, the story was published in a local rock-n-roll zine in ATX and I titled it “James White talks 54 years at the Broken Spoke“. The first interview was a bird’s eye view of the last 54 years. Audio from the interview in 2018 can be found online, too. Mr. White talked to me about his quest, the dream of opening a honky tonk and meeting his wife and falling in love with Annetta. He told me about the volunteers who made the building by hand, one of which was a man so drunk he fell off the roof. The first time they booked Willie Nelson back in 1967. Back when Willie wore short hair, clean shaven and wore either a turtle neck, a vest or a sports coat. White told me about the time Dolly Parton came to film “Wild Texas Nights” in the eighties. He told me about the film “Broken Arrow” featuring Jimmy Stewart and how it inspired him to name the Broken Spoke after it. The time Rowdy almost got shot by a police officer when someone stole his father’s silver saddle that is now kept in a glass case.

“A lot of people, you know, they ask me, why did you go into this kind of business? All the way down to my childhood, my parents would take me to different dance halls in this area, and that’s where I got the love of country music in my veins… When I was in the Army, I didn’t know what I was gonna do when I got out of the Army. So I thought it would be kind of neat to open up a place of my own, similar to the places when I was growing up in Austin. It just became like a quest of mine the day I left the Army. And when I came out under the big ole oak tree out front (on South Lamar), I just kind of visualized a place like no other and when I got it built: I named it the Broken Spoke. The reason I thought up that name, I wanted something original. I wanted something country, I wanted something western. Texas style”. – James White

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Over the decades, Mr. White has become friends with the likes of Willie Nelson, Alvin Crow, George Strait, Garth Brooks and the list goes on and on like a jukebox with endless vinyl’s to play. Thankfully, the Broken Spoke isn’t showing any signs of slowing down. In fact, their business is booming right now! This recent kaboom is due to a delightful visit from one of Texas’ most adored and esteemed country western musicians: George Strait.

Last winter, during a daytime walk I noticed an entourage outside of the Broken Spoke and became very curious. True, I see photo shoots and video crews outside the building all the time. People travel from all over to photograph and film this beloved Texas classic. However, this was a larger than usual crew of people. A few nights later, Steven Mark and I trailed in for a few libations. At which point, Mr. White informed my boyfriend and I that the infamous King of Country, the one and only, George Strait was at the Broken Spoke for his latest album Honky Tonk Time Machine.

Universal Records and Spotify came out to film and photograph George Strait at the Spoke, as well as interview Mr. White. On the one hand, I was stunned that George Strait came back to the Broken Spoke for a photoshoot — the sheer idea George Strait was in my hometown at a local bar right around the corner was mystifying. I’ve never seen him in person. Strait is a cowboy I’ve heard singing to me all my life through radios, stereos and televisions. All my life, his face has been all over Texas and the south, and yet, he has no bloody clue who I am. And yet, here Mr. White is just hanging out casually with a long time friend. So, on the other hand—I was not stunned or shocked—it’s just another sunny day in the colorful story of Mr. White, his family and life at the Broken Spoke.

“You can find a chisel, I can find a stone. Folks will be reading these words, long after we’re gone. Baby, write this down, take a little note, to remind you in case you didn’t know. Tell yourself I love you and I don’t want you to go, write this down. Take my words, read ’em every day, keep ’em close by, don’t you let ’em fade away. So you’ll remember what I forgot to say, write this down.” – George Strait

Back in the late 70’s and early 80’s, James White booked George Strait for seven years. At the time, Strait was a part of band near San Marcos called Ace in the Hole. Once he became more and more famous, the booking fees outgrew the Broken Spoke. Decades later, true to Texas form, Mr. Strait never forgot his roots and came back to the honky tonk dance hall in Austin. George Strait also brought his wife, Norma, and his driver, Leroy. Weeks later, Broken Spoke was featured on the front cover of George Strait’s latest album “Honky Tonk Time Machine”. The album was released on Feb. 11, 2019. Later on, when George Strait performed at the 2019 Academy of Country Music Awards in April. The backdrop featured a photo of the Broken Spoke and by the graphic effects, it almost looked as if they were playing outside the building. The bright colors of the Texas flag blowing in the wind against the woodwork, the wagon wheels and the honky tonk dance hall. This is outstanding publicity for the Broken Spoke! Ever since, more visitors, from all over are flocking to the Broken Spoke. Which is fantastic news because the city of Austin treasures the local hotspots and it’s comforting to know business is alive and well at the Spoke. I liked hearing James White tell the story about when he finally informed George Strait about the ladies bathroom Annetta adorned with his cowboy pictures. Apparently, Strait was very flattered and had a real good sense of humor about it. I was told he even gave Annetta a kiss on the cheek!

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With only five cases of beer to sell, James White opened the Broken Spoke in 1964. After he was released from the U.S. Army at the age of 25 – Mr. White decided to pursue the quest, his dream, of opening a honky tonk in Austin, Texas to feature live country music and a dance hall. In the beginning, Broken Spoke was a local roadhouse where beer cost .25 cents a bottle and customers could get ice and a soft drink for .30 cents to chase down their liquor. Back in those days, before the peak of craft cocktails, people could bring their own liquor bottles to the bar in Texas. Now in 2019, over 55 years later, Broken Spoke has become a worldwide famous dance hall with a full bar and restaurant. By the late 80’s the Broken Spoke started to gain more and more fame. Featured in Texas Highways magazine, The Food Network, The New York Times, Nat Geo Traveler, CBS News, Texas Monthly, The Smithsonian and more; Broken Spoke is a historical landmark. The Broken Spoke is owned and operated by James and Annetta White. The two met at a dance hall in 1961 when she caught his eye and have been married 52 years. Annetta and her husband have worked together for decades to keep the Broken Spoke running successfully. Amongst her many contributions to the Broken Spoke, I discovered that Annetta is the one responsible for the George Strait photographs covering the women’s bathroom, giving the ladies room some cowboy vibes. For which, I am grateful.

“I ain’t got a dime, but what I got is mine. I ain’t rich, but Lord I’m free. Amarillo by mornin’. Amarillo’s where I’ll be”. – George Strait

Days prior to meeting Mr. White for a second interview, I felt anxious. Over the last 14 years, I’ve conducted hundreds of interviews. But I still got intimidated before interviewing James White. Even though the first interview went very well and the story was appreciated – even though I had no reason to feel anxiety because Mr. White and his entire family have been so friendly to me. Secretly, I still felt intimidated like, “What in the world am I going to ask this man that another writer hasn’t already inquired about? Is my story going to be any good at all? Where do I even start the second interview? How do I condense so much history into a few pages?” Instead of delving into my self-doubt as a Texan, I chose to chase the story. And I am glad I did.

Mr. James White is one of the kindest and most down-to-earth individuals I’ve ever interviewed. Out of all the celebrities, artists and entrepreneurs I’ve interviewed over the last 14 years – the White family will always linger fondly in my memory for making me feel welcomed. Not everyone I interview is so kind or humble, and the kindness is forever permeated into my brain. In a way, the Broken Spoke now feels like it’s become part of my own Texas history, too. I can understand wholeheartedly why people have coined the Broken Spoke as “the country western version of Cheers“.

During the second interview, late that morning, there was some commotion in the background. People looking for a key to the walk-in freezer. Beer shipments had arrived and the freezer was locked. Throughout the interview, you can hear people coming and going, including one of his daughters, Terri White. She teaches dance lessons at the Broken Spoke. Terri was kind enough to bring me some fried okra she’d just cooked in the kitchen. Walking over to table B2, she asked me if I wanted a bite, I said yes and took only one piece, as to not feel greedy. I guess she read my mind, because she reached into the basket and placed a handful of okra onto the table and left me with a napkin. It made me smile and I thanked her, again. It was a very sweet moment and reminded me that one of the many reasons why I’m grateful to be a Texas girl: southern hospitality and the love of sharing food and drinks together.

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Artwork by Kevin Geil.

Mr. White has another daughter, Ginny White Peacock. There is a fundraiser for Ginny on May 17, 2019 starting at 8 P.M. CST. Last year, I met her at the previous interview, and she was also very lovely and polite to me. She talked to me about the buildings electrical oddities and asked about my artwork. Recently, after many serious, life-changing health concerns that caused Ginny to lose both her feet and legs, below the knee, and nine fingers—as well as undergo a lot of painful surgeries she’s still recovering from—the Broken Spoke is hosting a silent and live auction to raise money for Ginny to obtain prosthetic legs. A wife and mother to two young boys, the fundraiser is a chance “to celebrate and come together to raise money so Ginny can get back on her feet”. Two Tons of Steel, Derailers, The Wagoneers w/ Monte Warden and other special guests will play music for the benefit. The auction entails over 100 items and collectibles. Including an autographed Limited Edition George Strait guitar (and an autographed cowboy hat) donated by George Strait & Tom Foote. A round of golf foursome with celebrity Ray Benson at Barton Creek Country Club. Ginny’s artwork will also be featured at the benefit. Please come on out to support the White family! If unable to attend the event, there is also a GoFundMe campaign where donations can be made to help Ginny on her road to robot legs.

Music and drinks aren’t all the Broken Spoke has to offer. Their barbecue is quite delicious and they are notorious for their chicken fried steak. On occasion, Mr. White still chops wood for the kitchen. Out at his ranch, there are some gullies and ravines that he uses a tractor to find wood for the fire. Live oak, Spanish oak and Heritage oak are the kinds of firewood he and his crew brings to the Broken Spoke to smoke meats. “It helps zap the taste in there and it’s sort of a flame-kissed smoked process”, stated White. The Spoke has had a BBQ pit from day one and way back in the day, James White and Bobby Flay used to cook together.

It would take several books to document all the history of the Broken Spoke. There is simply no way to condense it all for a literary journalism piece for the web. I hope to compile all my recordings into a short story and get it published elsewhere. Meantime, if you’d like to hear James White talk about the time Garth Brooks played a surprise show at the Broken Spoke in 2017. Booking George Strait back in the 70’s and how White was contacted for the cover of his latest album. Please stay tuned for the interview to go live!

“It’s a heart thing you feel good about. At the end of the day, I take more pictures now than I ever took in my life before now. Hell, no one wanted my picture in 1964 but now everyone does and I’ll make up for lost time. There were fun times in the 1960’s and everything was new. I just had so much fun here at the Spoke. But I think the one (press) thing we did with Texas Highways stood out the most. It’s like the gift that keeps on giving. Now we’re on every roadside park in Texas at the rest stops. I mean you come in and there’s a picture of the Broken Spoke and the Cadillac outside. And then on the left there at the state Capitol, it’s right there you know. You got music, you got Texas and then you got the Broken Spoke. It’s a very good compliment to us. Since then we’ve been voted the Best Country Dance Hall in the nation, home of the best chicken fried steak in town, a lot of metropolitan awards. We’ve won a lot of awards. I’m in the Texas Hall of Fame and the Smithsonian. I’m in the Country Music Hall of Fame… I never expected it. All I really wanted was a honky tonk dance hall. So I got what I wanted, but then I got a lot more. Which is fine, it’s fun, a hell a lot more fun to have people brag about you than bitch about you. It’s always more fun to get compliments”. – James White

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Interview: Ian Moore talks psychedelic rock, the magic after midnight and decades of touring

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Photography by Daniel Work. Imagery provided by Western Publicity. 

Presently, Ian Moore is touring the Northeast of the U.S. and sharing his music to promote the release of his new album Toronto. A month prior, Moore cruised through Austin, Texas in Aug. 2018 to celebrate his 50th birthday at the iconic Antone’s. Moore is originally from Austin and he’s got a lot of Texas soul within his music. His birthday celebration deep-in-the-heart-of-Texas lasted two nights. Eric Tessmer was the opening act each night. These two artists are both deeply talented at playing guitar, songwriting and vocals. At times, their music, energy and style felt electric and transcendental, which is one of the many reasons why they call it psychedelic rock. 

Before the ATX birthday shows that were filled to brim with many of Moore and Tessmer’s beloved fans, friends and family inside Antone’s: I interviewed Ian Moore over the phone. Another Rank & Revue (R&R) writer interviewed him years ago, but this time it was my turn to interview him. At random, my editor sent over a pitch to me from his publicist at Western Publicity to see if I wanted to conduct the interview. Once I read Moore’s bio, even though I had not heard of him before: I knew I wanted to book it. Clearly, the man has talent to venture on national tours with the Rolling Stones, ZZ Top and Bob Dylan. 

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Photography: Nicolette Mallow

“Ian Moore, the Seattle-based, Austin, TX-born guitar player, singer and songwriter makes the proverbial renaissance man look lazy. Coming on the heels of Strange Days, his most successful record since his eponymous debut. Despite a never-ending cycle of touring, Moore offers a new record of bright, blazing rock-n-roll that combines his legendary guitar prowess with radio-friendly songs that showcase his elastic, soul-inflected vocals. As always, Ian has his eyes on the challenges faced by musicians of every stripe, having experienced the spectrum of artist successes and tribulations over a nearly 30-year career. “It’s a very different climate right now. When we hit a city, it doesn’t matter that I have 14 records, radio hits, etc. The only thing that matters is if we can really show up and leave the people feeling they saw something amazing. Its keeps me hungry, and I like the challenge,” says Moore… You might have been surprised to hear Moore’s songs popping up on major network shows on prime time television this past year; several selections were prominently being featured as performances on both American Idol and The Voice (“Satisfied” and “Blue Sky”). He also founded the artist’s healthcare alliance SMASH (Seattle Musicians Access to Sustainable Healthcare) and has joined the board of NARAS for the Pacific Northwest as governor and head of the advocacy committee. Moore’s story is often told and probably familiar to most critics; his initial record on Capricorn propelled him to national tours with the Rolling Stones, ZZ Top and Bob Dylan, acting in the acclaimed indie feature “Sling Blade,” and having Ice Cube direct the video for his track “Harlem.” Moore deviated from his initial blues-oriented guitar sound on subsequent records, touching on graceful pop songs and the psychedelic as well as British pub rock and deep Americana. The Toronto record and its 6 tracks represents those influences in such a way that they have informed his songwriting, but is likely more recognizable as a strong collection of the kind of guitar rock his core fan base would respond to immediately”. 

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In advance to the interview, I was reading the information Ian Moore’s publicist sent me and researching other interviews of the past. I Google’d him to read about his older albums like Capricorn. Within the photos from then and now, I noticed that Moore had super long brunette hair in the 90’s and looked like a total rock star. Even though time has passed, he’s still strikingly handsome and very talented. I enjoyed listening to his musical style change from Capricorn to Toronto. I read a lot of lyrics. Watching his SXSW 2017 performance at Continental Club last spring in ATX: I could see Moore is in love with the guitar and the music. Texans are often known for being passionate and intense, especially the artists and athletes. 

As I read more and more, I realized that I was out of the loop, especially since I am an Austinite. Ian Moore has been around for three decades and I was shocked I’d never seen one of his shows. As a Texas girl and artista, I consider myself familiar with the local art scene. Obviously I was not up to track. Like many people, it seems the more I know, the less I know. There’s simply no way to keep track of all the great talent out there, and that’s sort of a beautiful thing: always discovering new artists and new music. I didn’t really know what angle to take the story. All of the music was new to me—I enjoyed many different songs from different albums—and I didn’t have much time to prepare for this last minute interview. Even though the story wouldn’t run on R&R until September. So, I figured since every other media outlet was going to be asking about Toronto and Antone’s—I decided to just get to know the artist, like any other stranger, and sort of assess what we called at SCAD, a character profile, a mini version of the artists career.

On the dot, all the way from Texas, I called Ian Moore on the number his publicist provided me with. Moore was sanding an old tour vehicle outdoors in Seattle. 

Nicolette Mallow: Growing up in Austin, did you always have a childhood fondness for music? I read you switched from guitar to violin. 

Ian Moore: Yes! One of the first times I kicked in the womb was at Vulcan Gas Company. Even though neither of my parents were musicians, they were both music enthusiasts. I started playing violin as a child and switched to guitar as a teenager. When I was 16 years old, unfortunately, I cut some tendons. Still makes me a little sad to think about because that ended my violin career… When I first started playing music in Austin, I had a real hard time starting a band. My peers were into other music. They were more into the punk rock culture, but I didn’t care much for it. I was more into soul music, blues and psychedelic rock – garage rock – 50’s music. Then I found a drummer from high school and we started making music. We were the first band to ever play at Black Cat Lounge. This was a biker bar and we brought in youth and kids from all walks of life to a new scene. It was cool because this was before Emo’s and there were limited music venue’s at this time. By ages 19-20, I started touring. But yeah, it’s my 50th Birthday and Austin is my hometown. My history is as deep as any musician there. Guitar lessons. Stages. Memories. Riding bikes to Antone’s on Guadalupe. I had to celebrate in Austin. 

NM: Your album Capricorn launched tours with Rolling Stones, ZZ Top & Bob Dylan. That’s really impressive! How long after the release of your first record did these tours come about. And do you recall the names of the tours?

IM: Capricorn. At the time, being a blues-influence guitar player was kind of unknown territory. There was no cool roots, rock scene. I had a difficult time finding people to put the record out. It was very hard to find a placement. The label who signed this deal had managed Otis Redding. Before that, one deal after another fell a part and took a while to find a place to put my record(s). After Capricorn was released, the radio success and decent tour numbers got past the agents. Once the agents caught notice, I began touring. I think, but am not certain, the tour name with Rolling Stones was The Blue Lounge Tour and I think with ZZ Top it was the Recycler Tour. But I’m not certain, it’s sort of a blur… My band was the biggest band of our generation in ATX for a good 10 years, 2000-3000 people a night at our shows. 

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Imagery from IanMoore.com. 

NM: In regard to your newly release album Toronto, I read the lyrics for the songs “Satellite” and “Rock n Roll”. Tell me about the bright side and the dangers of living your life in the magic of midnight.

IM: The magic of midnight and the brutal reality of harsh dawn; we are all eternal dreamers. We are prone to think the next place, town, song or etc.—we think it’s gonna be the next thing to connect us. We can continue to dream and be dreamers, but it’s intense and a lot of people cannot sustain it. A lot of people lose themselves. I’ve been doing KXP radio and I talked about pitfalls of touring and how to survive. Being focused on the music helps. You can tell where the motivation is. If you want to party—and you’re focused on the physical attention—you will wear yourself out. It’s crucial to focus on the music to sustain sanity. It’s very rewarding and spiritually fulfilling. Just gotta keep focused on the prize. Don’t lose yourself in the illusion of midnight, thinking that something greater is right around the corner… My music has been a continued manifestation of what I wanted to do. When I was young, learning how to play and sing, I did a lot of wandering. Leaving scenes and drifting into the ether, a wanderer with temporary companions. It’s been an interesting journey. Even though my most successful record (thus far) was my 1st album: I think I’ve gotten quite a bit better and become more interesting. I never chased the fame. However, I’ve become an underground artist.

NM: I read your quote about the challenge of keeping the crowd enticed and how the music culture has changed. How do you sustain such energy while touring, so that you can always give the crowd the experience they’re seeking?

IM: This is the hardest time to survive with music, it’s so challenging. But I have a deep passion for music. I do it all, simply because I love music. Music is most deeply motivated for me, the actual music, not the attention and the success, that is peripheral for me. No matter what, I always want to get better and write a better song and feel like if I could just concentrate harder, it will manifest… When I am all beat up and tired and miss my family: the music keeps me going. That’s the thing, I can be completely exhausted and always dig in to find that passion. 

NM: The transition to Seattle from ATX, over the decades, based upon your observations—what changed most within the local scene between the two cities? 

IM: A lot of what I do is between Austin and Seattle. I live in both towns. We had nothing here (in Washington) when I arrived awhile back. There’s been a lot more drastic changes in Seattle. Obviously, all cities are enduring major changes right now, any cool city with artists. They’re all being priced out. However, Austin is one of the best for artists, right now. At least in ATX you have some people working for you and trying to make it better. ATX is weathering the storm best.

NM: Do you have any favorite or newfound cities in Europe that you look forward to touring this year?

IM: Europe: I love Spain and Italy. Amsterdam. Denmark. London… I’d like to play in Portugal. It’s so cool playing in different places, but what’s cooler is playing well in the places you play.

To view upcoming tour dates, listen to music and read about Moore’s songwriting workshop in Canyon Lake, Texas: please visit his website at www.IanMoore.com

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Note: This article was originally published on Rank & Revue

Interview: James White talks 54 years at the Broken Spoke

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Broken Spoke marquis. Photography by Nicolette Mallow.

With only five cases of beer to sell, James White opened the Broken Spoke in 1964. After he was released from the U.S. Army at the age of 25 – Mr. White decided to pursue the quest, his dream, of opening a honky tonk in Austin, Texas to feature live country music and a dance hall. In the beginning, Broken Spoke was a local roadhouse where beer cost .25 cents a bottle and customers could get ice and a soft drink for .30 cents to chase down their liquor. Back in those days, before the peak of craft cocktails, people could bring their own liquor bottles to the bar in Texas. Now in 2018, over 54 years later, Broken Spoke has become a worldwide famous dance hall with a full bar and restaurant. By the late 80’s the Broken Spoke started to gain more and more fame. Featured in Texas Highways magazine, The Food Network, The New York Times, CBS News, Texas Monthly, the Smithsonian and more; Broken Spoke is a historical landmark. The Spoke has showcased talent like Willie Nelson, George Strait, Garth Brooks, the Derailers, Dale Watson, Alvin Crow, Weldon Henson and the list keeps going for decades. Many artists, icons and celebrities from all over have entered the front doors including Dolly Parton, Clint Eastwood and Quentin Tarantino. Hundreds of old and modern photographs catalog the years within Broken Spoke’s Hall of Fame.

The Broken Spoke is owned and operated by James and Annetta White (his wife). The two met at a dance hall in 1961 when she caught his eye and have been married 51 years. Annetta and her husband have worked together for decades to keep the Spoke running successfully. Amongst her many contributions to the Broken Spoke, I discovered that Annetta is the one responsible for the George Strait photographs covering the women’s bathroom, giving the ladies room some cowboy vibes. 

A lot of people ask me where I met my wife. Well, I met her at a honky tonk. There was an old dance hall in Oak Hill called the Sportsman Inn and I looked out on the dance floor and saw a pretty blonde lady dancing with a red dress on. It was a fast dance and she caught my attention. She caught me eye and I thought I’d ask that girl to dance. That’s where it all started right there.” – James White

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Photo collage of Broken Spoke photographs featuring Willie Nelson, James White, Dolly Parton, Clint Eastwood, Garth Brooks and Annetta White.

Walking into the Broken Spoke is like stepping back in time. Once you enter this classic Texas dance hall and see all of the antique photos from decades past, an intense feeling of nostalgia rushes over and fills the air. It looks exactly as it did when the doors opened in 1964. There is so much eye candy to choose from: a horse saddle, photographs, flags, neon lights, posters, woodwork and of course the dance hall. A replica of Willie Nelson’s guitar Trigger can be found at the Broken Spoke, too. As a Texas girl that’s driven by the Broken Spoke since the 1990’s and enjoyed libations as an adult, I was really excited to finally learn more about this dance hall and the reputable James White.

In May 2018, James White consented to an interview with me. I met him at the Broken Spoke on a weekday around lunch. He and I sat at table B2, which I came to found out is the same table where Willie Nelson and his wife Annie would frequent when they were regular visitors at the Spoke. I went to Lake Travis High School with Willie Nelson’s nephew, Trevor, so it was even more thrilling to be sitting in country western history.

Wearing a UT button-up shirt, a red baseball cap, gold watch and horseshoe ring made of diamonds, James White took me back to the beginning and covered as much history about the Broken Spoke as we could in one hour. Unlike most interviews, White naturally guided the majority of the dialogue exchange. I was simply a listener to keep the story on course, interjecting with questions along the way if things got off track. Before the interview began, White asked me if he could start at the beginning and then jump around in time wherever I wanted to. By listening, I could tell he had told this Texas story many times and it never gets old to tell, or to hear. [He insisted that I record the interview and I posted the audio online in a two-part segment via YouTube.]

James White: A lot of people, you know, they ask me, why did you go into this kind of business? All the way down to my childhood, my parents would take me to different dance halls in this area, and that’s where I got the love of country music in my veins… When I was in the Army, I didn’t know what I was gonna do when I got out of the Army. So I thought it would be kind of neat to open up a place of my own, similar to the places when I was growing up in Austin. It just became like a quest of mine the day I left the Army. And when I came out under the big ole oak tree out front (on South Lamar), I just kind of visualized a place like no other and when I got it built: I named it the Broken Spoke. The reason I thought up that name, I wanted something original. I wanted something country, I wanted something western. Texas style. In my mind, I had a list of different names in my head. When I got to thinking about Broken Spoke I was thinking about wagon wheels and they were kind of rolling around in my brain. And then I remembered this old Jimmy Stewart movie called “Broken Arrow” and I said hell, I’ll just find me a couple wagon wheels, I’ll knock a spoke out and I put one on each side of the door coming in and I named it the Broken Spoke. And I never looked back.

Volunteers made the Spoke by hand. A lot of heavy drinkers pitched in to build the Broken Spoke and one drunk man even fell off the roof. White had to open the doors a little early after running out of money, hence the modest five cases of beer. People even told White the business wouldn’t last six months, but he proved them wrong. It was about 20 years of hard work before the Broken Spoke became famous. Mr. White said it was many years of 16 hour days tending bar, seven days a week. The Broken Spoke is his life’s work and there is a ton of heart and soul poured into this building. 

Music, dance and cold drinks are the focus of this honky tonk, but there is also a strong sense of community and love. The Spoke has been described as “the country western version of Cheers” and it’s become part of Texas history within the arts. Many local Austinites or younger generations don’t know the intricate history of the Broken Spoke. I certainly didn’t and I’ve been here off-and-on since the 1990’s. So, after White’s introduction as to what inspired him to build and create the Broken Spoke. I asked him to tell me more about table B2: Willie Nelson’s table. Willie is one of the most notorious artists to perform at the Broken Spoke and it all starts back in the 1960’s. 

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A replica of Willie Nelson’s guitar “Trigger” and Table B2. Photography by Nicolette Mallow.

JW: I first booked Willie Nelson in 1967. I booked Willie Nelson and The Record Men for $800. He had short hair, he was clean shaven and wore either a turtle neck, a vest or a sports coat. But he’s still the Willie Nelson you see today. His people love to see the one picture of Willie hanging on the wall, and he’s got a copy in his office too: the photo of he and I on stage at Broken Spoke when I first booked him back in the 60’s. He and I have always been friends. Willie has friends all over the world but he always remembers the Broken Spoke. He always comes back every chance he gets… Anyway, when Willie had a tax problem in 1990 and owed $16.5 million: my wife and I were sitting around and we got mad because we heard the IRS took all his pictures and they took all of his awards off the wall and put them up for auction. I didn’t think it was right to take his pictures, gold records, platinum records—and so we thought we’d take a collection and give it to Willie because they’d taken everything he owned. So I got a gallon pickle jar and put it on the bar and put a sign on it “Where there’s a Willie there’s a way”. Willie heard about it and called me up from Hawaii and thanked me. Meanwhile we had a fundraiser for Willie and I sent the money over to Hawaii by way of his daughter, Lana Nelson. His family said Willie talked about the fundraiser all day long and was very excited about it. He called me again and said “thank you from the bottom of my heart. I’m gonna come home for Christmas, and I’m going to bring my band, I’m going to eat some chicken fried steak, drink a cold beer, and I wanna do a little picking (at the Broken Spoke) and I’ll bring some friends with me”. And that’s when a lot of local country artists who knew Willie wanted to get involved. Some nights you never forget. He never asked for money, I did it from the heart. And he thanked me from the heart and he came out and played all night. That was in 1990… So we raised some money and I gave him every letter I received from Associated Press, they ran the story all over the world. We started getting money from Desert Storm, Desert Shield, Birmingham jail and Indian reservations… I never got one bad letter about Willie. All of them were complimentary and even if the donation was $1, Willie autographed every check as a thank you.

After he told me about the fundraiser, James White proceeded to share a song he wrote with Gary P. Nunn called “Where there’s a Willie, there’s a way”. Their song can be heard sung a cappella by Mr. White in Part One of the interview around the 18:00 minute mark. It’s rather clever and has a Willie Nelson-esque melody to it.

Suddenly, as I intended to shift gears from Willie Nelson to Dolly Parton. Her music serendipitously came on the jukebox and you can Dolly’s voice in the background. A series of her songs played at that perfect moment like the classic “Old Flames Can’t Hold A Candle To You.” Echoing in the background, it was a most befitting and true country, western moment in Texas. Back in 1987, Dolly Parton came out to the Broken Spoke to film “Wild Texas Nights” and James White even got to utter a few lines in the filming. There is a charming photo of Dolly Parton on display at Broken Spoke that many people love to photograph.

Bouncing around in time, James White talked to me about the booking process, musicians, family and the architecture of the Broken Spoke. It’s an older building that has a lot of character and endearing oddities. However, White mentions that perhaps if he built it today there would’ve been some changes, like installing larger bathrooms. Nevertheless, there is something beautiful about keeping history locked in a time capsule. Especially in a city like Austin where it’s losing a lot of its originality with the modern times. Broken Spoke has withstood all the changes in Austin and still stands strong with many more memories of live music and dancing to come. 

Over the years, there is one character that all regulars know about and that would be Rowdy. He never leaves the Broken Spoke and has never performed on stage. He doesn’t speak either but Rowdy sits at one of the tables with his sunglasses, bandana, blue jeans and he’s quite the ladies man. Sometimes people like to dance with him, too. Wait, did I mention Rowdy is a dummy?

JW: Rowdy’s skull has a crack now because people keep dropping him on something, or some drunk wants to dance with him or move him around. His knuckles are broken off right here. One time I used to write a newsletter. I talk about Rowdy like he’s a real person, like a living thing. People ask me where I got him and I tell ’em I picked Rowdy up hitchhiking out on 620. So I gave him a ride to the Broken Spoke and now he don’t want to leave and is here at the bar 24/7. When I pulled up to stoplights back then people would look at him, and I’d never do nothing I’d just stare straight ahead, but I knew they was looking at him. Rowdy is a funny guy. When they stole my dad’s silver saddle—the only thing funny in the whole thing (was Rowdy). After it took 14 days to get the saddle back. The first cop on the scene crawled in the same window as the burglars did and he came in and he said, “I almost shot Rowdy!” And I said “I wish you would have because he’d look cool with some powder burns”. But yeah Rowdy just sat there and didn’t say nothing and let them steal the saddle. So anyway when Rowdy broke his knuckles off, we were going to glue them back on. I’m writing about it in this newsletter (for the Broken Spoke) like he’s a person. And I wrote “hell, Rowdy broke off a few of his fingers and they fell onto the floor and the waitress swept it up and thought it was a dill pickle and threw it in the dumpster. When I heard about it I had to send the waitress out to retrieve his fingers out of the dumpster so we could glue them back on”. Soon after this waitress’ sister in a different city said “What kind of place are you working where people are breaking fingers off and gluing them on?” She thought it was a real story. 

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Rowdy reading the newspaper at Broken Spoke. Photography by Nicolette Mallow.

At the end of our interview, I asked James White if out of all the press coverage and all the years of memories, did anything stand out most? It was a tough question to answer and he drifted in time a bit, but eventually it all came back full circle to Texas Highways.

JW: It’s a heart thing you feel good about. At the end of the day, I take more pictures now than I ever took in my life before now. Hell, no one wanted my picture in 1964 but now everyone does and I’ll make up for lost time. There were fun times in the 1960’s and everything was new. I just had so much fun here at the Spoke. But I think the one (press) thing we did with Texas Highways stood out the most. It’s like the gift that keeps on giving. Now we’re on every roadside park in Texas at the rest stops. I mean you come in and there’s a picture of the Broken Spoke and the Cadillac outside. And then on the left there at the state Capitol, it’s right there you know. You got music, you got Texas and then you got the Broken Spoke. It’s a very good compliment to us. Since then we’ve been voted the Best Country Dance Hall in the nation, home of the best chicken fried steak in town, a lot of metropolitan awards. We’ve won a lot of awards. I’m in the Texas Hall of Fame and the Smithsonian. I’m in the Country Music Hall of Fame… I never expected it. All I really wanted was a honky tonk dance hall. So I got what I wanted, but then I got a lot more. Which is fine, it’s fun, a hell a lot more fun to have people brag about you than bitch about you. It’s always more fun to get compliments.

To hear more about Willie Nelson, Garth Brooks, Dolly Parton, the beer drinkers that built the Broken Spoke for free and much more, please check out the interviews in full on YouTubehttps://www.brokenspokeaustintx.net

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Van Dammes garage punk band release third EP ‘Vild Days’ and embark on European tour

Van Dammes - Thunderbirds Are Go Cover Art by Eemeli Rimpiläinen

Van Dammes’ cover art designed by Eemeli Rimpiläinen.

Van Dammes, the garage punk heroes from Helsinki, Finland released their third EP in 2017 titled Vild Days. Formed in Brussels in 2013, Van Dammes recently completed a European tour to cities like Berlin, Vienna, Dresden and Warsaw. Vild Days is a lively, punk rock album with rhythmic, heavy drum beats and words of storytelling featuring tracks like “Punk Rock Drummer” and “Scandinavian Action Rock”. Van Dammes consists of four artists: Ilkka Hildén (bass), Markus Kujawa (vocals, synth), Jussi Roine (drums) and Juho Talja (vocals, guitar).

” Originally formed in Belgium, Van Dammes (VD) are a Finnish four-piece garage punk band from Helsinki. Their debut, the VD EP, debuted in April 2014, and its successor, Better Than Sex, in February 2015. Both releases have gained airplay on American and British punk radio stations as well as on popular Finnish radio stations such as YleX and Radio Helsinki. They have also been critically acclaimed in American, Australian, British, Canadian, Danish, Dutch, German, Italian, Mexican and Polish reviews. In addition, the band has released a bunch of other sh*t in various formats like a tribute song to the ski jumping legend Noriaki Kasai. In October 2016, Van Dammes distributed the first single “Thunderbirds Are Go” from their third EP, Vild Days. The new single of Van Dammes tells the story of Alan Tracy, the youngest member of the life-saving organisation Thunderbirds. Alan wants to go to the nightclub to see Cliff Richard play and kiss Lady Penelope but tonight it is his turn to remain on standby. Van Dammes present their view of the young man’s odyssey in their new song “Thunderbirds Are Go”. Van Dammes have also been touring Europe extensively since their foundation.”

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Van Dammes

Two years ago Van Dammes sought me out in Texas from across the Atlantic Ocean following the publicity of their second EP, Flash In The Night. An interview I conducted was featured in Rank & Revue for the June 2015 issue. At that time, VD and I discussed topics like Serbian flight attendant, Vesna Vulović, aviation, drive-in’s and The Ramones. Recently, I received news from Van Dammes about the release of their third EP Vild Days. And I was happy to follow up with a second feature two years later in 2017. Two of the band mates from Van DammesMarkus and Juho partook in a written interview with me to discuss music videos, songwriting, baleen whales, Scandinavia, Thunderbirds mini-series and their recent European tour.

Does the band have a process for writing the music and lyrics? I am curious since the songs cover such a wide range of topics and sounds. 

Markus Kujawa : It’s basically me and Juho who are writing the songs, but for this latest EP, our drummer also did one… about drummers. The ideas come from everywhere and you are right that our songs cover quite a wide range of topics. We write the songs individually but arrange them together. So the final sound is defined by the whole band.

I really enjoy the drum beats on your tracks. “Punk Rock Drummer” is a pleasant video. Where was it filmed? It seemed to be an old movie with the band mates zooming in and out. Will Van Dammes (VD) be making more videos in the future?

Markus: We used some old archive material for this video and added ourselves playing on it. We have done that with some of our previous videos, too. I think it’s nice to recycle old footage like this. We will definitely continue making videos.

Juho Talja: This was actually the first time we tried the so called green screen technique with our video. We made “Punk Rock Drummer” video with a very talented local artist called cameraman Panu Salonen and I think you can see that from the final result.

Tell me about “The Whale Road” and the interest in baleen whales? The song has an endearing sound of nostalgia to it and I am not sure why but I really liked it. 

Juho: I’m very, very interested in baleen whales and other cetaceans. I think humans don’t understand how intelligent and sensitive those amazing animals really are. I believe that cetaceans are even way more intelligent that the science generally thinks at the moment and I think we should pay more respect to them. So, I wrote the song because I wanted personally to respect cetaceans. Especially the migration of the baleen whales is a really epic phenomenon which humans don’t totally understand and that’s what the song is all about. I also hate the human attitude according to which the planet Earth is only ours to rule and use. No way, there are millions of other species with whom we should share this planet.

“Scandinavian Action Rock” is a catchy title… what provoked y’all to write about Scandinavia? 

Markus: Actually this song title refers to a specific music genre. In the beginning of the 21th century, at least in the Northern European countries, the term was used to describe bands such as The Hives, The Hellacopters, Backyard Babies, Turbonegro and The Flaming Sideburns… and pretty much all the bands a Swedish label called Burning Hearts was releasing. Actually I’m not the biggest fan of the genre but it felt necessary to remind people about this. I don’t know why though.

What did Van Dammes enjoy most about your recent European tour? 

Markus: It was really cool to go to some places where we didn’t play before, like Croatia and Serbia. I also enjoyed the food and drinks everywhere. Have to say that punk concert organisers are very hospitable wherever you go.

Juho: It’s really hard to say what we enjoyed the most because every place we visited was super nice in their own way. We actually had quite different kinds of venues during our latest tour. There were small punk clubs and even some big rock venues. It’s always a pleasure to meet new people (other bands, organisers, audience) during a tour. One special memory of the tour is the cancellation of our Bratislava (Slovakia) show. We had to get a compensatory show somewhere in a very short notice. The night before, we played in Leipzig (Germany) with Dark Thoughts, a punk band from the US, and they told us that they’re going to play in Cracow (Poland) the next day. The nice guys of Dark Thoughts gave us a phone number of a very kind concert organiser gentleman called Wojtek who finally invited also us to play at his event. The show in Cracow turned out to be magnificent which was nice.

Where will VD be touring next? 

Markus: We will tour in Europe again in autumn. We should also probably record something new soon cos we’d like to release our next EP or LP in spring 2018.

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Van Dammes

To listen to Vild Days or read more information regarding Van Dammes please visit their SoundCloudFacebook or Spotify pages.

West Coast artist Raven Felix will perform at 2017 Euphoria Music Festival in Texas

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Raven Felix. Photography provided by 740 Project. 

Born in The Valley of Los Angeles, Raven Felix is an artist best known for her music and this year she will be performing at the 2017 Euphoria Music Festival held at Carson Creek Ranch in Austin, Texas. A Latina from the West Coast, she began her exciting music career at a young age after being signed-on by Snoop Dogg at 18. Raven was discovered after posting music videos on World Star hip hop and that’s when Snoop Dogg took notice of her talent while he was in Amsterdam. Raven Felix is also a member of the entertainment company, Taylor Gang, as is Wiz Khalifa, and the two artists will both be performing (separately) at Euphoria Music Festival in Texas. Even more exciting for us all, even though this isn’t Raven’s first rodeo in the spotlight or on stage—it will be her first time to showcase her music in Texas. Ravens’s performance at Euphoria on Friday, April 7, 2017 marks Raven’s first ever show or festival held in Austin, Texas. 

Prior to my phone interview with Raven, I did not get to meet her in person. But through the photographs and music videos on social media: I noticed her strong voice, her dark brown hair that resembles silk, luminous skin, big brown eyes and how she always seems to have a chic manicure. Raven Felix is facing a successful future and a vivacious career in music, and she’s off to a great start. She is not only talented at rap and hip hop, modeling and music videos—Raven is also a writer and you can find some of her poetry online. Writing is something she has been doing since she was a child and holds very dear to her heart. 

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Photo of Raven Felix’s hands from her music video “6 in the Morning” feat. Snoog Dogg.

Nicolette Mallow: Here in Texas we have an area called The Valley near the border and it’s much different than LA. I heard on a radio interview with Power 106 that part of what motivates and inspires you to excel in your career is to pave the way and make a lane for younger girls, especially the young Latinas back home in The Valley… Giving back to the community is important and I am also a Latina. So I am curious to hear about The Valley and I was wondering if you’d tell me more about life in the valley for young girls?

Raven Felix: Everyone in The Valley is super close and it’s a tight-knit community. It also encompasses a large portion of the Hispanic/Latino population in LA. There is a lot of backyard parties and a lot of shows. It’s a really interesting place to be and I certainly grew up partying, too. A huge part of the culture in The Valley is community, art and entertainment. 

Nicolette: The music video for “Hit The Gas” with Snoop Dogg and Nef the Pharaoh looked like it was a lot of fun for the cast and crew to film… I also saw the video “6 In The Morning” … Will you tell me about how  you came to sign and work directly with Snoop Dogg after he found you on World Star at the age of 18?

Raven: It all happened fairly quick. I think I started putting out videos on World Star when I was 17. And when I was 18, he was in Amsterdam and saw me online and thought my tracks were dope and wanted to be involved. So, he found me and my people, and I feel very lucky. After that, all of a sudden we are making music a month or two later.

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Nicolette: What was it like touring with  with Snoop Dogg and Wiz Khalifa during “The High Road” tour in 2016?

Raven: I think for me it’s just a blessing to even have these huge artists that are insanely talented as my friends and colleagues. They are monsters of artists with amazing careers and to be involved with me. It’s definitely cool. And we all bring different songs and styles to the mix. Tour was amazing in general. 

Nicolette: I read one of your poems on Instagram. And I liked your line in the track “Me” when you say “Tell ‘em kiss it like I was your Bible”… How long have you been writing?

Raven: Well I’ve been writing since I was a kid, really ever since I could write. I wrote. But I think middle school is when I really started being interested. I had notebooks in drawers and boxes of handwritten notes. I still really very much want to branch out into writing novels, poetry, screenplays and scripts. Poetry, for me, is something that is a completely different outlet than my music. I keep it separate and I think its something that relaxes me. If I am having a road block. I think poetry can be my outlet. Writing is important to me and I seek to become a multifaceted artist as I move forward in my career. I can do much more than rap and sing on stage, which is dope. Writing is just one of many things like modeling, acting and other art forms I would love to explore in the future. 

Nicolette: I read the interview with VIBE that stated your top female artists are Eve, Missy Elliot and Nicki Minaj.. I recall listening to “Love is Blind” a lot as a teenager, dancing to Missy Elliot in college and playing Nicki’s track “I Lied” a lot while I lived in Ireland… Will you share a little about how these artists inspired you and your musical craft?

Raven: Nicki Minaj is the biggest inspiration to me out of all three women. I am 21 and so when I was in high school. I think I was in 9th grade. I had a mixed tape of hers and it was so hard and so dope. I fell in love with her then because I had never really heard an artist like her during my era, growing up. I heard a lot of rock and alternative stuff as a child because of my mother. So when people turned me onto Nicki and opened up doors for me to discover others like Eve and Missy Elliot, it’s amazing to hear all these talented women.

Nicolette: I read Southern Comfort was your first drink. What’s your poison (choice of alcoholic beverage) these days?

Raven: I usually switch back and forth between Bombay and Hennessy. Wiz and them from Taylor gang really like gin. At first I hated gin, but like now I really enjoy it. 

Nicolette: So when you aren’t touring or traveling for work, which sounds like a lot of fun. What do you do for fun and leisure with such a lively schedule?

Raven: I love being able to travel and do all this stuff for work. But I was just in London for Christmas for leisure. Just for me. Just for fun. So yeah, I love to be on the road and being on tour, but when I get to be home. I spend a lot of time with my mom and it centers me and keeps me grounded. She is my best friend and spending time with her is important; being near my mother relaxes me. I also like to keep in touch and be around my west coast friends that I grew up with in The Valley. The ones that cared about me from the start. Because, often we got lost and lose track of time out on the road. Coming home, back to your roots, it’s important for my friends to know that I’m still the same person they always knew and loved—and they’re just as important to me as always. 

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To purchase tickets to the 2017 Euphoria Music Festival to hear Raven Felix and 70 other artists in Austin, Texas please visit www.euphoriafest.com

‘Unsolved Murders: True Crime Stories’: a podcast series launched by Parcast

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Photography provided by Parcast Network.

June 27, 2016— “Unsolved Murders: True Crime Stories” released a thrilling, new podcast episode this week titled “Lights, Camera, Murder”. “Unsolved Murders” is a recently launched podcast series Produced by Parcast and co-Founded by Max Cutler and Ron Cutler (son and father). Parcast created this multi-dimensional podcast network as a flagship series with an acute focus on cold case files. The first three episodes of “Unsolved Murders” pertain to “The Axeman”, a serial killer in New Orleans. And the second series of podcasts within most recent episodes revolve around “Hollywood’s First Murder”. Please bear in mind these episodes are not intended for children—the podcast contains a great deal of graphic and bloody details—therefore viewer discretion is strongly advised. Nonetheless, “Unsolved Murders” is an enticing and haunting mixture of a classic radio show, a theatrical script and a murder-mystery-book-on-tape that morphed into the form of a modern day podcast. Narrated by Carter Roy and Wenndy Mackenzie, “Unsolved Murders” combines the beauty of audio and sound design with the articulate eloquence of literature and storytelling. The professional sound effects, dialogue and delivery within each episode of the show are compelling—and the audio is very clear and precise to the ears. Listeners can almost hear the amount of time, heart and energy that Parcast’s talented crew of employees dedicated into this podcast just by the quality of presentation and sound.

Reminiscent of a riveting and spooky time machine, “Unsolved Murders: True Crime Stories” take us back, safely, to mysterious cold cases like The Axeman from the 20th century in New Orleans when his murderous and diabolical rampage in Louisiana began. Actors and a sound crew portray all the voices of the witnesses, the victims, the locals and the police. The footsteps in the dark and the screams in the night. The audience can feel the fright, and yet the lovely melodies from the jazz era that trickle in throughout the podcast add a sense of playfulness and lightness in the midst of a dark, heavy story. Listeners come to know the presence of The Axeman by the bone chilling audio of his weapon hacking into flesh and bone after carving his way in the back door with a blade. Even though the murderer is a mystery, the audience comes to learn about his obsession for jazz music and the fact he was a deranged man who believed he was inhuman. And by the end of “The Axeman” episodes, the narrators swap theories as to who they believed to be the violent serial killer.

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Max Cutler, Co-founder and President of Parcast, consented to a phone interview in June 2016 with Arts & Entertainment Writer for Examiner, Nicolette Mallow to discuss “Unsolved Murders: True Crime Stories”, the launch of Parcast and The Axeman of New Orleans.

Nicolette Mallow: Will you tell me about your love for radio and storytelling? How did this all begin from childhood to adulthood?

Max Cutler: I’ve always loved radio and I was born into it. But I remember when I was 4 to 5 years old that it really became part of me. My dad (Ron Cutler) worked in radio and operated 12 national radio shows when I was growing up called Cutler Productions. His company was also the #1 in comedy. However, my love for storytelling happened as I got older and then I grew an interest in true crime and mysteries. Looking back, my dad had a profound impact on my career. He was also a storyteller that wrote a novel titled “The Secret Scroll” … As an adult I wanted to start my own company and I wanted to pursue the entertainment business. Obviously I love radio for many reasons but what I hope to gain from “Unsolved Murders” is not only to share crime stories and top quality audio productions, but I want to bring people together and help take away the daily stress of life. People are very stressed out sometimes and to help lessen the stress of others in the form of radio and storytelling for 20 minutes, or an hour, is a very good thing. Its important to relax and unwind.

NM: Will Parcast and its podcasts networks focus solely on “Unsolved Murders” or do you and your team intend to cover and produce other topics of interest?

MC: “Unsolved Murders” is the first show but there will be five to seven new shows within the next year that cover other topics than cold cases, such as education or history. We started with this genre because I love mystery and true crime stories 100%. And there is also a large community that appreciates cold cases. So from a business standpoint it’s also a hot topic that has a market. “Unsolved Murders” is about my passions and entertaining the interests of others… Parcast came to be so that we could take audio and radio to the next level. There are many great, high quality podcasts out there that are up to par. But a large majority of the podcasts these days are lacking in sound quality and production with a lot of holes to be filled. Parcast has the most talented crew working with us and I am so grateful for my team that my father and I assembled. The whole company is very gifted and talented. We spent a lot of time searching and recruiting voice actors, writers, and we have a great digital engineer (Ron Shapiro) that brings the sound of the axe to life. It took about 3 to 4 months to get it right, but we are just very overwhelmed and excited about this start. “Unsolved Murders” already ranked #5 out of 300,000 podcasts. It’s just a really humbling experience and we all look forward to the future.

NM: “Unsolved Murders” begins with the story of “The Axeman” and all the podcast episodes about this cold case are so captivating. I didn’t want to stop listening to the audio. Although I admit I probably will not listen to the podcast right before bedtime. Anyway, the sound quality is amazing and I love the voice actors and the narrators. Y’all did a great job and I look forward to more episodes… How did you come to hear of The Axeman?

MC: Thank you. I am glad you enjoy it and I appreciate the compliments… The Axeman is ranked among the Top 10 serial killers to never be caught. Our podcast focuses on serial killers and cold case crimes that aren’t as well known as criminals like Jack The Ripper or The Zodiac Killer. We didn’t want to focus on the commercial cases the media already had a field day with. A lot of research lead me to the launch of this series about The Axeman. Another reason I chose this story is because it gets me upset when someone gets away with a crime and justice is not served, so this podcast is also a way to never forget the case. It’s just a very interesting and scary story about a clearly deranged criminal.

NM: Yes, he is very deranged. That episode entailing the letter written by The Axeman to himself and when its read aloud in that sinister voice on the podcast. The letter he wrote to the police. It was very creepy and disturbing how he claims that he is a demon, inhuman. And The Axeman even writes the return address as being from ‘hell’ just like the infamous Jack The Ripper… Did people really believe this guy was a demon? And was it ever made clear why he demanded people go to jazz halls and listen to jazz music in order to be spared from his axe?

MC: Actually, yes, many people did believe he was a demon. And many people even thought The Axeman was somehow Jack The Ripper manifesting in another continent at another time. You can’t make this up! We have to remember this is the early 20th century in New Orleans, a very superstitious place. When the newspaper in New Orleans published his letter in 1919, locals and immigrants were terrified and became very scared of this ‘inhuman’ criminal. Which is why most of the city went out that one Tuesday night to listen to jazz music at “12:15 earthly time” just as The Axeman demanded. However, there is a common theory that perhaps the The Axeman was actually a musician and needed to get paid. Regardless, The Axeman had a sense of control over this town and the fact he was never convicted only added to the stigma that he was supernatural. It was a huge topic all around Louisiana and a #1 hit jazz song about The Axeman was written about him.

For more information about “The Axeman” series, Parcast network and the podcast “Unsolved Murders: True Crime Stories” please visit their website, iTunes or SoundCloud. (The podcast is also available on Google play for those with Androids.) Stay tuned and subscribe to receive the latest information of new episodes and upcoming shows.

 Note: This article was originally published on Examiner.com in June 2016.   

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Letter from the Axeman written to The New Orleans Police Department. March 13, 1919.

Stardust art legend David Bowie dies after his 69th birthday

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A mural of David Bowie in Brixton on January 11, 2016 within London, England. Photo by Carl Court/Getty Images.

Yesterday the world lost an illustrious artist: David Bowie. After battling cancer in secret for 18 months, Starman David Bowie died on January 10, 2016 at the age of 69. Around the globe fans are mourning the loss and memorializing the life of their beloved Bowie.

Since the 1960’s, David Bowie illuminated and fascinated the world with his magnetic and cosmic career in the arts. Born in England on January 8, 1947, David Robert Jones—better known by his stage name David Bowie—soon become a universal icon. Bowie’s distinct presence and energetic life force permanently transcended the music, art and fashion industries with his unique sound, vision and style. David Bowie is also recognized by his many alter-personas that include the following: Ziggy Stardust, Thin White Duke, Major Tom, Aladdin Sane, Halloween Jack, and Elephant Man. Partaking in various films as well, Bowie is notorious for his role as the Goblin King in the film Labyrinth which debuted in 1986.

On the day of Bowie’s 69th birthday—January 8, 2016—he released a final studio album titled Blackstar. A hauntingly beautiful album of seven songs, Blackstar almost reminds listeners of an artistic and modernized requiem. The Telegraph posted an article stating, “David Bowie’s final record was a carefully-orchestrated farewell to his fans, his producer has confirmed. Lazarus, released on the Bowie’s 69th birthday just two days before his death, opens with the lyrics: ‘Look up here, I’m in Heaven!’ Tony Visconti, the producer who worked with Bowie to complete his final album, has released a statement saying it was deliberately created and timed as a ‘parting gift’ for his fans.”

Even though David Bowie’s mortal life may have come to an end. Thankfully his spirit will live on forever within the art world and our hearts. Returning back to the stars that gleam in the galaxies above—David Bowie’s legendary artistic career will radiate eternally on planet earth.

Note: This article is originally published on Rank & Revue and Mallows Miscellany.

Elvis Costello’s memoir: Unfaithful Music & Disappearing Ink

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Autograph by Elvis Costello.

Elvis Costello was the featured guest for an interview with Evan Smith at Book People in Austin, Texas on October 20, 2015. Recently, Costello wrote a memoir titled Unfaithful Music & Disappearing Ink. This exclusive interview was part of his book tour. Entering the room with a light-colored hat, dark suit and vest, black-framed glasses, one gold ring on each hand and slick, black leather shoes: Elvis Costello descended the stairwell from the third floor to discuss the book and his life lived in music thus far. The entire second floor of Book People was filled with attendees and so many people were present that quite a few were listening in the back without a view of Elvis Costello; only able to hear voices echoing over the microphones. Fortunately I was able to grab a front row seat and sit on the floor.

Music is clearly the anthem of his life and the focus of his career. He’s been part of the industry over 40 years. The book is a collection of memoirs entailing his entire life, with a emphasis on his career. During the interview Elvis Costello answered numerous questions and mentioned various musical stories regarding Paul McCartney, The Beatles, T Bone Burnett, Tony Byrne, Jimmie Vaughan, and Jimi Hendrix. Reluctantly, he even rehashed the old SNL incident back in December 1977 that got him banned from the show for nearly 12 years. Additionally, he spoke of his favorite gigs played in Austin and the time they performed at the Armadillo Festival in 1978.

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To much delight, Costello was also very open and willing to share the more personal stories of his past about family, his love and lust for women, or the curse of memory. Costello mentioned that memory, and the fear of losing memory, were two strong factors that compelled him to write the book. He discussed the long process of writing his autobiography and how the process was simplified with the patient support of his wife through her assistance to help organize old memories. Many of his relatives, he said, suffered dementia and Costello didn’t want any memories stolen away in the event that time or health altered his mind. Unafraid to go behind-the-scenes and express life offstage, it was interesting to listen to him speak about how he’s changed over several decades from when he began his musical career as a young man in his 20’s until now in his 60’s. I wanted my stories to be told by me, in accuracy. I didn’t want them retold in a way that didn’t hold true to my life,” he stated to Evan Smith.

In regards to Elvis Costello’s past, the topic of family and his memories of childhood were predominant, reoccurring themes throughout the interview. Many old photographs of times past were presented on a large screen, even a heartfelt video of his father performing live on television and dancing on stage whilst singing “If I Had A Hammer”. Elvis Costellospoke fondly about both his parents and there was great love and adoration in his voice when he shared old memories and his love for family. Nonetheless, there was a huge emphasis on his father, Ross McManus, a well-known musician and trumpet player. In fact, Costello made a point to inform the audience that October 20th, that very day, was indeed his father’s birthday. A particularly poignant memory of childhood included Costello telling the audience how he peeked around the back of the TV as a small boy to see if he might find his father behind the machine, only to realize that his dad was on stage in a studio. I found those sorts of memories to be the most endearing because only a child could think someone or something could transform into a miniature size and fit inside a TV. Costello’s honesty and his ability to tell old memories as if he were reliving it that very moment humanized his life story and made the interview all the more refreshing to hear.

Growing up in a house of music, all my life I’d heard the name ‘Elvis Costello’ and I knew he was a musician, singer-songwriter and record producer from England. I knew he’d been inducted into the Rock and Roll Hall of Fame and I knew he’d been to Austin many times to perform. The city of Austin has always loved hosting Elvis Costello shows and over the past 20 years: I’d seen his name printed all over line-ups in the press. But to be quite frank, I really had no idea how in-depth his career was or how influential he was until this interview and until I began reading his memoir. Not only did I walk away that night learning and absorbing new insights about a famous musician born in Europe. That evening I became an Elvis Costello enthusiast. Just listening to the stories during the interview had me intrigued, eager to finish the rest of his book I’d only obtained one day prior to the event. However, the moment when he surprised us with live music and began to play “Everyday I Write the Book” and I heard those lyrics for the first time only a few feet away from Elvis Costello in the flesh and blood: I felt a strong connection to the music. I wanted to hear more. My heart was so deeply moved by the words in his lyrics that it almost made me want to cry, in a good way. Since then I’ve started to read many of his lyrics and it’s clear to me now why he’s become a global success for 40 years. Elvis Costello is an artist whom posses a distinct voice and an edge. An artist that followed his heart and writes from the heart. A one-of-a-kind artist with innate gifts of articulation, imagination and passion. Gifts that cannot be taught nor bought.

Furthermore, Costello read a few chapters from his newly released memoir, Unfaithful Music & Disappearing Ink. Ending the evening on a high note, that’s when he played a bit of live music for the audience. We even got a little history lesson about his guitar in-between songs. A short video of his performance that I recorded from my seat can be found here on YouTube: Elvis Costello playing music at Book People.

Elvis Costello’s memoir was released in October 2015. The nearly 700 page story hasn’t been on the bookshelves that long but it’s already receiving quite a bit of positive feedback and attention from the media. Posted verbatim on his official website, “Born Declan Patrick MacManus, Elvis Costello was raised in London and Liverpool, grandson of a trumpet player on the White Star Line and son of a jazz musician who became a successful radio dance-band vocalist. Costello went into the family business and before he was twenty-four took the popular music world by storm. Costello continues to add to one of the most intriguing and extensive songbooks of our day. His performances have taken him from strumming a cardboard guitar in his parents’ front room to fronting a rock and roll band on our television screens and performing in the world’s greatest concert halls in a wild variety of company. Unfaithful Music & Disappearing Ink describes how Costello’s career has endured for almost four decades through a combination of dumb luck and animal cunning, even managing the occasional absurd episode of pop stardom. This memoir, written entirely by Costello, offers his unique view of his unlikely and sometimes comical rise to international success, with diversions through the previously undocumented emotional foundations of some of his best-known songs and the hits of tomorrow. It features many stories and observations about his renowned cowriters and co-conspirators, though Costello also pauses along the way for considerations of the less appealing side of fame.”

Unfaithful Music & Disappearing Ink can be purchased online or at your local bookstore. For more information regarding Elvis Costello, his book tour, list of albums or other miscellany: please visit the website at www.elviscostello.com.

“Don’t tell me you don’t know what love is. When you’re old enough to know better. When you find strange hands in your sweater. When your dreamboat turns out to be a footnote. I’m a man with a mission in two or three editions. And I’m giving you a longing look. Everyday, everyday, everyday I write the book. Chapter One we didn’t really get along. Chapter Two I think I fell in love with you. You said you’d stand by me in the middle of Chapter Three. But you were up to your old tricks in Chapters Four, Five and Six. The way you walk. The way you talk, and try to kiss me, and laugh. In four or five paragraphs. All your compliments and your cutting remarks. Are captured here in my quotation marks. Don’t tell me you don’t know the difference. Between a lover and a fighter. With my pen and my electric typewriter. Even in a perfect world where everyone was equal. I’d still own the film rights and be working on the sequel… Everyday I write the book.” – Elvis Costello

Note: This story is originally published on Rank & Revue in July 2015.

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Tears of Diamonds & A Heart of Silver: The Legendary Bill Carter and The Blame

nicolette mallow

Bill Carter. Photography by Pat Kondelis.

Walking into The High Road to see Bill Carter play music, I knew I would recognize him on stage but I was ambivalent whether or not he would recognize me in return. For six years at a distance, periodically on Wednesday nights I’ve seen and heard Bill Carter perform with other artists in the annex at Z Tejas on West 6th street in Austin, Texas. Everyone always loves the nights they perform at the Z, even the staff. Sometimes you cannot even get a seat because it’s so full. From a distance I noticed Mr. Carter always wore glasses, a hat of some sort, and I detected that he possessed a lot of tattoos on his hands and forearms with heavy-looking, silver and metallic jewelry adorning his wrists, fingers and neck. He looked like a rock star, and I always thought he must’ve been a cool cat to talk to. Come to think on it, I never actually had a direct conversation with Mr. Carter, or the band, even if polite hellos and friendly smiles were exchanged. Until today.

Stepping back in time a moment, there was one particular night at the Z when I was sitting at the edge of the bar, people watching. Musicians were on stage, silently setting up shop with their guitars, amps and other miscellany. Pretending to listen to my headphones and iPod so no one would bother me, when in actuality no music was playing at all. I heard a group of older men complimenting the musicians. Pointing out who Bill Carter was amongst the group, I also heard the men say that Johnny Depp once joined Carter on stage to play music at The Continental Club, which I found most interesting and exciting.

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 Finally, after six years of watching from the crowd, I set forth to interview Mr. Carter, and he was kind enough to oblige after the show at The High Road on March 14, 2015. Walking into the room for an early daytime show, behind the stage were giant glass windows that opened up to a swimming pool and a lovely view of downtown Austin. The sky was so blue and there wasn’t a cloud in sight. Palm trees blowing in the wind. I was sitting and listening to Bill Carter’s first song – “Richest Man” – which almost made me cry, in a good way, and I had to fight the urge to show intense emotions of sadness and bittersweet nostalgia at the table before it’s even dusk. Something about the lyrics and the mood of this track reminded me of my favorite song by Bob Dylan titled “Boots of Spanish Leather”.

“If teardrops were diamonds from the African mines. If heartaches were silver.

My whole life would shine. And I’d be the richest man.

I’d be the richest man. In the world.” – Bill Carter

Right at that moment, I looked up the lyrics of Bill Carter’s song. I was reading the words as he was singing them at The High Road, something I had never done before at the Z. Suddenly it dawned on me that I had yet to do my research on his background – or even read his website – which I had intended to do later on in the day. Regardless, as I was reading his website off my iPhone and other various articles about him on the web while he music echoed in my heart and ears. Suddenly I realized just how gifted and innovative Bill Carter is within the world of songwriting and music. Suddenly I felt stupid for never having personally introduced myself to him before to show respect, artist to artist. Until then, I was unaware that I was in the presence of a legend, a keystone to the songwriting and music industry the past few decades. Even if I had known I was in the present of a talented musician.

According to his website, Bill Carter and The Blame has been a pillar of the Austin music scene for nearly three decades, helping shape the city’s rich musical history along with songwriting partner Ruth Ellsworth. Over 200 artists have found gold in the songwriting genius of this Texas Troubadour, including Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Palmer,The Counting Crows, Storyville, Omar and The Howlers, The Brian Setzer Orchestra, Ruth Brown, John Anderson, and Waylon Jennings. Bill Carter and The Blame’s evolving lineup has hosted some of the world’s greatest musicians, including guitarists Charlie Sexton and Denny Freeman (Bob Dylan Band), Chris Layton (SRV Double Trouble), Dony Wynn (Robert Palmer), Mike Thompson (The Eagles), Johnny Depp, Billy Gibbons, Brian Setzer and many others. Carter is also a founding member of the famed Hollywood band “P” with Gibby Haynes of The Butthole Surfers, Johnny Depp, and Sal Jenco. They released the eponymous album ‘P’ in 1995 on Capitol Records, featuring Steve Jones from the Sex Pistols, Flea, and Ruth Ellsworth.”

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Bill Carter and Johnny Depp on The Late Show with David Letterman.

As the show at The High Road came to an end, I was almost too timid to walk up to the stage to introduce myself and kindly ask for an interview once he broke down his equipment on stage. Though I am glad I mustered up the courage to make a proper introduction and ultimately write a story about this great artist. Secretly I was also relieved that he recognized me from Z Tejas, which made the introduction less intimidating.

Nicolette Mallow: From the perspective of a songwriter and musician performing in the official SXSW showcase, do you enjoy the festival and how have you seen it change over time?

Bill Carter: Yes. I think it’s great and I think it’s come full circle from how it all began. SXSW has evolved so much over the years. I’ve been in Austin since 1976 and when the first festival took place in 1987: it was predominantly local musicians and it was very small in comparison to what it’s become today, a million times bigger than the start. As time went by, more and more big names came into town, which was nice because it built the festival into something much more powerful. As time went by, however, it seemed to become more about mainstreams artists and less about the local music scene. Now it seems to be an infusion of both, and I am certainly happy to see more local artists performing this year. My wife (and songwriting partner, Ruth Ellsworth) and I first got involved with SXSW through our mutual love for songwriting. She and I have written hundreds of songs together. Honestly I identify most with being a songwriter and I prefer to be recognized as a songwriter more so than I like to be described as a musician or performer.

NM: Regarding the upcoming SXSW show at The Continental Club, which other musicians will be performing with you?

BC: Accompanying me that night will include artists like Will Sexton, Dony Wynn and Charlie Sexton.

NM: Is the Continental Club your favorite venue in Austin to perform at?

BC: (He smiles.) Yes. It is my favorite venue. Many of the venues I grew to love are now long gone. The original Antone’s on West 5th was another place I loved to play music but then it was relocated and it wasn’t the same. They are going to reopen a new Antone’s downtown and I am anxious to see what it is like and if it will have the same vibes as the original location.

My next question was more a question of curiosity. Even though I worried it might seem counterproductive to ask Carter about another artist in the few minutes I had to interview him. I couldn’t help but wonder about the Johnny Depp rumor. I formed a silly, girlish crush on Johnny Depp decades ago after the film “Cry Baby” came out in the 90’s when I was a kid and was saddened when suddenly every girl in the world had a crush on him, too.

NM: I remember hearing at Z Tejas that Johnny Depp once accompanied you on stage at The Continental Club for a musical performance. Is this true?

BC: Yes. I’ve been playing music with Johnny for decades. I’m the godfather of his children and he’s a great friend of mine. We once formed a band in the spur of the moment in the 1990’s called “P”. We were the headlining band for the Austin Music Awards for SXSW. Johnny was in Texas, nearby Austin, filming “What’s Eating Gilbert Grape” and he came into town for the gig. The band included Gibby Haynes of The Butthole Surfers, Johnny Depp, Sal Jenco and I.

NM: You’ve won many awards and have obtained many prestigious recognitions, your career is remarkably full. I’m very impressed by all I’ve read and heard. Therefore I am curious, what aspect of your artistry and your career are the most rewarding and fulfilling?

There was a brief pause before he answered.

BC: Well, my wife and I have written so many songs together. Many of those songs we wrote have later on been covered by artists I respect and admire. Stevie Ray Vaughan covered our song “Crossfire” and Robert Palmer covered “Why Get Up”. To be acknowledged, appreciated and respected by great artists like these whom I esteem, value and respect has been the most rewarding and fulfilling aspect of my career. There was also one night on David Letterman I particularly enjoyed. Johnny Depp and I played “Anything Made Of Paper” together, which is a song my wife and I wrote. It’s about the West Memphis Three case. A case that involved three teenage boys who were accused of murder and placed in jail for life before they even hit adulthood. It’s a powerful story, check it out.

NM: Austin has changed so much in the 20 years I’ve lived here, off and on. Since you’ve been here so much longer than I, and have seen a lot more growth. Do you think you and your wife will stay in Austin with all the vast changes in the city?

BC: That’s a good question. The growth in Austin has been difficult for me over the decades. The venues changed. The music scene changed. The people changed. It used to be a funky, intermingled town that was quiet and serene with a booming music scene. It was cheap and easy to get around. It was so beautiful then. Around the late 80’s, maybe 1988 or 1989, that city died out and something else began to evolve. I’m sure you’ve seen the changes since the 1990’s. Even people who’ve only been here five years can see changes. Now there are 30 story buildings and it’s crowded, expensive and it’s just not the city that I came to know decades ago. I don’t know…I only come in town for shows. I am from Seattle and sometimes I think I would like to keep a place here, and have one there. But I really don’t know.

NM: My last question is a bit random, but is there a reason you’re only wearing two rings on the same fingers of each hand?

BC: (He laughed) Only because I didn’t feel like wearing the others. I own a lot of rings, cuffs and metalwork that I like to wear. It depends on the day or the mood I am in what I will wear. But there is one ring that I almost always wear, aside from my wedding ring. (He says as he extends his right hand). Johnny Depp gave me this ring when the first “Pirates of the Caribbean” was being filmed. It was the first ring made for the movie, and he told me that he wanted a new one made for him with a gold bandana and a pair of eyes made of rubies. So I got this one and I wear it everyday.

Be sure to catch Bill Carter at his upcoming SXSW performance at The Continental Club on South Congress from 11:00 PM to 11:40 PM on March 21, 2015. The official SXSW artist statement for Bill Carter entails the following: Legendary songwriter and Austin Music Hall of Fame inductee Bill Carter has been a pillar of the Austin music community for over three decades. His songs have been covered by over 200 artists from Waylon Jennings to Robert Palmer. Winner of an Austin Music Award for “Best Song of the Decade” and BMI’s Million-airs Award for Stevie Ray Vaughan’s only #1 hit “Crossfire” Carter and his world class band, The Blame, serve up a wicked stew of slyly crafted Americana. Look for a new album slated for release in 2015.”

For more information regarding Bill Carter, future shows and bookings – please visit his website at www.billcarterandtheblame.com.

Note: This story is originally published on Rank & Revue in July 2015.

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